ALADDIN Review

I know it's beyond cliché to begin ones film review with a quote from the film you're reviewing, but the 2019 live action re-make of Aladdin was also the last place I expected to find a quote that was compelling enough to open said review with. While, at this point, I guess I won't technically be "opening" the review with the quote...it's close enough. "The more you gain by pretending, the less you actually have," is the quote in question by the way. As this is said by Will Smith's much discussed and often much maligned interpretation of the Genie it immediately became more evident that not only was this new iteration of Aladdin not completely tone deaf to the world in which it exists, but that it also works as something of a meta-commentary on how these live-action versions of these classic animated stories work or not depending on how much of a creative endeavor they are in and of themselves. The Jungle Book, for example, shouldn't have worked because the story was as thin as a wafer and the original was more or less a series of musical numbers, but by default of digging more into Kipling's narrative and creating this immersive environment with photo-realistic characters the film came to feel like something of an endeavor worth rewarding even if the final product wasn't as exceptional as the individual parts would lead one to believe. This is also why Beauty and the Beast didn't work and why Cinderella lands somewhere in the middle of the pack. Alice in Wonderland is the exception given that one had much the same level of investment as Jungle Book, but for one reason or another didn't work. Guy Ritchie's Aladdin only plays pretend for long enough that it warms the audience up to the idea of this new version before beginning to carve its own path and therefore making it its own thing-peaking its head out from under the legacy of the original. In other words, it doesn't gain its credibility by being a carbon copy and therefore amounting to nothing more than a flash in the pan money-maker, but there's surprisingly enough here to give 2019's Aladdin strong enough legs to stand on its own. It actually has a fair amount to offer. I'm as surprised as the next person about this revelation given the trailers and TV spots were more indicative of a train wreck than a triumph and while Ritchie's Aladdin isn't necessarily a triumph in the boldest sense of the word it is a triumph in the sense that it made this 90's-raised thirty-something dude who viewed the original animated film as something of the holy grail of animated films appreciate this new movie not just as an entertaining distraction that honored the original, but as an entertaining endeavor that both honors the original and finds new purpose in its own existence.         

Official Trailer for Disney's ALADDIN Starring Will Smith

It's been a tough road for Disney's live-action adaptation of their 1992 animated classic, Aladdin, thus far as it seems with each new look there is a fair amount of online backlash-most of which seems to be around Will Smith's incarnation of the Genie. Of course, if you're familiar with that seminal nineties movie (and if you're not, you need to get familiar) Genie was always going to be the biggest hurdle considering Robin Williams' groundbreaking iteration. While Williams' performance will obviously loom large it would seem naive to think Smith didn't think through this whole scenario before agreeing to take the role in the first place. Smith had to know he was in something of a no-win situation given the reverence for Williams' interpretation and the fact he would have to come-up with something both radically different and pretty special to even be allowed in the same conversation. I hope this is the case and given this first, true look and representation at what the full film might actually be like I'm more optimistic than I've yet to be in regards to this project at all, but I'm definitely more optimistic than I was a month ago. Alice in Wonderland, Cinderella, Dumbo, those are all one thing, but when you have a property that fuels nostalgia for the entire generation who is now the base demographic with expendable income there has to be a plan in place. With this official trailer we are allowed glimpses at more of the iconic moments from the animated original as well as seeing how the movie might mix things up so as to not be a complete carbon copy. The scale is present here, there is more personality to each of the characters, and there is the expected tone in the editing given this has director Guy Ritchie behind it (Snatch, Sherlock Holmes). That said, some of it does still look very staged and fake as opposed to the natural tangibility one would think is the point in creating these live-action re-makes. On the plus side though, along with some of the classic music that we hear references to in the trailer this live-action version will also feature new songs by Alan Menken and La La Land songwriters Benj Pasek and Justin Paul (Menken wrote with Howard Ashman and Tim Rice for the 1992 version). Aladdin will also star Marwan Kenzari, Navid Negahban, Nasim Pedrad, Billy Magnussen, Numan Acar, Mena Massoud, Naomi Scott, and opens on May 24th, 2019.

New Look at Disney's Live-Action ALADDIN Starring Will Smith

Things are not looking good for Disney's live-action adaptation of their 1992 animated classic, Aladdin, as it seems with each new look there is a fair amount of online backlash-most of which seems to be around Will Smith's incarnation of the Genie. Of course, if you're familiar with that seminal nineties movie (and if you're not, you need to get familiar) Genie was always going to be the biggest hurdle considering Robin Williams' groundbreaking iteration of that being who could grant you three wishes. While Williams' performance will obviously loom large it would be completely unfair to dismiss Smith's take on the character based solely on a single (likely unfinished) CGI shot and a single line of dialogue. I mean, I understand the complaints, but it doesn't look THAT bad and I can only hope the animators continue to the balance of real-life Smith with his animated incarnation to the point the final product offers a more convincing aesthetic. What's unfortunate is this spot revealing Smith as the more recognizable version of Genie was-in some capacity-probably a response to the negative backlash Smith and the film received for this Entertainment Weekly cover. More than anything, my hope is that Smith thought this whole scenario through before even agreeing to take the role in the first place. Alice in Wonderland, Cinderella, Dumbo, those are all one thing, but when you have a property that fuels nostalgia for the entire generation who is now the base of your expendable income demographic there has to be a plan in place. Smith had to know he was in something of a no-win situation given the reverence for Williams' interpretation and the fact he would have to come with something both radically different and pretty special to even be allowed in the same conversation. I hope this is the case. I am a massive Smith fan and have been for a long, long time, but I really hope he has an ace in his back pocket here otherwise it begs the question of why he would even take on this challenge in the first place. We do get a few glimpses of other, big moments from the animated film here as well, but despite director Guy Ritchie's filmography it all looks very staged and fake as opposed to the natural tangibility one would think is the point of these live-action re-makes. On the plus side though, the film will feature new songs by Alan Menken and La La Land songwriters Benj Pasek and Justin Paul (Menken wrote with Howard Ashman and Tim Rice for the 1992 version). Aladdin will also star Marwan Kenzari, Navid Negahban, Nasim Pedrad, Billy Magnussen, Numan Acar, Mena Massoud, Naomi Scott, and opens on May 24th, 2019.

First Trailer for AMERICAN SNIPER

In what will be director Clint Eastwood's second film this year he has teamed with Bradley Cooper who both stars as the titular sniper and serves as producer. Having read an interview in which Cooper discussed his one, brief conversation with Chris Kyle (the real life Sniper whose memoir this film is based on) before he was killed at a shooting range by a troubled Marine veteran, it is clear the actor understood he took on a great responsibility with this role. Eastwood hasn't necessarily been on fire with his films as of late, but this certainly carries a different tone. One can pick up on the precision with which this has been constructed and the care that has been taken by the tone of the trailer alone. Not only has Cooper transformed himself physically into the bulky, 6'2" Kyle but he has also seemed to inhabit the mind of a man who had to have what it takes to make a split second decision that determines the course of another human life. It is a responsibility that Cooper conveys with minimal resources here and frankly, seems to have given a performance already worthy of serious awards conversation. This may seem true because it is so clearly not his motivation yet if Cooper has proved anything over the past few years it's that he's full of surprises and I wouldn't be shocked if he walks away with a statue. The one cause for concern is screenwriter Jason Dean Hall who has previously penned Spread and Paranoia; not the best résumé builders. American Sniper also stars Sienna Miller, Jake McDorman, Luke Grimes, Navid Negahban, Keir O’Donnell and opens in limited release on December 25th before expanding wider on January 16.