xXx: RETURN OF XANDER CAGE Review

It is with great pleasure that I report xXx: Return of Xander Cage is as dumb and ridiculous as it should be. First and foremost I guess it is important to state that there was no need for this third outing in the xXx series, but as with so many franchises these days we get a lot of what we didn't think we needed, but that they're going to give to us anyways. It makes sense given the whole "brand recognition" line of thinking within the studio system at the moment, but while many of the fruits of this line of thinking yield final products as pointless and joyless as expected given their inherently unwarranted status it is nice that every once in a while such thinking yields something as fun and self-aware as xXx: Return of Xander Cage. It has been fifteen years since Vin Diesel took on the mantle of a James Bond figure via the X-Games in what was no doubt intended to be a spiritual successor of sorts to the original The Fast and the Furious as Diesel re-teamed with director Rob Cohen for xXx the year after The Fast and the Furious became a surprise smash. Like he did initially with the Fast franchise, Diesel opted not to return for the xXx sequel in 2005, State of the Union, which picked up Ice Cube as Darius Stone to fill Diesel's Xander Cage's spot in the xXx program with it being reported Cage died in Bora Bora a few years after the events of the original film. And now, as he did with Fast in 2009, Diesel has returned to a franchise he started and then abandoned after efforts outside such franchises haven't worked out as well as the actor/producer/social media champion likely hoped they would. It's hard to blame the guy as he approaches the age of fifty this summer and undoubtedly understands he won't be able to make such movies (or such money) for much longer. The persona Diesel pulled off as Cage at thirty-five already feels somewhat strained here-especially in scenes engineered to make Diesel look like the baddest dude on the planet-but director D.J. Caruso (Disturbia, Eagle Eye) and his editors keep things moving along at such a quick pace and with so much energy it's difficult to get caught up on any one detail. It also doesn't hurt that F. Scott Frazier's (The Numbers Station) screenplay layers in multiple team members to take some of the pressure off Diesel carrying this entire thing on his aging shoulders while simultaneously becoming another casualty of the Avengers effect where it's now more lucrative and enticing to have a team of xXx-er's rather than a sole ambassador of bad ass.     

MISSION: IMPOSSIBLE - ROGUE NATION Review

Within the first minute of the latest Mission: Impossible film, Tom Cruise is sprinting across the screen. Within the first two minutes, Tom Cruise is walking across the top of an airplane. By the time one hundred and twenty five minutes have passed Tom Cruise has done so many unbelievable things and taken so many insane chances as Ethan Hunt that it's a wonder he's alive and ready to go on any more missions at all (is that a spoiler? Please). Currently, Tom Cruise is a mere four years younger than Jon Voight was when the first Mission: Impossible was released almost twenty years ago. Cruise realizes his time as international super spy and man of mystery is running out (why do you think he's so eager to get a jump on the next installment as he's indicated in the press rounds for this film?). Cruise knows his body won't be able to continue doing outlandish stunt work forever and he knows that the time is coming where watching him run, jump and shoot would be more funny than thrilling were he still to be relying on this franchise into his sixties. Cruise has maybe two more Mission films left in him and that's if they're more prompt than they've ever been with these movies. This perspective isn't brought up to be a downer or to make audiences more aware of the fragility of time, but simply to say that we won't always have the opportunity to walk into our multiplex and see a Tom Cruise action picture. Cherish this. That Cruise himself clearly pours so much effort and heart into making these movies and that he continues to choose directors who want to make them as authentically as possible while bringing their own unique style to the proceedings is also reason to be appreciative. While there have been, are and always will be movie franchises similar to Mission: Impossible, what makes Ethan Hunt different from James Bond or even Jason Bourne is his ability to grow. Hunt is wholly Cruise's character whereas Bond has a roster of representatives and Bourne has to deal with not really knowing who he is himself. Hunt, through the arc of Cruise needing this franchise just as much as it needs him, has come to represent our most intimate connection with Cruise, the actor, given it's the only character he's portrayed repeatedly. Under these circumstances, Hunt's arc from young upstart agent to desperate family man eager to escape his fate to a man who's now accepted what he's meant to be only makes each new installment all the more interesting-and Rogue Nation is no exception.