JOHN WICK: CHAPTER 3 - PARABELLUM Review

It's been five years in real time, but in the life of John Wick (the entirely endearing Keanu Reeves) the man has had one hell of a month - if that. From losing his wife to losing the puppy his wife bought him to killing the son of the mob boss that killed his dog and stole his car leading him back into a life he only thought he'd left behind. In this ill-fated scenario, Mr. Wick found himself dealing with more and more repercussions of his actions to the point that at the end of the second film he was so filled with rage that he would seemingly never be able to forgive anyone who dared cross him again...much less himself for having allowed his life to slip back into these old routines. So filled with rage, in fact, that he broke the only rules he'd ever had to follow thus forcing the hand of his powerful friend, Winston (Ian McShane), the owner of the grounds on which Wick had broken said rules of the league of extraordinary assassins that he was assigned the label of "excommunicado" therefore placing a $14 million price tag on his head and an army of bounty-hunting killers on his trail. These are the kinds of things that happen when one kills a member of a shadowy international assassin's guild though, not to mention a member who was seated at what is referred to as the "High Table". John Wick: Chapter 3 - Parabellum begins with the stakes as high as they've ever been-even Wick's closest friends are unable to look past the bounty in order to give this broken man another chance. It is in this scenario and current mental state the character inhabits that make it fairly critical to have seen the previous films in director Chad Stehelski's now trilogy of films. Parabellum kind of assumes we're present in the theater because we're already invested in the character and then moves forward with such a momentum that there's little time to catch-up if you're not already in it. That said, the pacing is not just an excuse to continually grow the breakneck speed of the action as well as the scope, but is more a stylistic choice that every function of the script adheres to and if the John Wick trilogy has done one thing consistently it's adhere to stylistic choices. As the series has progressed more layers have been added, but never have these brought the story, character development, or action beats down. Rather, each of these elements necessary to making a feature motion picture are held to the same standards the action is. That isn't to say the dialogue is as Shakespearian as the action, but does it function so as to effectively elicit the intended visceral reaction of the audience? Damn straight.

First Trailer for JOHN WICK: CHAPTER 3 - PARABELLUM

The third entry in Keanu Reeves' latest franchise, John Wick, that began as a humble one-off revenge thriller in 2014 with little to no aspirations has (finally) released its first full trailer and this neon-soaked barrage of violence and fine tailoring couldn't look more badass. John Wick: Chapter 3 or Parabellum as it has now been subtitled will follow the events of Chapter 2 in allowing audiences to witness the "excommunicado” of its titular assassin as he is now a wanted man by the entire criminal underworld, but without the safe haven of places like The Continental to escape to. While it looks as if much of this latest film will see Wick on the run, eluding and deflecting those with balls big enough to try and claim the bounty on his head it also looks as if director Chad Stahelski (who co-directed the first film, but went solo on the sequel), directing a script from Derek Kolstad, will be introducing plenty of new faces-not least of all a character played by Halle Berry. While Berry hasn't exactly spurned the promising beginnings of her career into one of widely adored projects or a franchise or character that has catapulted her to insane levels of fame, she seems right at home in this world of Wick and given she seems to essentially be teaming up with Reeves I can only hope the chemistry and banter between them is as good as I might venture to guess; the touch of her having a pair of attack dogs isn't bad either. Of course, what most come to the John Wick franchise for is the action and it would be hard to blame them as both the aesthetic of the film in general and the look of the many large action sequences here look to be downright striking. Taking place mostly at night, with lots of moody rain we see Wick chase sword-wielding motor cyclists on a horse in a chase sequence I can't imagine will be anything less than bonkers while Wick also seems to have figured out a way to make even reading lethal. Needless to say, this looks to be exactly what any sequel to that 2014 original would promise itself to be. John Wick: Chapter 3 – Parabellum once again reunites Reeves with his Matrix co-star Laurence Fishburne, with other newcomers including Anjelica Huston, Jason Mantzoukas, Hiroyuki Sanada, Robin Lord Taylor, Tiger Hu Chen, Yayan Ruhian, and Cecep Arif Rahman, while Ian McShane,  Lance Reddick, Common, and Ruby Rose all return when the film opens on May 17th, 2019.

KINGSMAN: THE GOLDEN CIRCLE Review

There is a difficulty to pinning down what exactly it is about Matthew Vaughn's work that makes it stand out if not necessarily resonate, but to date it has been difficult to not at least enjoy, on a surface-level, every single film the director has released including the oft forgotten 2007 Neil Gaiman adaptation, Stardust, that is a genuinely great, very funny, and wickedly entertaining fantasy film told by someone who knows how to manage tone. Maybe this is it. Maybe it is the way in which Vaughn is able to deliver on a particular tone above everything else that makes his personality shine through so much more than other for-hire action directors tend to be able to do. It would be easy enough for studios to craft generic comic book adaptations, X-Men sequels, and James Bond spoofs-everyone is making some variation on one of those today-but to bring a unique perspective and distinct personality to such common proceedings is a gift and there is no denying Vaughn has that gift whether you appreciate where he's coming from or not. It is a tough thing, straddling what is to ultimately be an intangible aspect of one's final film, but Vaughn has always done well to imprint his films point of view throughout the film-thus making for the literal actions of the characters in the climactic scenes to feel all the more successful as they have not only accomplished the proper resolution the plot desired, but have simultaneously satisfied their moral compasses. Having listed many of Vaughn's previous projects it isn't difficult to note the guy has had ample opportunity to make sequels, but that he hasn't and that he did decide to take on the follow-up to his surprise 2014 hit says a lot about how much he is invested in this world and in this material. What then would Vaughn do in his first sequel? What is the direction he would choose to go? Those were the thoughts and questions stewing in my brain as the Kingsman logo on the front of the Kingsman tailor shop is revealed once more in the opening moments of Vaughn's latest, but while Kingsman: The Golden Circle is a bigger sequel and dares to explore the extended universe that exists around this independent agency we were introduced to three years ago it isn't nearly as cheeky or outrageous as we've come to expect the Kingsman or for that matter, Vaughn himself, to be. And so, while the film is serviceable and generally a good time it doesn't touch the bonkers and bawdy tone of the original despite being bigger in every sense a sequel can be.

SDCC: Green & Red-Band Trailers for KINGSMAN: THE GOLDEN CIRCLE

The second trailer for Kingsman: The Golden Circle is the first major release from 2017's edition of San Diego Comic-Con. This is the follow-up to the wildly successful Kingsman: The Secret Service from 2014 with director Matthew Vaughn returning for what will be his first sequel despite two other films he's directed having spawned follow-ups. So, what is it about the world of the Kingsman that made Vaughn want to return? It seems to be the fact there is so much more to explore here whereas Vaughn knew that what he had to say about the Kick-Ass and X-Men universes was more or less complete in his respective films. With Kingsman, which, like Kick-Ass, is based on a Mark Millar graphic novel, the filmmaker seemingly only scratched the surface of the world in which this secret service organization exists and the sequel is certainly expanding that world. Bringing in a host of big name newcomers. The Golden Circle sees the Kingsman's headquarters being destroyed and the world coming under siege forcing Taron Edgerton's Eggsy on a journey that leads him to the discovery of an allied spy organization in the US called the Statesman. This new trailer certainly shines more light on the Statesman giving Channing Tatum and Pedro Pascal a lot more to do this time around as well as getting a little more of Julianne Moore's villain who she's described as “Martha Stewart On Crack” . The trailer is also pretty relaxed about showing us Colin Firth's Harry Hart is alive and kicking, but I'm hoping there's more to this story that is divulged in the final cut. Vaughn and his crew have really seemed to up the ante by genuinely expanding the scope of the universe in which these characters exist so I'm hoping that given the director has finally decided to make a sequel that this turns out to be well worth the time and creativity invested. Kingsman: The Golden Circle also stars Halle Berry, Jeff Bridges, Sophie Cookson, Mark Strong, Michael Gambon, and opens on September 29th, 2017.

Full Trailer for KINGSMAN: THE GOLDEN CIRCLE

Last week we received a brief, 16-second teaser for Kingsman: The Golden Circle. This is the follow-up to the wildly successful Kingsman: The Secret Service from 2014 with director Matthew Vaughn returning for what will be his first sequel despite two other films he's directed having spawned follow-ups. So, what is it about the world of the Kingsman that made Vaughn want to return? It seems to be the fact there is so much more to explore here whereas Vaughn knew that what he had to say about Kick-Ass and the X-Men universe was more or less complete in his films. With Kingsman, which, like Kick-Ass, is based on a Mark Millar graphic novel, the filmmaker seemingly only scratched the surface of the world in which this secret service organization exists and the sequel is certainly expanding that world. Bringing in a host of big name newcomers The Golden Circle sees the Kingsman's headquarters being destroyed and the world coming under siege forcing Taron Edgerton's Eggsy and the the rest of the gang on a journey that leads them to the discovery of an allied spy organization in the US. These two elite secret organizations must band together to defeat a common enemy. While an added layer to an already familiar operation is always an exciting facet in a sequel it would appear that, from this trailer, Vaughn and his crew have really upped the ante in this second film by not simply adding more characters, but by genuinely expanding the scope of the universe in which these kinds of individuals can exist with not all of them falling under the same category of being slick-suited super-spies. Rather, we get a fair amount of footage of Channing Tatum sporting Americana to the brim while essentially being the U.S.'s answer to Britain's Eggsy. I was a big fan of the original and am a big fan of Vaughn's work in general so I'm hoping that given he's finally decided to make a sequel that this turns out to be well worth the time and creativity invested. Kingsman: The Golden Circle also stars Pedro Pascal, Halle Berry, Jeff Bridges, Julianne Moore, Sophie Cookson, Mark Strong, Michael Gambon, Colin Firth, and opens on September 29th, 2017.

X-MEN: DAYS OF FUTURE PAST Review

Everything about our comic book movies that we receive these days are dictated by what works in others and what has become outdated, but when it comes to the X-Men films they are the ones who set the trend of what has now been flourishing (for the most part) for nearly fifteen years. With their latest installment they continue to be able to change with the times while also sticking to their roots and using what has come in the past to influence the relationships between the characters and make the impact of the events that occur in the latest installments all the more powerful. I was a big fan of First Class three years ago as it was able to give the series a much needed fresh start after the perceived misstep of The Last Stand (which wasn't ALL that bad) and the definite blow that was X-Men Origins. Not only was the series getting a fresh start, but it was also a chance to see what has always been the core of the franchise, the relationship between Charles Xavier and Erik Lehnsherr, blossom and become the iconic battle of ideologies that guided each of the original X-Men trilogy films. In saying that the X-Men films continue to adapt to the current climate of superhero films is to reference how this latest installment, which is technically the sequel to First Class, incorporates the idea of continuity and world building. The idea to bring in everyone from past films, essentially creating an all-star roster for an embodiment of everything the past films have been leading up to is the new niche studios are pushing after the success of not only The Avengers, but the Fast & Furious films. The X-Men have always been an ensemble though so their way of putting a spin on this approach is to connect the original franchise with that of the First Class world and in doing so have created a universe where every X-Men film that has been made can co-exist in the same space (except for maybe Origins, but that bears little matter here) and in that regard Days of Future Past doesn't quite feel as spectacular or as epic in scope as it probably should, but it is still highly entertaining and more satisfying on a level that leaves us with a film that will resonate with us the more we watch it rather than becoming less impressive over time because it's nothing more than empty spectacle.

FRANKIE & ALICE Review

There was a time between the break of the new millennium and about three years in where it seemed as if Halle Berry would be an unstoppable force, destined for greatness as she became an X-Men (or woman), took the role of a Bond girl and mixed her big budget affairs in with smaller films that grabbed her Oscar nominations and the eventual first best actress trophy for an African American woman. Things seemed to be going better than perfect and audiences were willing to forgive interesting misfires like Swordfish and Gothika (at least she was trying to be versatile, right?) but then she made Catwoman and it seems ever since the actress has been trying to regain that credibility she possessed for only a brief amount of time. She has never seemed to simply accept her fate as Cuba Gooding Jr. so clearly has, but instead, continues to make films she seems to hope will make her that award winning actress again, serious dramas with heavy subject matter, but the problem has always been that these choices are obvious and not organic. They are pure bait it seems, even as a part of the bigger than her Cloud Atlas it sometimes seemed she was only present because she thought it might have a shot at garnering awards attention while the production at hand here, which has somehow managed to be delayed for four years, makes it clear the place Berry was in not too long ago and now. Maybe though, now, with another shot at the Storm role lined up this summer and a box office hit last year with The Call, she will try to find a middle ground that doesn't see her putting on an acting workshop to try and earn the praise of her peers, but simply allows the movies she finds herself in to take form around what she feels is suitable for the role and if Oscar comes a knocking, more power to her. Of course, I could be completely off and this fluctuation in her popularity, credibility and profitability could simply be based on her tendency of which scripts to choose, but if Frankie & Alice proves anything it is at least that Berry is ambitious and willing to keep on truckin' even when the tide is against her.

First Trailer for X-MEN: DAYS OF FUTURE PAST

Bryan Singer kicked off the super hero film wave way back in 2000 and even as the super hero genre has become its own and still thrives, arguably better than it ever has, Singer's X-Men crew have been through several ups and downs together, but have not re-grouped entirely since 2006's The Last Stand where director Brett Ratner took over and things only went downhill from there. In 2011 though director Matthew Vaughn re-invigorated the mutant franchise with his take on the origin story of the two distinct leaders of the mutant revolution: Charles Xavier (Patrick Stewart) and Erik Lensherr aka Magneto (Ian McKellan). The film was both critically and financially successful which of course means a sequel, but this isn't like any other sequel. Singer has now returned to the world he began and has combined both his cast and the First Class recruits to tell a time altering story that has Hugh Jackman's Wolverine sending his consciousness back to 1973 so that he might help a younger Charles (James McAvoy) and Erik (Michael Fassbender). The suspected villain in all of this is Boliver Trask (Peter Dinklage) who may or may not be constructing large robots that look eerily similar to sentinels. The trailer delivers more than I expected, but with a quieter, darker tone than I've seen in any of the previous X-Men films. I absolutely loved the first X-Men and X2 is still arguably one of the best super hero films ever made which only garners more excitement to see what Singer has done with a cast and scale as large as this one. X-Men: Days of Future Past also stars Jennifer Lawrence, Nicholas Hoult, Anna Paquin, Ellen Page, Shawn Ashmore, Omar Sy, Halle Berry and opens in 3D May 23, 2014.

CLOUD ATLAS Home Video Review

While I would certainly classify myself as a sci-fi nerd I don't think I would place Cloud Atlas fully in that category. It is one of those movies that is hard to describe. I can't imagine the pitch for it (which I guess is one reason it had to be financed by foreign investors) and to have such a grand idea condensed into a single cinema-going experience all seems to be a bit too much to feed in one serving. It is something that might have worked better, and would have likely benefited, from being a mini-series on HBO or something of that nature rather than having an audience sit through six elaborately detailed stories pushed together and feeling forced to connect what it attempts to deliver in theme. That being said, the themes this film does concern itself with mixed with several of the individual stories that are ambitious in their own way and are then layered with others combine to create an impact that will leaving you feeling as if you truly have witnessed something special, if not at least very stimulating. I cannot say that Cloud Atlas will be for everyone, in fact, I can certainly understand where many people would have issues with the film. Whether it be that it is simply too confusing without being compelling enough to hold their attention or that for all its big ideas, in the end, it feels rather simplistic. I would understand and to a certain degree, I would concur with those points. Still, this movie is far too ambitious and far too unique to be dismissed for not being exactly what you expected or wanted it to be. Cloud Atlas is a sprawling epic that not only delves into several subjects but wants to make us think and speculate as much as it wants to entertain. It is a rarity and for that, I appreciate every minute it gave me.

THE CALL Review

It is tough to walk into a movie like The Call without having somewhat of low expectations. In seeing the trailer it appears to be a beat by beat thriller we've seen time and time again that could just have well been a Lifetime movie about the epidemic of abductions, especially considering the focus of the kidnappings here are teenage girls. It also didn't bode well for the film that it starred Halle Berry. For me, she has become somewhat of the equivalent to Cuba Gooding Jr. and that is in no way a shot at their ethnicity. That train of thought is more directly influenced by the fact that since winning her Oscar, Berry has appeared in almost nothing but lackluster films. The exceptions being a few shots at redemption such as Things We Lost in the Fire which never caught on and of course last years widely debated Cloud Atlas. I truly enjoyed Atlas and believe it to have been a film not appreciated because it was misunderstood, but regardless Berry was neither the reason that film succeeded in execution or failed at the box office. Still, her presence has long become an indicator of the quality a film might possess and though she hasn't dissolved into the straight to home video star Gooding has, there is no reason as of late to believe that something like The Call would be worthy of any positive chatter. Turns out, this film is a pretty fun, engaging, and even sometimes truly thrilling piece of entertainment. Maybe it was the fact I didn't expect to much or that the audience I viewed the film with seemed to enjoy it so much, but I came out of the film rather impressed by the way director Brad Anderson (The Machinist) taught an old dog some new tricks.

MOVIE 43 Review

I don't even know where to start with this movie. It is certainly going to be impossible to write a full evaluation of the film as I would usually be able to do with a typical film as this is not your typical film, and I don't mean that in a good way...at all. Over the past year or so I'd heard rumblings of what exactly Movie 43 was or what it was supposed to be. Naturally, the main thing we heard about it was that it contained an onslaught of Hollywood A-listers that were melded together to form some kind of rampant comedy that moves through its stars as fast as it does offensive jokes. Problem with the film is that it is trying way too hard and only succeeding once in a blue moon to really capture any genuinely funny moments. I won't lie in saying I was somewhat excited to see the film, as someone who enjoys mainstream comedy and this one in particular having seemingly no regard for what people might say no matter who it offended, sounded rather intriguing and fun. I can buy into that kind of thing and see having a great time with it but even more than being completely tasteless, Movie 43 is more than anything just dumb. With this ridiculously large, sprawling all-star cast you might expect there to have been some real incentive making each of them want to participate or feel attracted to the project and with a reported budget of only $6 million it certainly wasn't the money. What could it have been that drew in so many big-name actors and actresses an convinced them this was a good idea? We may never know because all we are left with is a steaming pile of unfunny droppings of underdeveloped sketches that wouldn't even make it onto a bad episode of Saturday Night Live.

CLOUD ATLAS Review

While I would certainly classify myself as a sci-fi nerd I don't think I would place Cloud Atlas fully in that category. It is one of those movies that is hard to describe. I can't imagine the pitch for it (which I guess is one reason it had to be financed by foreign investors) and to have such a grand idea condensed into a single cinema-going experience all seems to be a bit too much to feed in one serving. It is something that might have worked better, and would have likely benefited, from being a mini-series on HBO or something like that rather than having an audience sit through six elaborately detailed stories pushed together and feeling forced to connect what it attempts to deliver in theme. That being said, the themes this film does concern itself with mixed with several of the individual stories that are ambitious in their own way and are then layered with others combine to create an impact that will leaving you feeling as if you truly have witnessed something special, if not at least very stimulating. I cannot say that Cloud Atlas will be for everyone, in fact, I can certainly understand where many people would have issues with the film. Whether it be that it is simply too confusing without being compelling enough to hold their attention or that for all its big ideas, in the end, it feels rather simplistic. I would understand and to a certain degree, I would concur with those points. Still, this movie is far too ambitious, far too unique to be dismissed for not being exactly what you expected or wanted it to be. Cloud Atlas is a sprawling epic that not only delves into several subjects but wants to make us think and speculate as much as it wants to entertain. It is a rarity and for that, I appreciate every minute it gave me.