IN THE HEART OF THE SEA Review

Looking at director Ron Howard's latest, In the Heart of the Sea, from a broad perspective there is nothing seemingly wrong with it. It is a handsomely mounted film with charismatic actors playing dress up and tells an adventure story that, while it is said to be the inspiration for the tale that's come to be known as Moby-Dick, takes many of the same beats from this familiar story and applies them here. Unfortunately, if one is looking for anything more than a standard adventure/survival tale this is not the place to go. A director who has become more hit or miss as of late Howard only skims the surface of the conflicts and dynamics that could have been explored here. While I've never completed Herman Melville's crowning achievement and I'd not even heard of Nathaniel Philbrick's novel on which this is based prior to the film's first trailer, it is pretty easy to see where things are going the moment our two heroes step onto their boat. While this isn't always an issue given things have become more about the journey than the destination in this saturated movie market, Howard and his team simply don't bring enough insight or a fresh enough perspective to make this endeavor feel like it's worth joining. One wouldn't necessarily know or realize this as they watch the film unfold given it's just captivating enough, and just big enough to keep us entertained and wondering what choices certain characters will make, but as the film comes slogging to its conclusion it becomes more clear that's all the film is-just enough. Just enough isn't enough to warrant an emotional reaction though, and it's not enough to constitute a real investment in the characters or even their quest that seems so foreign at this point that it could have proved fascinating, but is more or less rendered irrelevant due to the fact the films only interest lies in the massive sea monsters rather than the men who come up against them. Seeing massive sea creatures on the big screen is never a bad thing-in fact, it's almost as inherently epic as one can get, but for it to mean anything more than just a moment of wonder there must be some depth to the waters surrounding them and In the Heart of the Sea is simply too shallow to come up with anything interesting to say.

THE REVENANT Review

The idea for The Revenant is more satisfying than its realization. It's a fact many of us who have been looking forward to the film likely realized before even watching it, but nonetheless the reaction to this realization is still one that feels it witnessed something unique, or special at the very least. Throughout the course of the film I couldn't help but to keep coming back to the thought that the huge amount of effort that was so clearly put into the making of this film deserved to be seen multiple times, countless times even, but in trying to come up with a time in which I might actually want to sit down and experience this again I came up with little desire. That this was also director Alejandro González Iñárritu's follow-up to his Oscar-winning Birdman factors into the mystique of the idea of how great this film might be, never mind the fact he was collaborating with the likes of Leonardo DiCaprio and Tom Hardy. And so, the "what if" thought came to mind in the form of, “what if this were made by a no-name director?" Would it be met with the same expectation? Would reactions be as critical to the leanness of the story or would the beauty of the cinematography allow that to be forgiven? Obviously, this is not the case and thus the film will be viewed and criticized for how it stacks up against Iñárritu's past works as well as the fellow awards fodder that is being released this year, but despite all of these factors that inform the here and now, the initial reactions to the film, The Revenant feels like a movie that will be around for a long time. It is a movie that will be discussed not for its large themes or the depth with which it conveys this rather simple and straight-forward story, but more for what it was able to accomplish in bringing beauty out through such brutality. That, in its own way, it was able to deliver as visceral an experience as one could have with a motion picture. This is a movie not meant to elicit a lot of intellectual pondering, but more an experience of the emotions that you drink in, let settle, and then decide if it's for you or not. My palate seems to have come to the decision it appreciates the taste more than it necessarily enjoys it.

TIFF 2015: LEGEND Review

Legend is a movie that aspires to be a great gangster epic and in some regards it is, but this is not the gangster epic in the same vein as something like Goodfellas. It is more a representation than an adaptation, which is fine because it works for the characters at play and never fails to be thoroughly entertaining. Director Brian Helgeland delivered a straightforward, but rousing biopic of Jackie Robinson two years ago in 42, but has written films such as L.A. Confidential and Mystic River in his twenty-seven years in Hollywood. With Legend, Helgeland tests his directorial prowess by taking on a much bigger scope and a more complex story that features a diverse set of personalities. Each of these things having to be managed and pieced together in a way that feels coherent and there are times you can almost feel the structure creaking under it's own weight. Near the end of the second act the film almost gives way to a full on tsunami of varied tones and plot strands falling in on themselves and flooding out to leave behind nothing more than puddles of once strong and vibrant storytelling methods as well as the exceptional double performance of Tom Hardy. Lucky for Helgeland, he hired an actor with as much gravitas and ability as Hardy allowing him to pull off this stunt and leave the audience ruptured in his showing to the point we don't so much care about what else is going on around him. We acknowledge the given circumstances the real-life people fell into, but we're all just watching to see what Hardy does with the situation.

'71 Review

Despite the fact '71 was put together by newcomers to the world of feature films you wouldn't know it from the hard-boiled style and breathless pacing that enables it to become an intriguing tale of a single soldier. Led by Jack O'Connell (Unbroken) this is not the movie you might expect given the promotional material or even the synopsis. Instead, this is a veritable history lesson that breaks an event down to its most human element. To give you a sense of just how basic the film gets is to know that within the first twenty minutes our main character is holding bits of one of his comrades brains in his hand. There is a close-up of this. It quickly reiterates to O'Connell's Gary Hook how close he is to death, that separating him from the unknown is simply how fast he can run from those who have killed his mate. It is his immediate reaction to flee the scene that sets him on a course for a night of unexpected challenges and consistent life-threatening experiences that test his will to live and his faith in mankind. These larger themes are hinted at, sure, but only if you choose to take them away from the film. The beauty of this rather simple tale though is that, if you wish, you can take it as it is and for what it offers in its most basic of senses with that being a historical action film that just so happens to genuinely strike a chord. While there isn't much to it other than atmosphere and performances director Yann Demange has managed to pull out the details of this ongoing divide in Northern Ireland to create a compelling study of humanity that speaks volumes about the larger situations at hand. While O'Connell does fine work as a British soldier cut off from his unit and left to survive alone on the streets of Belfast it is the films ability to manage the multiple storylines going on within the different mindsets and allegiances that really stands out. And while I enjoyed '71 more than enough to recommend it I still can't say it struck me as something exceptionally substantial, but more as something of note due to its attention to The Troubles, an issue I didn't have much knowledge of prior to seeing the film and something I imagine many others on this side of the pond will have in common with me.

Teaser Trailer for IN THE HEART OF THE SEA

There was somewhat of a renewed sense of optimism in Ron Howard after last years Rush. After teaming with Tom Hanks on two Dan Brown adaptations with only the convienent Frost/Nixon separating them it felt as if the once ambitious director had become, well, comfortable. While another Brown adaptation is on the way, it will hopefully stand to be noted that his back to back Chris Hemsworth efforts were a return to the diversity that always made Howard an interesting if not consistently reliable filmmaker. That is, of course, all based on the assumption that his latest, In the Heart of the Sea, is as good as it promises to be based on this first teaser trailer. Based on the book by Nathaniel Philbrick that recounts the story that inspired Moby Dick, In the Heart of the Sea tells of an expedition that led one whaling ship to encounter a beast so mythical in size it destroyed everything around them and put the 25-man crew in the most dire of situations while pushing their humanity to its breaking point. Long-time Danny Boyle collaborator and Rush cinematographer Anthony Dod Mantle returns to assist Howard on this outing as well and if there will be anything people take away from this first look it is just how beautiful the film is. While it is upended slightly by the CGI-reliable shots near the end, there is a presence to the color palette and composition that better elicits the mood and action that is being captured here. I typically enjoy Howard's films no matter what genre he's operating in and he looks as if he's put together a strong team both in front of and behind the camera that will hopefully deliver a truly compelling piece. In The Heart of the Sea stars Chris Hemsworth, Benjamin Walker, Tom Holland, Brendan Gleeson, Cillian Murphy, Ben Whishaw, Jordi Molla and opens on March 13, 2015.