STAR WARS: EPISODE IX - THE RISE OF SKYWALKER Review

If one was to go back and watch the prequels ("...but why?!?" you cringe!) with as objective a perspective as possible, with the allowance of framing them in a new light given the events of the Star Wars universe that have unfolded since their release it's not hard to see that Emperor Palpatine has always played the role of puppet master, at first hedging both sides against one another before fully giving in to his true Sith tendencies and converting a young Anakin Skywalker to follow him on that path. And while J.J. Abrams initial film in this sequel trilogy, The Force Awakens, seemingly had no interest in resurrecting the long, thought-to-be dead Emperor there is sound reason (believe it or not!) in bringing this antagonist back to round out all three trilogies in a way that makes for a resounding stanza...just as George Lucas always intended. It's about rhyme; a recurring metrical unit where the past predicts the future and the future dictates the fate of our favorite characters. There is a great sense of scope and history in these films and while Disney has admittedly fumbled a massive opportunity with these sequels, Star Wars: Episode IX - The Rise of Skywalker, seeks to try and rectify the lack of cohesion in this latest trilogy and bring everything together through that aforementioned scope and history in a fashion that is both meaningful to our new heroes while imparting the identity of those original heroes to inspire this new generation to continue to work towards the betterment of the galaxy. Yes, The Rise of Skywalker more or less crams two movies into one and yes, it is genuinely disappointing that this series wasn't better constructed from the beginning given how much this world means to so many people, but taken what we're given Abrams and co-writer Chris Terrio (Argo) are able to connect the dots in a satisfying enough way where the right questions are answered, some mysteries remain yet feel destined to be unraveled on Disney+ while other inquiries are made that no one seemed to be asking, but are quickly brought up and resolved just as swiftly that it's as if Abrams was taking out double coverage just in case. It's impossible to please everyone and as much as I hate to admit it as a long-time, but not die-hard fan of the franchise, the discourse around these films is often toxic and demeaning. It's okay to simply enjoy whatever brings a smile to your face and more often than not, as I sat experiencing The Rise of Skywalker for the first time, I had a smile on my face.

Final Trailer for STAR WARS: EPISODE IX - THE RISE OF SKYWALKER

It's hard to believe the monumental finale of the Skywalker saga is officially upon us, but maybe more surprising is the fact that-as a devoted Star Wars fan-I'm only cautiously optimistic about how good the film might turn out to be and only mildly intrigued by where the story will take us  after 2017's disappointing (for me) The Last Jedi. Needless to say, both excitement and expectations have been tempered for this last installment. If it's not obvious already, I was not a fan of Rian Johnson's middle chapter in what is seemingly the third and final trilogy in the main series of Star Wars films as it almost irreverently disregarded everything writer/director J.J. Abrams set-up in 2015's The Force Awakens. And while Abrams is back to complete this trilogy he began four years ago one cannot help but feel much of the air has already left the room despite the fact what we have seen so far seems to deliver what longtime fans of the franchise want and what I can only imagine is equally intriguing to those who enjoyed Johnson's take on the universe as I have to believe they are as equally intrigued as to where the story could go after where Johnson left it. While story, character, and plot details have been incredibly mum we do know the story does not pick up immediately after the events of TLJ and concerns the core group of new characters going on an adventure together. Here's to hoping lowered expectations lead to a greater reward. Abrams and Lucasfilm director Kathleen Kennedy have continued to discuss the importance of practical versus visual effects in this trilogy as a whole and while there is certainly no lack of special effects in this trailer one of the best things one can say about the aesthetic of this trailer is how grounded it actually feels. Legacy players like Anthony Daniels, Lando Calrissian himself Billy Dee Williams, Mark Hamill and Carrie Fisher will return for this final chapter as do new generation cast members including Daisy Ridley, John Boyega, Oscar Isaac, Adam Driver, Lupita Nyong'o, Kelly Marie Tran, Joonas Suotamo, and Billie Lourd while this film will also feature newcomers Naomi Ackie who we know plays a character named Jannah along with Keri Russell and Richard E. Grant. The film will also introduce us to BB-8's new friend, Dio. Star Wars: Episode IX - The Rise of Skywalker opens on December 20th, 2019. Get your tickets now!

Teaser Trailer for STAR WARS: EPISODE IX - THE RISE OF SKYWALKER

It's hard to believe the monumental finale of the Skywalker saga only ranks in the middle of my ten most anticipated features this year, but after 2017's The Last Jedi both excitement and expectations have been severely tempered for this last installment. If it's not obvious already, I was not a fan of Rian Johnson's middle chapter in what is seemingly the third and final trilogy in the main series of Star Wars films as it almost irreverently disregarded everything writer/director J.J. Abrams set-up in 2015's The Force Awakens. And while Abrams is back to complete this trilogy he began four years ago one cannot help but feel much of the air has already left the room despite the fact we haven't seen a single shot or piece of footage from the upcoming film...until today. While story, character, and plot details have been incredibly mum what we did learn in today's Star Wars celebration panel is that the story does not pick up immediately after the events of TLJ and concerns the core group of new characters going on an adventure together.  Here's to hoping lowered expectations lead to greater reward. Director J.J. Abrams and Lucasfilm director Kathleen Kennedy also touched on topics such as the use of practical versus visual effects not just in this last film, but in this trilogy as a whole as well as touching on the fact that the final day of filming was emotional without going further into detail so as to seemingly avoid spoilers. Several cast members including Anthony Daniels, Lando Calrissian himself Billy Dee Williams, new generation cast members including Daisy Ridley, John Boyega, Oscar Isaac, Kelly Marie Tran, Joonas Suotamo, and newcomer Naomi Ackie who we now know plays a character named Jannah. The live and streaming crowds were also introduced to BB-8's new friend, Dio, a smaller droid that is distinctively cool. Adam Driver, Billie Lourd, Carrie Fisher, Lupita Nyong'o, Mark Hamill, Keri Russell, and Richard E. Grant also star. Star Wars: Episode IX - The Rise of Skywalker opens on December 20th, 2019.

PACIFIC RIM: UPRISING Review

A year ago on this weekend a reboot of the nineties hit show Power Rangers was released and embraced a more moody and grounded tone than that of its source material. This year, with Pacific Rim: Uprising what we have is what that movie might have been had it decided to go another route and play up the more cartoonish aspects of that super hero series. This is to say that Uprising is so bombastically cheesy in its reliance on knowing exactly what it is and delivering on exactly what it promises that it's genuinely hard to fault the film for doing what it sells itself to be. Pacific Rim: Uprising is a five year-later sequel that no one in particular was necessarily looking for, but is here given the amount of dough that original ended up making in China ($411 million globally on a $190 million budget, $111 of which came from China-almost $10 million more than the film made domestically). Of course, with this kind of sophomore slump effect weighing on the decision of whether or not to even continue the would-be franchise this second installment has come to us not from "visionary" and now Oscar-winning director Guillermo del Toro nor does it star Charlie Hunnam or Idris Elba, but instead is co-written and directed by Netflix's Daredevil season one showrunner Steven DeKnight and enlists the fresh talent of Star Wars-breakout John Boyega as the son of Elba's fallen character from the first film. Uprising jumps a decade into the future and intends to reboot Pacific Rim the opposite way that Power Rangers movie did the original series last year. Meaning, while the first Pacific Rim was a little too self-serious given its story and a little more moody than might have been necessary, while more visually detailed to be sure, Uprising plays things a little more straight-forward and is exactly the kind of movie I would have loved when I was seven or eight years-old; it's big, it's colorful, and it has robots fighting robots and robots fighting monsters. That isn't to say this is a better film than its predecessor-I don't think I'd go that far as del Toro still enlisted a fun enough tone and built an entire world from which Uprising benefits-and Uprising maybe complicates things a little too much with its story whereas that initial film was so cut and dry in that aspect it was almost shocking, but the important thing is that Uprising is a fun if not ultimately forgettable slice of entertainment that plays to its B-movie strengths.

STAR WARS: EPISODE VIII - THE LAST JEDI Review

It doesn't end with a space battle. It does begin with one though. And it does still come down to stopping a big laser from destroying what is positioned as the final stronghold of the resistance. This is The Last Jedi simplified, of course, but the point is, patterns. Stanzas. Everything in Star Wars, since the days of George Lucas, has worked in this recurring metrical unit where the past predicts the future and the future dictates the fate of our favorite characters. There is a great sense of scope and history in these films and with Star Wars: Episode VIII - The Last Jedi director Rian Johnson (Brick, The Brothers Bloom, and Looper) has utilized this rich history in a way that kind of upends those patterns. Those verses that were seemingly an inherent part of the Star Wars DNA. Typically, this would be something unexpected, but applauded as it would lead one to believe there are bold choices being made and new directions being taken and while this is true to a certain extent, what happens when you don't always like or agree with the choices being made or the direction being taken? With The Force Awakens J.J. Abrams created a revival for a new generation balancing the tasks of paying respects to the previous trilogy, setting-up new parts of the universe to be explored, and establishing a new generation of characters that fans could fall in love with. Key to this was Abrams backdrop of this great mythos and grandeur that only hinted at the darkness that had befallen the characters of the original trilogy since we'd last seen them. The Last Jedi would then seemingly follow through on the promise of this mythical status that had befallen Luke Skywalker and so there was much to be excited for going forward in the series. In fact, The Force Awakens put in place so much to build this aura of mystery and gravity that it was probably impossible for Johnson to deliver on all of them, but with the re-introduction of Mark Hamill's Skywalker here it is clear this is in fact, "not going to go the way we (or at least I) thought," as Johnson immediately dispels this sense of mysticism in favor of a joke. A moment of deadpan humor that put me in a hesitant state of mind from which I don't know that I ever recovered. I've now seen the movie twice and I felt the same way both times. To be clear, I'm more than up for a movie that is self-aware to the point of not taking itself too seriously, but this almost broad comical direction and unwillingness to divulge that rich history or take advantage of it in the way The Force Awakens so gracefully set it up is nothing short of disappointing and may in fact be the most depressing aspect of what The Last Jedi seemingly promised and failed to deliver.

New Trailer for STAR WARS: EPISODE VIII - THE LAST JEDI

In the two years since The Force Awakens debuted in theaters it has become one of those easy to watch movies you can put on at anytime and always count on getting hooked. Sure, the issues it had with aping A New Hope have become all the more glaring, but at the same time so has the incredibly strong work with all of the new characters that were introduced and by virtue of that-our desire to see those character's journeys continue has only increased. All of that to say we now finally have a new, extended look at director Rian Johnson's (Brick, The Brother's Bloom, Looper) follow-up to J.J. Abram's safe, but respectable introduction to this latter trilogy. Every other movie in town has pretty much cleared out sans DreamWorks Animation's Ferdinand which should make for fine counter-programming while a plethora of other major releases follow in the weeks afterward including the Jumaji sequel, the third Pitch Perfect movie, the Hugh Jackman/Zac Efron musical The Greatest Showman as well as a handful of other adult-centric films that I'm eager to see how everything shakes out at the holiday box office. That's not what we're here to talk about though, that would be The Last Jedi and what this new trailer tells us about what we can expect for Episode VIII. While Johnson warned fans per his Twitter that if they want to go into the movie as unknowing as possible to avoid the trailer, but even for someone who generally avoids later trailers and clips altogether it was next to impossible to not watch this new Star Wars trailer as we've seen no new footage or hint at story since the teaser dropped in April. The tease that Rey's hero might not be all she'd built him up to be seems to continue to take shape in this new trailer as Daisy Ridley and Mark Hamill's Rey and Luke don't exactly share the master/padawan relationship I think most expected them to develop after the tease at the end of The Force Awakens. There will of course be much dissecting and speculating, but for now let us just bask in the glory of seeing new images of a new Star Wars movie that will hopefully answer some of those burning questions left by The Force Awakens as well as the full-on return of Hamill to the role of Luke Skywalker. The film also stars John Boyega, Oscar Isaac, Laura Dern, Adam Driver, Carrie Fisher, Domhnall Gleeson, Lupita Nyong’o, Andy Serkis, Kelly Marie Tran, Gwendoline Christie, Warwick Davis, Anthony Daniels, Kenny Baker, and Benicio Del Toro. Star Wars: The Last Jedi opens December 15th, 2017.

First Trailer for PACIFIC RIM: UPRISING

I generally admire what director Guillermo del Toro does as I can appreciate the eye the guy has for filmmaking, but to be honest I was rather underwhelmed by 2013's Pacific Rim from a story perspective. I knew del Toro would be able to deliver on a visual level for sure, but that there wasn't a strong investment to be made in any of the characters or their plight of driving a seemingly obsolete special weapon in an effort to save the world from the apocalypse. More, I wanted to be invested in the world del Toro created and while there were certainly compelling elements to the original film it wasn't as wholly satisfying as I'd hoped. For further exploration as to why the film doesn't particularly hold up in my memory as being overly interesting you can read my original review here. Moving on though, we now have the sequel that was always something of an uncertainty. It was the huge numbers in China that convinced Legendary to move ahead with a sequel, this time Universal taking over the distribution for Warner Bros. In Pacific Rim: Uprising John Boyega takes over the protagonist reigns from Charlie Hunnam as the film begins a decade after the events of the original as Boyega plays Jake Pentecost, the son of Ideris Elba's character in the first film. Jake, who was a once-promising Jaegar pilot has become caught up in the criminal underworld, but when his estranged sister, Mako Mori (Rinko Kikuchi), gives him one last chance to live up to his father’s promise, he takes charge against a new wave of Kaiju attacks. All of that said, this first look at Uprising looks to be as visually promising as the first though I'm curious to see if new director Steven S. DeKnight (who worked as the showrunner for Netflix's Daredevil season one), who took over part of the screenplay writing duties once coming on board, will be able to make me more invested in this world and these people. That isn't to say I don't appreciate the visuals-del Toro's original was as inventive and grand as anything else the auteur has done-but while Uprising certainly looks to be a colorful action romp with Boyega having a lot of fun-his character teaming up with friend Lambert (Scott Eastwood) to pilot a state-of-the-art new Jaegar called Gipsy Avenger-I'm hoping it delivers on all fronts. Pacific Rim: Uprising also stars Jing Tian, Cailee Spaeny, Burn Gorman, Adria Arjona, Charlie Day, and opens on March 23, 2018.

DETROIT Review

If you thought the sound design in Dunkirk was crazy effective wait until you get a load of Kathryn Bigelow's Detroit. That isn't to say one is more effective than the other, but both utilize their environments and the sounds that resonate most within those environments to help push the visceral experience of both films to the next level. A level that indeed truly transcends the space and time of where one might be viewing the film and places you among the riots of the summer of 1967 where fear, uncertainty, and chaos ran rampant. I open with such a statement not to emphasize the technical aspects over everything else in a film as important and timely as Detroit so as to draw attention away from the tough and difficult subject matter at hand, but more to begin a dialogue about why the movie itself becomes equally effective and affecting. It is through this portal of sound, of genuine gun shot smatterings that ring out at any given point in the movie and make you feel not only as if you’re in the room with these characters, but are then also inherently placed in the headspace of someone such as Larry Reed (portrayed by newcomer Algee Smith), a singer and aspiring musician who just so happened to be in the wrong place at the wrong time. It is interesting, seeing how writer Mark Boal’s (The Hurt Locker, Zero Dark Thirty) screenplay brings several strands of characters, historical situations, and themes together into a single, encapsulating experience, but while we don’t meet Larry Reed until just prior to the events that the film dedicates its biggest chunk of time to it is his arc that we become most enamored with in many ways due largely to the fact he faces a wider variety of obstacles in terms of difficult choices as well as attempting to comprehend a life that seemingly has everything he ever hoped for stripped away in the matter of a handful of hours. That also said, Detroit is not about a single character, but more it is about how far away we still are from things being easy even if it would seem we’ve overcome so much in the fifty years since these infamous riots. As a piece of entertainment, Bigelow’s film isn’t something to be recommended for the experience which it entails, but rather because it is a heavy experience that needs to be known about and acknowledged. Detroit is about acknowledgment and about asking not why this happened in the past-we know why it happened-but rather if we’re doing today what we need to be doing in order to prevent as much from happening again. Detroit is a reminder we’re not doing as well as we should be in case you couldn’t tell already.

THE CIRCLE Review

Not everyone is going to like you. That is a lesson today's society could stand to appreciate a little more if not learn, but that doesn't mean that's going to stop people from trying. Wanting to be liked isn't inherently a bad thing, but when we depend on "Likes" to sustain our own sense of self-worth, when we're living off "Likes" there could certainly be one or two issues pop up. When we live through the persona we've created online and reach a point we can't identify our true selves then what people like isn't actually the individual anymore anyway, so where do we draw the line? How can this age of transparency be utilized in positive ways rather than resorting to fake or devious methods to again try and prove that some lives are more valuable or more special than others? In The Circle Emma Watson plays a young, presumably middle glass girl in her early twenties who goes to work for a tech company a la Google called The Circle and essentially becomes their poster child for transparency. Submitting herself to the line of thinking that she can only be her best self when she knows people are watching her; that to leave her to her own devices would mean that she would develop and keep secrets and to harbor secrets is to have something to lie about to the world. Sound slightly cult-ish? It's supposed to, but while the tech company that is The Circle clearly has ulterior motives for their extreme invasions of privacy that they so lovingly convey as being concerns for the greater good of mankind The Circle the movie doesn't seem as clear on what its motives or meanings are supposed to be. On one hand there is certainly an analogy at play for the world as presented in the film when compared to that of the social media-driven culture we're all currently a part of, but while Facebook can still plead connection and bringing people together as their main objective it is so blatantly obvious that The Circle seeks world domination that it's past the point of believable someone hasn't called them on their bluff already. Furthermore, the film builds in a fashion where the audience is led to believe there is going to be a major twist, a serious maneuver of innovation over intelligence, a battle of wits for the ages, but when such metaphoric beans come to be spilled there is hardly any cohesion to the point our protagonist makes. Watson's Mae Holland uses The Circle's tools against its nefarious leaders, but she has no point, no position, and all we're left with is a clouded message of a movie that goes nowhere.

First Trailer for STAR WARS: EPISODE VIII - THE LAST JEDI

If all would have gone according to the original plan we would actually be seeing The Last Jedi open in theaters next month, but that of course wasn't to be and so here we are-two years removed from the, "Chewie, we're home," moment when the world got their first real glimpse at what this new Star Wars trilogy might offer and luckily everything went down well with The Force Awakens. All of that to say we now finally have our first look at director Rian Johnson's (Brick, The Brother's Bloom, Looper) follow-up to J.J. Abram's safe, but respectable introduction to this latter trilogy. Every other movie in town has pretty much cleared out and with the Star Wars celebration kicking off in Orlando this week we have already been blessed with a plethora of news around that galaxy far, far away, but this is undoubtedly what everyone was looking forward to the most. While watching the live The Last Jedi panel this morning featuring Johnson as well as President of Lucasfilm Kathleen Kennedy they teased a few new details about the eighth installment including a hint that Rey's hero might not be all she'd built him up to be. The likes of Daisy Ridley and Mark Hamill talked as minimally about the story as possible, but we'll take what we can get. Besides some vague plot details there wasn't much to take away despite a few new stills from the film adding to the excitement. Other guest appearances included BB-8, John Boyega, and Kelly Marie Tran who plays a new character named Rose who is a maintenance worker in the resistance, but this was all for show more than it was tell as none of the panelists divulged much about the new film-until that first teaser/trailer was released. There will be much dissecting and speculating I imagine, but for now let us just bask in the glory of seeing the first images of a new Star Wars movie that will hopefully answer some of those burning questions left by The Force Awakens as well as the full-on return of Hamill to the role of Luke Skywalker giving long-time fans chills for days. The film also stars Adam Driver, Carrie Fisher, Domhnall Gleeson, Lupita Nyong’o, Andy Serkis, Gwendoline Christie, Warwick Davis , Kenny Baker, and Benicio Del Toro. Star Wars: The Last Jedi opens December 15th, 2017.

First Trailer for Kathryn Bigelow's DETROIT

The first trailer for Oscar-winner Kathryn Bigelow’s (The Hurt Locker, Zero Dark Thirty) highly anticipated new film, Detroit, has premiered via Annapurna Pictures. The film, which was written by Mark Boal (The Hurt Locker), chronicles the Detroit riots of 1967. The riots are historically known to have been initiated by a police raid of an unlicensed bar in the city’s Near West Side when confrontations turned violent, ultimately resulting in the deaths of thirty-nine people and leaving hundreds wounded as the riots went on for five days. Bigelow and Boal have seemingly approached this event with the idea of telling several different accounts that occurred over the course of the five days in order to paint a full picture of what happened, why it happened, and how those on either side of the law were forced to handle themselves. In typical Bigelow fashion the film seemingly holds a number of tense moments while the ensemble cast as led by The Force Awakens' John Boyega are seemingly giving top notch performances to only accentuate that suspense further. Though not overly familiar with the details of the events that happened in Detroit that summer the tagline for the film, as shown at the end of the clip, hints that the film will paint a picture from a perspective most history books aren't accustomed to telling. I'm anxious not only to see what a talented filmmaker like Bigelow does with such material, but also the kinds of conversations it creates given the material couldn't be more relevant or a more timely reminder for the American conscience. The remainder of the ensemble cast includes Chris Chalk, Nathan Davis Jr., Kaitlyn Dever, Austin Hébert, Joseph David-Jones, Malcolm David Kelley, John Krasinski, Jacob Latimore, Anthony Mackie, Jason Mitchell, Hannah Murray, Ben O’Toole, Will Poulter, Jack Reynor, Algee Smith, Peyton Alex Smith, Jeremy Strong, Ephraim Sykes, and Leon Thomas III. Detroit opens in theaters on August 4th.

STAR WARS: EPISODE VII - THE FORCE AWAKENS Review

It's difficult to delineate the difference in nostalgia-fueled adoration and a subjective acknowledgement of quality when it comes to judging a film such as The Force Awakens. There was never going to be any true way that a film such as this could separate itself from all that has come before it (and it doesn't want to), but the same is true for those of a certain age who will be seeing the film or are excited for the film in the first place. For most, unless you're under the age of ten or so and even then the majority are at least familiar with and likely enjoy Star Wars to some degree, the idea of Episode VII is something of a redemption story-a new hope if you will, that what was once so magical about Star Wars will return and enable you to forget the overly glossy sheen of the prequel trilogy that revealed George Lucas' green screen obsession and his true lack of skill in directing actors. Episode VII would mark the hope that we might, once again, venture to a galaxy far, far away and find both what we loved about the original films while being introduced to new and exciting characters and going on new and exciting adventures with the accompaniment of John Williams fantastic score (seriously, "Rey's Theme" is great). It is here that director J.J. Abrams (Star Trek, Super 8) is able to demonstrate his finely tuned skill for walking that line to great effect. In all of his feature directing work Abrams has been able to elicit the spirit of a past property or genre and most of the time bring a new energy to it even if the freshness of the story isn't always as ripe as it could be. The same can be said of The Force Awakens as it hues very close to the narrative beats of A New Hope, but has enough of a unique take on them and deviates enough from the narrative with the new character arcs, new revelations, and flat-out solid performances from the incredible cast that this is most clearly the best Star Wars film we've had since The Empire Strikes Back in 1980.

Final Trailer for STAR WARS: THE FORCE AWAKENS

Yesterday marked two months until the arrival of the first new Star Wars film in over a decade. Disney marked the occasion by not only releasing the official poster for the film, but several teasers for the full trailer that has debuted tonight during Monday Night Football (you know, what most Star Wars fans tend to watch on Mondays). Every other movie in town has pretty much cleared out sans the fourth Alvin and the Chipmunks film (yes, fourth!) which just decided to go head to head with the mammoth J.J. Abrams sequel that will see the continuing adventures of Luke, Han and Leia and what are presumably plenty of new characters given the expansive cast. It's been six months since the last trailer dropped for the film in the midst of the Star Wars celebration that took place in Anaheim, California, but now we have what I assume to be the final trailer before the actual release of the film and the reality of there being a new Star Wars movie just over the horizon is finally becoming a reality. While I was going to try and resist paying attention to what this trailer might hold the anticipation is unbelievable and I couldn't help but to divulge every bit of this glorious clip several times already. Things of note are the surplus footage of antagonist Kylo Ren and our first glimpse at Princess Leia, but still no sign of Luke. The film stars Mark Hamill, Carrie Fisher, Harrison Ford, John Boyega, Daisy Ridley, Oscar Isaac, Adam Driver, Lupita Nyong’o, Gwendolyn Christie, Domhnall Gleeson, Andy Serkis, Warwick Davis, Kenny Baker, Peter Mayhew, Anthony Daniels and Max Von Sydow. Star Wars: The Force Awakens opens December 18th.

Movies I Wanna See Most: Fall 2015

So far, 2015 has been a rather solid year for film. Of course there were the early month droughts that featured the likes of Blackhat and The Boy Next Door, but by February we received Kingsman and even McFarland, USA which (if you haven't seen it) is a really solid Disney sports drama. I'm not saying things have been exceptional, there have probably been just as many if not more bad movies than there have been good movies, but I had a really good time at the movies this summer and I'm pretty sad to see it come to an end. That said, I am genuinely looking forward to the fall release schedule especially considering I will be making my first trek to the Toronto International Film Festival this year and hopefully seeing as many of the movies on this list as soon as I can. Transitioning to the fall we approach films in different kinds of ways. While the summer is typically looked at for and judged more on pure entertainment value the fall is almost explicitly Awards season and looked to for more stimulating material. Given this kind of precedent there seems to always be one or two films that seem pre-destined for Oscar glory and while Eddie Redmayne seems to make it clear that The Danish Girl is this years film to beat (timely, his follow-up to winning Best Actor last year and Tom Hooper's follow-up to Les Mis) I still don't see a clear contender this year (though last years Best Director winner, Alejandro González Iñárritu, is certainly putting his hat in the ring). That said, this list is not about what I think will win the most awards (as you'll notice with much of this fall's franchise films getting some love) come February, but more what I'm most excited to experience at the cinema this fall. So, without further adieu, let's dig in...

New Teaser Trailer & Stills For STAR WARS: THE FORCE AWAKENS

Next month will mark a decade since we've seen a new Star Wars film in theaters, but all of that is about to change come December. Every other movie in town has pretty much cleared out and with the Star Wars celebration kicking off in Anaheim, California this morning we have already been blessed with a second teaser. While watching the live Force Awakens panel this morning featuring director and co-writer JJ Abrams as well as head of Lucasfilm Kathleen Kennedy they teased a few new details about the seventh installment including a formal introduction to droid BB8 while bringing out new leads John Boyega, Daisy Ridley and Oscar Isaac to talk as minimally about their characters. Besides some vague backgrounds on each of their characters and how they may or may not be connected with one another there wasn't much to take away despite the new stills of each of them adding to the excitement. Veterans of the series including Mark Hamill, Carrie Fisher, Anthony Daniels and Peter Mayhew all made guest appearances as well, but told us nothing about the new film-until that new teaser was released. There will be much dissecting and speculating I imagine, but for now let us just bask in the glory of seeing Harrison Ford return to the role of Han Solo and give any long-time fan chills for days. The film also stars Adam Driver, Domhnall Gleeson, Lupita Nyong’o, Andy Serkis, Gwendoline Christie, Crystal Clarke, Pip Anders, Warwick Davis , Kenny Baker, and Max von Sydow. Star Wars: The Force Awakens opens December 18th.

Teaser Trailer for STAR WARS: THE FORCE AWAKENS

By the time J.J. Abrams' Star Wars: The Force Awakens hits theaters over a year from now it will have been over a decade since the last Star Wars film was in theaters. This may conjure up bad memories for most seeing as George Lucas' prequel trilogy wasn't received well, but if there is any consensus on the prequels it's that Episode III is the best of the bunch. It was just before I graduated high school that I waited in line for the midnight showing of Revenge of the Sith and if Star Wars brings up anything more than the iconography of its characters it's nostalgia. These are event films in a manner no other films can strive to be. All of that said, this is just a teaser for a film that is still over a year away from release and so there is no need to pick apart anything we see here, but all the more reason to anticipate the film as this 88-second trailer offers more than I thought we'd ever receive. Opening with the familiar landscapes of what we assume are Tatooine we get a first glimpse at John Boyega (Attack the Block) in full storm trooper garb, Daisy Ridley riding across the desert and Oscar Isaac (Inside Llewyn Davis) as a starfighter before it cuts to a mysterious figure that breaks out a new model lightsaber all while listening to ominous voiceover from a character I suspect we don't yet know the identity of. Of course, the excitement is at such a fever pitch by this point the only thing that could make it better is that shot of nostalgia and Abrams delivers with incredible aerial footage of the Millennium Falcon. I love how simply cinematic the film looks already and while I'm more than excited to see the final product I wonder if this is the last piece of promotional material I should watch so that my excitement remains intact and untainted. We'll see. The film also stars Harrison Ford, Mark Hamill, Carrie Fisher, Andy Serkis, Lupita Nyong’o, Domhnall Gleeson, Gwendoline Christie, Max Von Sydow, and many more. Star Wars: The Force Awakens opens on December 18, 2015.