STAR WARS: EPISODE IX - THE RISE OF SKYWALKER Review

If one was to go back and watch the prequels ("...but why?!?" you cringe!) with as objective a perspective as possible, with the allowance of framing them in a new light given the events of the Star Wars universe that have unfolded since their release it's not hard to see that Emperor Palpatine has always played the role of puppet master, at first hedging both sides against one another before fully giving in to his true Sith tendencies and converting a young Anakin Skywalker to follow him on that path. And while J.J. Abrams initial film in this sequel trilogy, The Force Awakens, seemingly had no interest in resurrecting the long, thought-to-be dead Emperor there is sound reason (believe it or not!) in bringing this antagonist back to round out all three trilogies in a way that makes for a resounding stanza...just as George Lucas always intended. It's about rhyme; a recurring metrical unit where the past predicts the future and the future dictates the fate of our favorite characters. There is a great sense of scope and history in these films and while Disney has admittedly fumbled a massive opportunity with these sequels, Star Wars: Episode IX - The Rise of Skywalker, seeks to try and rectify the lack of cohesion in this latest trilogy and bring everything together through that aforementioned scope and history in a fashion that is both meaningful to our new heroes while imparting the identity of those original heroes to inspire this new generation to continue to work towards the betterment of the galaxy. Yes, The Rise of Skywalker more or less crams two movies into one and yes, it is genuinely disappointing that this series wasn't better constructed from the beginning given how much this world means to so many people, but taken what we're given Abrams and co-writer Chris Terrio (Argo) are able to connect the dots in a satisfying enough way where the right questions are answered, some mysteries remain yet feel destined to be unraveled on Disney+ while other inquiries are made that no one seemed to be asking, but are quickly brought up and resolved just as swiftly that it's as if Abrams was taking out double coverage just in case. It's impossible to please everyone and as much as I hate to admit it as a long-time, but not die-hard fan of the franchise, the discourse around these films is often toxic and demeaning. It's okay to simply enjoy whatever brings a smile to your face and more often than not, as I sat experiencing The Rise of Skywalker for the first time, I had a smile on my face.

Final Trailer for STAR WARS: EPISODE IX - THE RISE OF SKYWALKER

It's hard to believe the monumental finale of the Skywalker saga is officially upon us, but maybe more surprising is the fact that-as a devoted Star Wars fan-I'm only cautiously optimistic about how good the film might turn out to be and only mildly intrigued by where the story will take us  after 2017's disappointing (for me) The Last Jedi. Needless to say, both excitement and expectations have been tempered for this last installment. If it's not obvious already, I was not a fan of Rian Johnson's middle chapter in what is seemingly the third and final trilogy in the main series of Star Wars films as it almost irreverently disregarded everything writer/director J.J. Abrams set-up in 2015's The Force Awakens. And while Abrams is back to complete this trilogy he began four years ago one cannot help but feel much of the air has already left the room despite the fact what we have seen so far seems to deliver what longtime fans of the franchise want and what I can only imagine is equally intriguing to those who enjoyed Johnson's take on the universe as I have to believe they are as equally intrigued as to where the story could go after where Johnson left it. While story, character, and plot details have been incredibly mum we do know the story does not pick up immediately after the events of TLJ and concerns the core group of new characters going on an adventure together. Here's to hoping lowered expectations lead to a greater reward. Abrams and Lucasfilm director Kathleen Kennedy have continued to discuss the importance of practical versus visual effects in this trilogy as a whole and while there is certainly no lack of special effects in this trailer one of the best things one can say about the aesthetic of this trailer is how grounded it actually feels. Legacy players like Anthony Daniels, Lando Calrissian himself Billy Dee Williams, Mark Hamill and Carrie Fisher will return for this final chapter as do new generation cast members including Daisy Ridley, John Boyega, Oscar Isaac, Adam Driver, Lupita Nyong'o, Kelly Marie Tran, Joonas Suotamo, and Billie Lourd while this film will also feature newcomers Naomi Ackie who we know plays a character named Jannah along with Keri Russell and Richard E. Grant. The film will also introduce us to BB-8's new friend, Dio. Star Wars: Episode IX - The Rise of Skywalker opens on December 20th, 2019. Get your tickets now!

Teaser Trailer for STAR WARS: EPISODE IX - THE RISE OF SKYWALKER

It's hard to believe the monumental finale of the Skywalker saga only ranks in the middle of my ten most anticipated features this year, but after 2017's The Last Jedi both excitement and expectations have been severely tempered for this last installment. If it's not obvious already, I was not a fan of Rian Johnson's middle chapter in what is seemingly the third and final trilogy in the main series of Star Wars films as it almost irreverently disregarded everything writer/director J.J. Abrams set-up in 2015's The Force Awakens. And while Abrams is back to complete this trilogy he began four years ago one cannot help but feel much of the air has already left the room despite the fact we haven't seen a single shot or piece of footage from the upcoming film...until today. While story, character, and plot details have been incredibly mum what we did learn in today's Star Wars celebration panel is that the story does not pick up immediately after the events of TLJ and concerns the core group of new characters going on an adventure together.  Here's to hoping lowered expectations lead to greater reward. Director J.J. Abrams and Lucasfilm director Kathleen Kennedy also touched on topics such as the use of practical versus visual effects not just in this last film, but in this trilogy as a whole as well as touching on the fact that the final day of filming was emotional without going further into detail so as to seemingly avoid spoilers. Several cast members including Anthony Daniels, Lando Calrissian himself Billy Dee Williams, new generation cast members including Daisy Ridley, John Boyega, Oscar Isaac, Kelly Marie Tran, Joonas Suotamo, and newcomer Naomi Ackie who we now know plays a character named Jannah. The live and streaming crowds were also introduced to BB-8's new friend, Dio, a smaller droid that is distinctively cool. Adam Driver, Billie Lourd, Carrie Fisher, Lupita Nyong'o, Mark Hamill, Keri Russell, and Richard E. Grant also star. Star Wars: Episode IX - The Rise of Skywalker opens on December 20th, 2019.

FREE STATE OF JONES Review

It is difficult to know where to begin when discussing the new Matthew McConaughey film, Free State of Jones. The film encompasses such a large canvas spanning nearly fifteen years from the heart of the Civil War in 1862 up until 1876 illustrating how, despite the war being over, many people-especially freed black men and women-were still fighting battles every day. If Free State of Jones is anything it is an admirable piece of work, a beautiful disaster in some ways, but more than anything Free State of Jones doesn't seem to know what to do with or how best to convey all that it so strongly desires to say. Writer/director Gary Ross (Pleasantville, Seabiscuit, and the first Hunger Games film) has created a two and a half hour epic of sorts, but in the end it still feels as if the movie has more to say. This isn't a good thing and it certainly doesn't do the audience, who have already sat through that extensive run time, much consolation if not some satisfaction. In many ways, Free State of Jones should have been an HBO or FX miniseries that simultaneously chronicled the life of Newton Knight and how he seemingly lived for others as well as his family tree that came about after having children with Rachel (Gugu Mbatha-Raw), an African-American who was once a slave. That the feature film version of this story even attempts to go back and forth between the actions of Knight himself as well as eighty-five years into the future where one of his great grandchildren stands trial for being a small percentage African-American and is thus charged with breaking the law for marrying a Caucasian woman is nuts. Sure, the parallels between what Knight was fighting for in 1875 and what his descendants were still dealing with in the 1950's is effective and certainly makes a strong statement about how little has changed despite a considerable amount of time passing-making the main idea of the movie more relevant than ever today-there just isn't room for it here. Going from the midst of the Civil War to our protagonist hiding out in a swamp, to him building a community that forms the basis of his rebellion and eventual secession from the Confederacy, and then going even further into the continued struggles during the Reconstruction period Free State of Jones leaves itself no room to breathe. That said, because there is so much there is a lot of stuff to find interesting as well. It is almost the opposite of that mantra that goes, "It's not what's being said, but how it's said," as Free State of Jones is more focused on what's being said given how it's being said is something of a mess.

First Trailer for FREE STATE OF JONES Starring Matthew McConaughey

In my most anticipated of 2016 article posted last week I placed writer/director Gary Ross's Free State of Jones at number eleven and so one can imagine how pleased I am to finally see some footage from the upcoming civil war drama. The film stars Matthew McConaughey as Newt Knight, a Southern farmer who led a rebellion against the Confederacy during the war. Knight's opposition to both slavery and secession, led the farmer and soldier to launch an uprising of poor white farmers that led Jones County, Mississippi to secede from the Confederacy, creating a "Free State of Jones." Knight's relationship and post-war marriage to a former slave, Rachel Knight (Consussion's Gugu Mbatha-Raw), effectively established the region's first mixed-race community. While the nearly three minute trailer more or less seems to give away large portions of the films story that same story is so compelling it is difficult to deter my anticipation for the full film. McConaughey looks to be in full McConaissance mode as he leads the film with the charisma and layers of depth that crafted his resurgence a few years ago. Visually, the film looks stirring and I have enough faith in Ross alone (whose directing credits outside the initial Hunger Games film include Seabiscuit and Pleasantville while he also penned the screenplay for Big) that both his screenplay and his final product will be worthy of attention no matter how much the promotional material tends to give away. That said, I'm more than eager to see how the final product turns out and can't wait to see what drew Ross to this material. Free State of Jones also stars Keri Russell, Mud's Jacob Lofland, Mahershala Ali, Room's Sean Bridgers, great character actor Gary Grubbs and opens on March 11, 2016.

DAWN OF THE PLANET OF THE APES Review

2011's re-tooling of the Planet of the Apes franchise was a surprise in many ways, but mostly in the way that it was really good. I went into the film with modest expectations. Having only ever seen the 1968 original and the Tim Burton re-make I wasn't soaked in the lore of the franchise and didn't hold out hope for a resurgence in the narrative. Still, when you go into a movie framed as somewhat of an origin story and understand where it ultimately has to lead there is a level of intrigue you can't exactly put your finger on and that is what Rise of the Planet of the Apes capitalized on and did so in ways that made the picture, as a full body of work, excel in many ways. With those kinds of expectations set for the sequel and the fantastic trailers that have been rolling out over the past six months it was difficult to adjust one's excitement for Dawn of the Planet of the Apes in a fashion that might not be cause for disappointment when the movie finished playing. While I tried to avoid the trailers after the second one was released it was almost impossible to not see several television spots over the past month as Twentieth Century Fox has done well to position this as one of if not the major event movie of the summer. There was a lot of general love for Rise as I can recall speaking with friends who don't go to the movies regularly and them telling me they decided to go see it and how much they enjoyed it. That kind of attitude seemed to resonate with the average movie-goer and will no doubt translate to bigger business for Dawn, but while I can imagine this sequel being more than a satisfactory trip to the movies for those who enjoyed Rise once the excitement calms down it will likely become more clear the film suffers from not having as much substance, as much allegory or as much emotional depth as the first did. While it should not be thought I didn't enjoy this film (it is actually thoroughly enjoyable and will be worthy of repeat viewings) it is not a film that aspires towards the greatness of the first and because of this lack of complexity it feels all the more safe, all the more generic and any other adjectives such as these that allow Dawn to distance itself from the attributes that made Rise so interesting and entertaining.

Teaser Trailer for DAWN OF THE PLANET OF THE APES

I think everyone, including 20th Century Fox, was surprised in 2011 when the attempt to re-boot the Planet of the Apes franchise worked as well as it did. I was certainly taken aback by the quality of the film and was even tempted to place it in my top ten for that year, but while that film proved to be an interesting take on where the whole Charlton Heston/1968 drama began I never imagined it would have established a large enough following to amass as much excitement as there seems to be surrounding its follow-up, Dawn of the Planet of the Apes. While this is inherently a dream franchise for any studio as they don't have to depend on the name of a certain star being attached, but that the draw is more Andy Serkis in motion capture action as Caesar doesn't necessarily seem to mean they are skimping in terms of story substance. The new film, as directed by Matt Reeves (Let Me In) taking over for Rupert Wyatt, takes place fifteen years after the previous film and will seemingly chronicle the natural progression of how the apes came to be in power and how that Statue of Liberty ended up being buried in the sand. Granted, they are likely leaving plenty of space to get to that point so as to make a few more films in this series, but it will be nice to see the continued and natural arc of how these animals come to be the domineering race on earth. It all sounds a bit silly when you talk about it like that, but the Planet of the Apes series has always had serious social commentary going along with it and that seems to be present in the slim bit of footage and tone this teaser offers. It is a rather haunting first look and while they don't necessarily have to keep an actor on contract that doesn't mean they don't go for quality as Dawn of the Planet of the Apes stars Jason Clarke, Keri Russell, Gary Oldman, Kodi Smit-McPhee, Kirk Acevedo, Toby Kebbell, Enrique Murciano, Judy Greer and opens in 3D on July 18, 2014.