The biggest fight this unnecessary sequel was always going to battle was the one for purpose. In 2012's
Snow White and the Huntsman there was much to admire in terms of visually stunning design and creativity for the functionality of much of those designs, but both the story and the characters felt thin, cobbled together from different mythologies, and thrown together in hopes of becoming a new take on an old tale. With
The Huntsman: Winter's War the film once again faces something of an identity crisis-wanting to be a number of things, but never focusing on one single aspect enough to actually be about something. As the first film was an attempt to capitalize not only on the idea of turning well-known fairy tales into live-action adventures, but on swinging the Hollywood pendulum towards more female-centric action vehicles the focus is still very much on the ladies. This is all well and good until you realize that once again this
Huntsman film is simply pulling from other stories to try and cobble together a legend of its own to no avail-giving extremely talented actresses nothing to work with. While not a direct sequel or even a full prequel,
Winter's War is a spin-off of sorts that encapsulates all of the previous film and intends to add a broader scope and depth to the proceedings. In doing this we are offered a take on recent female Disney characters such as Elsa's Ice Queen from
Frozen in the form of Queen Freya (Emily Blunt) and Merida from Pixar's
Brave in the form of Sara (Jessica Chastain). Done in the hope that telling a darker, more action packed story would appeal not only to the kids who enjoyed those movies, but to the adults who've likely seen them on repeat and might find it interesting to see variations on such characters in live action form it's a fine enough strategy. At the very least this strategy provides some kind of template for the film to build strong female characters upon, but as a final product the film does nothing interesting with the majority of its characters in a story so scattered and with one too many lulls that even the beauty of both the visuals and actors isn't enough to distract from the weariness of it all.