SPIDER-MAN: BRAND NEW DAY Review

Destin Daniel Cretton takes over Tom Holland's Fourth Solo Spidey Film that Looks to Ground the Character while Allowing him to Fly Higher than Ever.

THE ODYSSEY Review

Christopher Nolan's Latest is an Ambitious Film Worthy of Homer's Epic Poem and One of the Most Exhilarating Theater Experiences Viewers Could Hope for.

MINIONS & MONSTERS Review

Dan Trachtenberg Continues to Expand on the Predator Franchise, this Time Making the Titular Antagonist a Protagonist we Root For and Want to See More Of.

MOANA Review

Director Luca Guadagnino's Latest May Not Have Been Made to Make Audiences Feel Comfortable, but it Might Have at Least Alluded to Something More Bold.

THE INVITE Review

Paul Thomas Anderson and Leonardo DiCaprio Team-Up for the First Time to Deliver a Thrilling, Timely and Ambitious Film that Delivers on Every Front One Might Hope.

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Showing posts with label Gabrielle Rose. Show all posts
Showing posts with label Gabrielle Rose. Show all posts

A DOG'S PURPOSE Review

In the opening moments of the latest sun-drenched melodrama from director Lasse Hallström (Chocolat, Hachi: A Dog's Tale) a dog is born and just quickly a dog is euthanized. It's a strange way to open a PG-rated family film about man's best friend, but was apparently the best way to set the stage for a film whose premise is that of dog reincarnation as narrated by Olaf from Frozen. Sound strange? It is, a little bit, but not nearly as bad as you might think though not nearly as effective as it should be either. This is taking into considering the fact the writers/producers and Hallström don't shy away from exploiting what is arguably the easiest way to elicit tears from your audience-a dog dying. They do this at least four times. And yet, through each of these segments, each of these lives that we see different breeds and genders of dogs lead (all voiced by Josh Gad) there is never that moment that just breaks you in the way you expect a movie like this to do. It seems there was no hesitation in doing what it takes to get the audience to that point, but the execution never matches the intention thus making A Dog's Purpose more of a sleeper than the quickly euthanized pup we met in the first scene.

Of course, Universal knows what it's doing and who the audience is for this type of movie and up until a few weeks ago were no doubt counting on cashing in on the countless dog lovers that flood this great land of ours. It's possible, but is now rather difficult to watch the film without the experience being at least somewhat tainted by the set footage that was released in which a trainer is forced to place a dog in water the canine clearly doesn't care to get in for the sake of a shot. Does the footage strike concern for how movies such as A Dog's Purpose are made? Potentially, sure. Is a bigger deal being made out of what footage we've seen than necessary? Absolutely. Sure, the dog clearly doesn't care to go in the water, but the trainer seemed especially sensitive to this hesitation and we only know if we don't like something by trying it first and that could just as easily be the other side of the coin in this case. I stayed through the credits to see that the film received its seal of approval from the American Humane Society and indeed it did. That's enough for me to trust that what video has been released was likely largely taken out of context if not a massive PR stunt to get more people talking about the movie. Needless to say, dog lovers will likely still flock to A Dog's Purpose and have no reason not to-it's made especially for them anyway.   

IF I STAY Review

There is something to be said about films that I probably shouldn't have any interest in, but really enjoy nestling down with anyway. They are films that aren't necessarily bad; that I don't enjoy watching in a guilty pleasure capacity seeing as "guilty pleasures" are not typically held in high regard. Instead, these films I sometimes latch onto aren't necessarily labeled with negative connotations, but more accurately are labeled more for a specific crowd or demographic that I wouldn't necessarily fall into. R.J. Cutler's If I Stay is a perfect example of the type of film I'm talking about in that I am in no way the target audience for this young-adult novel inspired flick for teenage girls, but regardless I was still able to take away a fair amount of appreciation for what is being attempted here. There is, in short, a certain depth to the story and the way it is framed that clearly comes from Gayle Forman's novel of the same name. It is reaching for something more, something ambitious in the vein of its philosophical thought and the relation of our existence to the point in life our protagonist exists at in this story. Would she ultimately make a different final decision were she at a different point in her life and under different circumstances? Probably, yeah. She may also make the same decision, but would of course be swayed by different factors and the endless possibilities of this scenario that have been dialed down into this specific being at this specific time in her life is fascinating for doing so. You can imagine an endless amount of possibilities when coming to terms with the idea that we have the power to make such a critical choice and coming to terms with that power is enough to intrigue us to be interested in the path that leads Mia (Chloë Grace Moretz) to make the decision she does. I imagine Forman chose the age of her protagonist in that the heightened situation of life and death and the decision to stay or go is mirrored by the general transitional period in life that Mia exists thus creating a similar disposition in both the main story and the one that sets-up the flashbacks through which the majority of the story is told. Don't get me wrong, If I Stay isn't necessarily a breathtaking experience or one that is as emotionally affecting as it thinks it is, but besides running on fumes for a good portion of the second act the film has more to offer than I would have ever anticipated.