SPIDER-MAN: BRAND NEW DAY Review

Destin Daniel Cretton takes over Tom Holland's Fourth Solo Spidey Film that Looks to Ground the Character while Allowing him to Fly Higher than Ever.

THE ODYSSEY Review

Christopher Nolan's Latest is an Ambitious Film Worthy of Homer's Epic Poem and One of the Most Exhilarating Theater Experiences Viewers Could Hope for.

MINIONS & MONSTERS Review

Dan Trachtenberg Continues to Expand on the Predator Franchise, this Time Making the Titular Antagonist a Protagonist we Root For and Want to See More Of.

MOANA Review

Director Luca Guadagnino's Latest May Not Have Been Made to Make Audiences Feel Comfortable, but it Might Have at Least Alluded to Something More Bold.

THE INVITE Review

Paul Thomas Anderson and Leonardo DiCaprio Team-Up for the First Time to Deliver a Thrilling, Timely and Ambitious Film that Delivers on Every Front One Might Hope.

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Showing posts with label Luke Grimes. Show all posts
Showing posts with label Luke Grimes. Show all posts

Teaser Trailer for FIFTY SHADES FREED

I didn't see Fifty Shades of Grey or Fifty Shades Darker. I don't have much of a desire to. My wife didn't read the books and I didn't read the books. My wife had no interest in seeing the movies and I certainly wasn't going into this one by myself and so whatever it is about this series that seems to capture supposedly off-limits sexual subjects and entice so many females will likely forever remain a mystery to me. All of this is to say this trilogy capper that completes the franchise that began in 2015 received a teaser trailer today as the promotional campaign has officially kicked off with a glimpse at the poster available as well after the jump. Fifty Shades Freed chronicles the continuing and presumed developing relationship between Christian Grey (Jamie Dornan) and Anastasia Steele (Dakota Johnson) as Anastasia must adjust not only to married life but to her new husband's wealthy lifestyle and controlling nature after accepting Christian's proposal in Fifty Shades Darker. While I admittedly don't know much about the story contained in the pages of E.L. James's best-selling series this first look at the sequel certainly seems to keep in step tonally with James Foley's follow-up to Sam-Taylor Johnson's first film. Foley is the sixty-three year old filmmaker who made Glengarry Glen Ross and At Close Range, but whose last feature film prior to this year's Darker was the out and out 2007 bomb Perfect Stranger that starred Bruce Willis and Halle Berry. Add to this the fact writer Niall Leonard, who had done strictly serialized television work prior to working on this series, took over for the more inexperienced Kelly Marcel and has adapted both the second and third novels for film and there might be some interesting layers to look for as the series progresses. Still, it is somewhat uninspiring as Fifty Shades Darker seemed to more or less get the same negative to downright terrible reviews that the first film received and so I don't really see the pace changing for this final installment even if that would seemingly suggest there is a lot more action to be had as the conclusion of all this comes to pass. Fifty Shades Freed also stars Victor Rasuk, Tyler Hoechlin, Arielle Kebbel, Eric Johnson, Max Martini, Dylan Neal, Rita Ora, Luke Grimes, Fay Masterson, Brant Daugherty, and opens on February 9th, 2018.

THE MAGNIFICENT SEVEN Review

The Magnificent Seven, the re-make of the 1960 John Sturges film starring Yul Brynner and Steve McQueen, from director Antoine Fuqua (Training Day, The Equalizer) accomplishes exactly what it intends to be. This is pure popcorn entertainment meant to capitalize on the combination of brand awareness and the popularity of the actors it has on its roster. That said, it takes full advantage of those aspects while delivering a wholly satisfying blockbuster western. It is difficult even, to take away from what is being accomplished within this pure Hollywood product as its only ambition is clearly to deliver something of an updated mythos on the story of seven exceptionally skilled sharpshooters and little more. Given the Sturges film itself was a re-make of director Akira Kurosawa's 1954 film, Seven Samurai, that supplanted the story of a poor village under attack by bandits who recruited seven samurai warriors to help defend their village with an oppressed Mexican village that assembles seven gunfighters to help defend their homes from outlaws relays the idea this particular story is one that can easily be adapted for new ages, new circumstances, and with new relevance. And so, why re-make The Magnificent Seven once again? It seems as though Fuqua, while not having a complete answer, mostly intends to use MGM's idea to raid their classics catalog by allowing him to lend more context to and highlight more of the race relations that were taking place in the late 19th century than might have been approved of in 1960. In light of such a re-framing of history as people see it through pop culture (which is never a good place to rely on for your history, not in 1960 and not now) Fuqua has cast frequent collaborator Denzel Washington in the lead role or the equivalent of what Brynner played in the original. Filling out the titular seven we also have a Mexican in Vasquez (Manuel Garcia-Ruflo), a Korean in Billy Rocks (Byung-hun Lee), and a Native American in Red Harvest (Martin Sensmeier) with the remainder of the crew filling out the tall white man quota with the likes of Chris Pratt, Ethan Hawke, and Vincent D'Onforio. Whether Fuqua's version of these events takes advantage of such changes and actually pulls insight or interesting dynamics from these updates is another thing as the 2016 The Magnificent Seven doesn't stand to get too weighty or theoretical, but instead it simply puts these ideas out there for audiences to recognize while at the same time making these characters so bluntly badass that boxes such as ethnicity hardly seem to matter. Whether this works in favor or against the reasoning for this movie to exist is a conversation to be had, but as far as I'm concerned Fuqua's film is so relentlessly entertaining and such a fun experience there need be no greater reason for its existence.

Teaser Trailer for FIFTY SHADES DARKER

I didn't see Fifty Shades of Grey. I don't have much of a desire to. My wife didn't read the books and I didn't read the books. My wife had no interest in seeing the movie and I certainly wasn't going into this one by myself and so whatever it is about this series that seems to capture supposedly off-limits sexual subjects and entice so many females will likely forever remain a mystery to me. All of this is to say the sequel to the 2015 franchise starter finally received a trailer today as the promotional campaign officially kicked off yesterday with a glimpse at the poster and clip from the teaser trailer. Fifty Shades Darker chronicles the continuing and presumed developing relationship between Christian Grey (Jamie Dornan) and Anastasia Steele (Dakota Johnson) as Christian wrestles with his inner demons and Anastasia confronts the anger and envy of the women who came before her. While I admittedly don't know much about the story contained in the pages of E.L. James's best-selling series this first look at the sequel certainly seems to keep in step tonally with Sam-Taylor Johnson's first film who won't be returning for the remainder of the series. Rather, both Darker and Fifty Shades Freed will be helmed by James Foley, the now sixty-three year old man who made Glengarry Glen Ross and At Close Range, but whose last feature film was the out and out 2007 bomb Perfect Stranger that starred Bruce Willis and Halle Berry. How this might effect not just the tone of the movie overall, but the way the series handles the extremely sexual subject matter could be interesting and is what I would look for if I were to ever make it around to seeing these things. Add to this the fact writer Niall Leonard, who has done strictly serialized television work, is taking over for the more inexperienced Kelly Marcel and adapting both the second and third novels for film and there might be some interesting layers to look for as the series progresses. Still, it is somewhat alarming that in light of Taylor-Johnson walking away from the franchise that Universal would immediately hand it over to men to take control of. Fifty Shades Darker also stars Kim Basinger, Tyler Hoechlin, Bella Heathcote, Hugh Dancy, Max Martini, Marcia Gay Harden, Luke Grimes, Rita Ora, and opens on February 10th, 2017.

AMERICAN SNIPER Review

There is an immediate sense of dread from the moment the black fades into the overwhelming tank crawling towards us in Clint Eastwood's American Sniper. Combined with the bombarding sound design that insists your heart start beating faster it's apparent the veteran director intends to put you right in the middle of the action. It's not that the life of Chris Kyle was filled with nothing but dread or other related emotions, but it was certainly filled with a fair amount. Based on the memoir penned primarily by Kyle of the same name, Eastwood and lead actor Bradley Cooper have acquired a no frills way of telling a straightforward story about what seemed to be a very direct man. I have not read Kyle's memoir from which this film was adapted, but if you take away anything from the film version it is the state of mind of which Cooper's Kyle was always in. There is a consistent sense of complete confidence in himself that infiltrates the viewers perception of how events will play out, but where things become gray are in the contemplations of how what he is doing might fit into his overall role in life. From the teachings passed down by his father, he was bred to look at the world as a very black and white place, as a place where only a limited number of personalities existed and where the rule of absolutes made him something of a protector to those who couldn't or didn't know how to defend themselves. When it comes to portraying this type of mentality on screen though one could encounter a few issues given our protagonist isn't the most articulate with his emotions and much of the drama surrounding his wife, Taya (Sienna Miller), deals with his long absences during tours that's unfortunately become so common at this point it's hard not to convey without a hackneyed stench hanging over it. Attempting to make something more out of this or dig deeper into the material so as to come up with a kind of insight or original angle would only serve to seemingly overdo what is right in front of their faces though. And so, there are no storytelling flourishes or flowery filmmaking language incorporated, but just like the man himself, this is a very basic and to the point account that speaks volumes after the film ends by not saying much while you're in the midst.

First Trailer for AMERICAN SNIPER

In what will be director Clint Eastwood's second film this year he has teamed with Bradley Cooper who both stars as the titular sniper and serves as producer. Having read an interview in which Cooper discussed his one, brief conversation with Chris Kyle (the real life Sniper whose memoir this film is based on) before he was killed at a shooting range by a troubled Marine veteran, it is clear the actor understood he took on a great responsibility with this role. Eastwood hasn't necessarily been on fire with his films as of late, but this certainly carries a different tone. One can pick up on the precision with which this has been constructed and the care that has been taken by the tone of the trailer alone. Not only has Cooper transformed himself physically into the bulky, 6'2" Kyle but he has also seemed to inhabit the mind of a man who had to have what it takes to make a split second decision that determines the course of another human life. It is a responsibility that Cooper conveys with minimal resources here and frankly, seems to have given a performance already worthy of serious awards conversation. This may seem true because it is so clearly not his motivation yet if Cooper has proved anything over the past few years it's that he's full of surprises and I wouldn't be shocked if he walks away with a statue. The one cause for concern is screenwriter Jason Dean Hall who has previously penned Spread and Paranoia; not the best résumé builders. American Sniper also stars Sienna Miller, Jake McDorman, Luke Grimes, Navid Negahban, Keir O’Donnell and opens in limited release on December 25th before expanding wider on January 16.

First Trailer for FIFTY SHADES OF GREY

I have no idea and no real desire to find out what the big hoopla around Fifty Shades of Grey is all about and the first full length trailer for the film does little to change that line of thought. I understand they were originally some kind of offshoot of Twilight fan fiction that drew fire for its sexual content and forced author E.L. James to publish the stories in an episodic nature on her own site. I understand how this can be seen as a win for viral marketing and do-it-yourself publishing, but the content has always been at the question of its validity for me. I know little of the story except for the fact it contains some seriously sexual content and has been made into a film by a female director that might at least bring the masses of mommy's over thirty who devoured the books the adaptation they've been craving. It seems husbands will be oblivious to what their wives are watching while the trailer makes it explicitly clear that the presumably R-rated film will contain all of the carnal pleasures and erotic nature of the source material. The one thing that does intrigue me about the trailer is the look of the film. Director Sam Taylor-Johnson (Nowhere Boy) applies a sleek, very modern aesthetic to the worlds of Anastasia Steele and Christian Grey that will likely look dated and categorize the film squarely into this decade in the future, but also hints at an oddly pure and direct tone that seems in line with the narrative and its central character. Fifty Shades of Grey stars Jamie Dornan, Dakota Johnson, Jennifer Ehle, Luke Grimes, Marcia Gay Harden, Max Martini, Eloise Mumford, Dylan Neal, Rita Ora, Victor Rasuk, Callum Keith Rennie and opens on Valentine's Day 2015.