GOLD Review

Kenny Wells is a mess and that is pretty evident from the moment he appears on screen hoping to charm the curls right out of Bryce Dallas Howard's eighties frizzled hair, but even as he does this it's easy to tell there is no real thought behind his actions other than what the immediate rewards might be. This is key to understanding the type of mentality we'll be working with for the next two hours as Wells is a man who believes himself lucky to have been born into a family that started a mining company and who intends to carry it on even after the death of his father (Craig T. Nelson). Wells takes the idea from his father that they don't necessarily have to do this for a living as it's a crap shoot of a business, but instead pride themselves of getting to do this for a living. The question they're seemingly missing the answer to though, is the ever-present why? What are they doing this for? Seven years on after the passing of the elder Wells and Matthew McConaughey's Kenny has his men working out of a bar, trying to keep a lid on expenses, and coming up short in seemingly everything, but chiefly in keeping his family's business afloat. As a man who can't help but to try and survive for the next few weeks rather than the next twenty years Wells sees no other option other than to do whatever it takes to keep that business running. He is a man who puts a lot of stock in legacy in the way that he seems to inherently ask himself how proud his father would be were he to still be alive-would he be happy with what Kenny has done with their business? After the rather stirring opening and tone-setting title card fade away it becomes pretty clear that Kenny Wells is in a position neither his father nor his grandfather ever found themselves in. The guy is desperate to find backers for digs that no one believes in and that no one seems to believe will yield any results. Sure, Wells has responsibilities to his employees that are dedicated enough to work out of that aforementioned bar, to Howard's Kay who has stuck with him still and now works at that same bar as a waitress most of the time doubling as his secretary, but the biggest responsibility Kenny feels is clearly to that legacy he is set to taint. And so, Wells takes a chance, a risk-one that could fail just as easy as it could succeed, but one that perfectly encapsulates and sets the stage for how this protagonist McConaughey fully commits to will operate in the mostly entertaining circumstances Gold presents.   

First Trailer for GOLD Starring Matthew McConaughey

Fool's Gold this is not though Matthew McConaughey once again stars and the point of the story is to seek out a lost treasure. Gold really shouldn't be thought of as any type of relation to that 2008 rom-com though, as it marks the first film from writer/director Stephen Gaghan (Syriana) in over a decade. Having no idea what the film was about before seeing this initial trailer and only having McConaughey's choice to go bald atop his head as the main identifier I wasn't sure what to expect, but having now caught a glimpse of what Gaghan has in store for us I am certainly more intrigued. Telling the true story of the Bre-X Mineral Corporation mining scandal the film follows a struggling businessman who teams up with a hapless geologist to find gold in the Indonesian jungle. McConaughey looks to be in full Oscar-mode here as not only has he gone bald, but he's added a bit of a belly and just looks downright sweaty and smarmy throughout this entire clip. After seeing Hands of Stone last week and given he's part of the ensemble in the sure to be hit adaptation of The Girl on the Train later this fall I'm more interested in the career of Edgar Ramirez and what he might do in the future so it's good to see him alongside McConaughey and in a prestigious picture such as this. That said, Gaghan didn't have a hand in penning this screenplay as he did for his Oscar-winning Syriana and Traffic. Still, given this is only the director's third major motion picture one has to assume many of his tendencies and instincts to tell a story will align with what has provided a solid track record thus far. Hopefully, the script was so good already Gaghan didn't feel it needed polishing before taking it on. We can hope. Regardless, this trailer certainly sells the film well with the influence of Martin Scorsese and Oliver Stone evident. Gold also stars Bryce Dallas Howard, Toby Kebbell, Rachael Taylor, Corey Stoll, Bill Camp, Bruce Greenwood, Stacy Keach, Adam LeFevre, Timothy Simons, Macon Blair, and opens wide on Christmas day.

IF I STAY Review

There is something to be said about films that I probably shouldn't have any interest in, but really enjoy nestling down with anyway. They are films that aren't necessarily bad; that I don't enjoy watching in a guilty pleasure capacity seeing as "guilty pleasures" are not typically held in high regard. Instead, these films I sometimes latch onto aren't necessarily labeled with negative connotations, but more accurately are labeled more for a specific crowd or demographic that I wouldn't necessarily fall into. R.J. Cutler's If I Stay is a perfect example of the type of film I'm talking about in that I am in no way the target audience for this young-adult novel inspired flick for teenage girls, but regardless I was still able to take away a fair amount of appreciation for what is being attempted here. There is, in short, a certain depth to the story and the way it is framed that clearly comes from Gayle Forman's novel of the same name. It is reaching for something more, something ambitious in the vein of its philosophical thought and the relation of our existence to the point in life our protagonist exists at in this story. Would she ultimately make a different final decision were she at a different point in her life and under different circumstances? Probably, yeah. She may also make the same decision, but would of course be swayed by different factors and the endless possibilities of this scenario that have been dialed down into this specific being at this specific time in her life is fascinating for doing so. You can imagine an endless amount of possibilities when coming to terms with the idea that we have the power to make such a critical choice and coming to terms with that power is enough to intrigue us to be interested in the path that leads Mia (Chloë Grace Moretz) to make the decision she does. I imagine Forman chose the age of her protagonist in that the heightened situation of life and death and the decision to stay or go is mirrored by the general transitional period in life that Mia exists thus creating a similar disposition in both the main story and the one that sets-up the flashbacks through which the majority of the story is told. Don't get me wrong, If I Stay isn't necessarily a breathtaking experience or one that is as emotionally affecting as it thinks it is, but besides running on fumes for a good portion of the second act the film has more to offer than I would have ever anticipated.

First Trailer for SIN CITY: A DAME TO KILL FOR

Way back in 2005 I went to see Sin City for my eighteenth birthday and became so caught up in the visual style of the world Robert Rodriguez created as he brought the Frank Miller comics to life that I don't rightly remember much of what the story concerned itself with. I remember simply being impressed and overwhelmed by it all that the fact it was broken down into several different narratives with an insane amount of characters and a balancing act hard to get a grasp on the first time around didn't bother me much. It was one of those films that seemed to demand a sequel upon its release and it became easier and easier to forget the initial film with each passing year (instead we got Miller's horrible solo effort The Spirit in 2008). I will admit to not re-visiting Sin City much over the past nine years, but would be lying if I said I wasn't the least bit excited to finally see Rodriguez and Miller continue their tales of Basin City. This time around, Joseph Gordon-Levitt heads up the impressive roster of new and returning cast members that will weave together two of Miller's stories. With 300: Rise of an Empire out tomorrow it is only fitting we now get our first look at the other Frank Miller adaptation this year. While 300 has become the more definitive staple of Miller's visual style it was always clear Sin City was the more ambitious in terms of both style and substance and if the first trailer is any indication (according to the early reviews for Rise of an Empire) it seems the follow-up to Sin City will also be the more substantial in terms of narrative even if the visual effects look like they have a long way to come before that release date. Let's just hope this doesn't skew towards cheap knock-off more than authentic replicate as Rodriguez's Machete Kills did last year. Sin City: A Dame to Kill For stars Josh Brolin (taking over for Clive Owen) Mickey Rourke, Jessica Alba, Bruce Willis, Rosario Dawson, Jaime King, Eva Green, Dennis Haysbert, Christopher Meloni, Jeremy Piven, Ray Liotta, Juno Temple, Stacy Keach, Julia Garner and opens on August 22nd.

NEBRASKA Review

Naturally, the most involving stories are those we usually relate to best. I personally love a good comedy but the consequences most characters face in those films are unrealistic. I can enjoy a horror flick without actually becoming wrapped up in the mythology of what the film justifies its actions with or convincing myself it is real and an actual possibility in this world. The same goes with science fiction and over-the-top action movies. Sure, I love Star Wars and have become enamored with the barrage of comic book films we’re hit with every year, but I like to think of myself as a diverse viewer in the fact that while I can enjoy even the mainstream genre films that big studios deem worthy of their big budgets it is perfectly acceptable to understand why the smaller, indie movies that typically end up on critics end of year best-lists are just as enticing and deserve to be taken on their own terms for the point in which they were made and what ideas they were looking to explore and fulfill (just as those bigger budget ones). All of that to say that when something like Nebraska comes along it is easy to take it for granted, but in reality this is a film that captures all of the complexities of life in as simple a package as our day to day lives make it seem most of the time. As told by director Alexander Payne (Sideways, The Descendants) it was clear that this very human story would have a very personal tone to its proceedings, but Nebraska is surprisingly insightful not only for the dynamics between the family members and the core relationship between the father and son that examines big questions in small ways, but because it is, like its main character, so matter of fact about these big ideas. There is nothing overly exceptional about the film, but that too is due to the fact it dials down its philosophical and nostalgic questions that delve into the choices we make and how they effect our happiness, how we don't always think them through in the moment and how they may, in the long run, determine more than just the quality of life but our satisfaction with it. Payne has always had a knack for exploring human pain and contemporary American life with a touch of dark humor and he almost provides that in excess here as the crux of the plot is a senior citizen buying into one of those million dollar marketing ploys, but this silly gimmick only serves as the entrance point to a family many will feel all too familiar with and be happy to be re-assured we are not alone in each of our hectic/tiring/uplifting/pathetic/routine lives.

First Trailer for NEBRASKA

I'm a moderate fan of director Alexander Payne. He gets a lot of credit for his 2004 flick, Sideways, but I much prefer 2011's The Descendants simply because of where I was at in life and how it hit me. I haven't re-visited Sideways in a few years and I never made it around to seeing his 2002 feature About Schmidt or 1999's Election, but regardless I'm rather excited to see his latest film, Nebraska. Having premiered at the Cannes Film Festival earlier this year to lukewarm reviews it has still managed to gain a good amount of momentum and will be making its premier stateside next month at the New York Film Festival. It seems that here it will find a home and we may get a better understanding of what the point of the film is and what it is trying to say as it is essentially a small film set in small town America and tells a story of an old man in a new generation who seems to want to contend rather than sit by and let his final years pass him by. That may even sound a little too mainstream a synopsis to capture what the film is going for, but from the mood of the first trailer it is evident that Payne is going for that same type of tone and wit that made Sideways such an underground hit. What might be the most exciting aspect of this for me is that Payne has given Will Forte the chance to spread his wings in something more than just a bit role in a major comedy or the string of MacGruber-type flicks that may or may not end up being his lot in life. Naturally, Bruce Dern as the lead is getting more of the attention and the trailer displays why as he's a guy who receives one of those "winning" sweepstakes letters in the mail and, convinced he has actually won a million dollars, makes it his mission to walk from Montana to Nebraska to claim his prize. Nebraska also stars Bob Odenkirk, Stacy Keach, June Squibb and opens November 15th.