SPIDER-MAN: BRAND NEW DAY Review

Destin Daniel Cretton takes over Tom Holland's Fourth Solo Spidey Film that Looks to Ground the Character while Allowing him to Fly Higher than Ever.

THE ODYSSEY Review

Christopher Nolan's Latest is an Ambitious Film Worthy of Homer's Epic Poem and One of the Most Exhilarating Theater Experiences Viewers Could Hope for.

MINIONS & MONSTERS Review

Dan Trachtenberg Continues to Expand on the Predator Franchise, this Time Making the Titular Antagonist a Protagonist we Root For and Want to See More Of.

MOANA Review

Director Luca Guadagnino's Latest May Not Have Been Made to Make Audiences Feel Comfortable, but it Might Have at Least Alluded to Something More Bold.

THE INVITE Review

Paul Thomas Anderson and Leonardo DiCaprio Team-Up for the First Time to Deliver a Thrilling, Timely and Ambitious Film that Delivers on Every Front One Might Hope.

852/
Showing posts with label Sam Claflin. Show all posts
Showing posts with label Sam Claflin. Show all posts

ADRIFT Review

To properly assess Adrift, the latest lost in the wild adventure, it would seem the most logical thing to do is compare it to that of the wave of recent films with similar premises and or ideas with the main objective being to determine whether or not it does anything different or at least attempts to bring new ideas or layers to the experience. While Adrift doesn’t necessarily add anything new to the genre or say anything that hasn’t been said before it does stand to reason that no matter how similar the circumstances included in these stories of desperation and survival tend to be one is typically as harrowing as the next and, if executed in an effective enough fashion, will still hit all the necessary marks and retain enough suspense to be both entertaining as well as eye-opening. If Adrift is anything it is effective in its execution; this likely has to do with director Baltasar Kormákur's (2 Guns, Everest) experience in bringing these true to life, but often times gruesomely heartbreaking events to life in an honest, but completely cinematic fashion. Kormákur takes this based on actual events story (as most of these are) and intertwines the survival narrative with that of a blossoming love affair between two young/beautiful people that are unaware how much their wills and fresh love are about to be tested. As corny as that may sound or as cheap as that storytelling trick may seem, Kormákur somehow manages to pull it off with a certain level of credibility that lends the familiar beats a sense of urgency which is good as, if one is clued in at all, they will be able to see the plot devices at work. This potentially undercuts what Kormákur and screenwriting team the Kandell brothers (Jordan and Aaron) are counting on as the emotional anchor (pun totally intended) they pull out from under the audience at the beginning of the third act. Fortunately, Adrift still works no matter your disposition thus leaving the overall impression the film leaves to once again rely on how effectively what we as an audience have been trained to know is coming is conveyed. In the tradition of films where people are stranded and left to contemplate the meaning of their now-seeming small existence in relation to the expanded world around them Adrift ranks somewhere a bit below Life of Pi and a fair amount above that of last year’s The Mountain Between Us.

ME BEFORE YOU Review

If you're buying a ticket to Me Before You you know what you're getting yourself into. The movie itself, based on the novel by Jojo Moyes (who also penned the screenplay) and directed by first time feature director Thea Sharrock, knows what it is and has no qualms with embracing the tropes of the romantic drama genre. Its ultimate goal is to have tears flowing from your eyes as you leave the theater and if you are indeed buying a ticket to Me Before You and subsequently crying as the credits roll you are probably happy with said purchase. That is what audiences are looking for from a movie like this and for the most part, Me Before You delivers. What isn't necessarily expected from such a film, but that Me Before You tends to deliver in spades, is an endearing quality of humanity. It isn't anything new to find a relative nature to the characters at the core of the conflict in movies such as this, but with our two leads here Moyes smartly adds another layer to their relationship that takes it beyond being non-traditional and not just based on if issues of the heart will keep them together or draw them apart. Rather, this caveat elevates the story to one that forces us to contemplate the courage needed to redirect a life that has been thrown completely off course. That may sound slightly dramatic in itself given the tone this film initially takes on is quite affable, but when it comes down to it-when the relationship has been developed and the tears inevitably shed there is left a large amount of respect for Me Before You for not only embracing the recurring archetypes of its genre, but for daring to try to improve upon them. Whether this be through the act of stronger characterization in our female lead than typically seen, the sometimes downright dislikable nature of the male lead or the generally high quality of acting on display-there is something pedigreed and understated about the final product that allows skeptical audiences to appreciate its willingness to improve upon acknowledged tropes while pleasing the target audience in a way they may not have known to be possible before. All in all, Me Before You is a tearjerker that earns that title through improving on and adding to the familiar while still hitting every box on the genre checklist.

THE HUNTSMAN: WINTER'S WAR Review

The biggest fight this unnecessary sequel was always going to battle was the one for purpose. In 2012's Snow White and the Huntsman there was much to admire in terms of visually stunning design and creativity for the functionality of much of those designs, but both the story and the characters felt thin, cobbled together from different mythologies, and thrown together in hopes of becoming a new take on an old tale. With The Huntsman: Winter's War the film once again faces something of an identity crisis-wanting to be a number of things, but never focusing on one single aspect enough to actually be about something. As the first film was an attempt to capitalize not only on the idea of turning well-known fairy tales into live-action adventures, but on swinging the Hollywood pendulum towards more female-centric action vehicles the focus is still very much on the ladies. This is all well and good until you realize that once again this Huntsman film is simply pulling from other stories to try and cobble together a legend of its own to no avail-giving extremely talented actresses nothing to work with. While not a direct sequel or even a full prequel, Winter's War is a spin-off of sorts that encapsulates all of the previous film and intends to add a broader scope and depth to the proceedings. In doing this we are offered a take on recent female Disney characters such as Elsa's Ice Queen from Frozen in the form of Queen Freya (Emily Blunt) and Merida from Pixar's Brave in the form of Sara (Jessica Chastain). Done in the hope that telling a darker, more action packed story would appeal not only to the kids who enjoyed those movies, but to the adults who've likely seen them on repeat and might find it interesting to see variations on such characters in live action form it's a fine enough strategy. At the very least this strategy provides some kind of template for the film to build strong female characters upon, but as a final product the film does nothing interesting with the majority of its characters in a story so scattered and with one too many lulls that even the beauty of both the visuals and actors isn't enough to distract from the weariness of it all.

Full Trailer for ME BEFORE YOU Starring Emilia Clarke

I was just thinking this weekend about how it's been a long time since we've had any type of romantic comedy, legitimately fun despite its conventions or not. There are no marquee male stars to headline these things anymore and the closest we seem to get presently are either riffs on the genre a la last summer's Trainwreck or the dredge that is director Garry Marshall's holiday-themed movies that intertwine multiple stories and feature as many stars as possible so that the financial success doesn't hinge on a single name (we get Mother's Day at the end of this month if you're curious). So, I began to wonder what a modern romantic comedy might look like and without considering the aforementioned films that are more or less derivatives of the original template the closest thing I could come up with was Brooklyn. Yes, last years tale of an Irish immigrant who lands in 1950s Brooklyn where she falls in love with a local Italian is the closest I could come up with. Clearly, this isn't in the same genre as those Matthew McConaughey headliners from the mid-2000's though, and so my thoughts extended even further into the genre of grand romantic films in general. A genre the Nicolas Sparks-based The Notebook reinvigorated in 2004, but has since become something of a parody of itself with the continued adaptations of Sparks' novels turning into rote, cheesy reminders of how great Ryan Gosling and Rachel McAdams were together. One movie looks to buck that trend this year though. Me Before You is an adaptation of the hugely popular novel by Jojo Moyes and is being brought to the big screen courtesy of theater director and Call the Midwife alum Thea Sharrock making her feature directorial debut. Emilia Clarke (Game of Thrones) and Sam Claflin (The Hunger Games) star in this story of a girl in a small town who forms an unlikely bond with the recently-paralyzed man she's taking care of. The film also stars Jenna Coleman, Janet McTeer, Matthew Lewis, Charles Dance, Vanessa Kirby, Stephen Peacocke, and Brendan Coyle. Me Before You opens on June 3rd, 2016.

THE HUNGER GAMES: MOCKINGJAY - PART 2 Review

Ultimately, The Hunger Games films as well as the books are about sacrifice and that this final installment of the film franchise encapsulates this theme to it's fullest while still maintaining a clear narrative drive that is moved along by several exhilarating action sequences allows it to be nothing short of wholly fulfilling. In all honesty, as a reader of the books, I don't know that one could have asked for a better interpretation of the novels. Even in retrospect, the splitting of Mockingjay into two parts now seems a genuine decision rather than a financial one as it allowed more time to fully grasp the multiple changes and conflicts our protagonist, Katniss Everdeen (the ever-steady Jennifer Lawrence), would experience while also allowing plenty of space to develop the idea that both sides of a war use the same kind of propaganda to strike fear into their followers hearts. This development as well as the fact both parts of the Mockingjay films were not shackled by the narrative constraints of the actual games make for a much more involving and complex set of moral decisions and real world repercussions that don't typically apply to young adult literary stories. Whether it be through the casting of the terrific Donald Sutherland as President Snow who makes the overriding threat seem all the more vile as he eloquently executes his intentions of power over the classes of Panem through his politics or the unexpectedly layered Alma Coin (Julianne Moore) that brings about not only an epiphany in Katniss concerning the vicious circle that human beings naturally put themselves in when systems inevitably become corrupted, but also in realizing the necessary differences in the two men in her life that will finally bring about a peaceful decision. As much as The Hunger Games series is about sacrifice it is also about holding true to ideals no matter the sacrifice it takes to keep such principles relevant. Some may counter Katniss with the argument that there is no need to fight for ideals if there will be no one left to carry them on and if that is to be the result it seems Katniss thinks we might not deserve to exist at all. It's a bold statement, one that the films could have easily smoothed over with a toothless and sentimental final act, but instead they embraced the complexities and let them play out in an honest sense only making it all the more interesting to watch come to an end.

First Trailer for THE HUNTSMAN WINTER'S WAR

2012's Snow White and the Huntsman was a fairly modest hit, but didn't even recuperate it's budget stateside as it relied on the international box office to reach it's $400 million worldwide total that has seemingly justified the existence of this prequel/spin-off that will center on the second tier character of the Kristen Stewart starrer. A mouthful, I realize, but it has taken much to get to this would-be sequel to the screen. While I initially found it strange that Universal would take this opportunity to turn a Snow White film into anything but a Snow White franchise (especially given the success Disney is having with their live action fairy tales) the studio has essentially cut Stewart from the mix and added two of the more popular female actors working today. While Charlize Theron will return, making the story that Winter's War tells an obvious prequel or coinciding with the previous films events-type continuation, first time feature director Cedric Nicolas-Troyan (who served as second unit director on Snow White and the Huntsman) has also added Jessica Chastain and Emily Blunt to the mix. Having both starred in action-heavy films in the recent past both Chastain and Blunt are more than capable of hanging with the likes of Chris Hemsworth. Hemsworth, who is nicely shaping his resume outside of his Thor roles, looks as if he will bring more of the same here if not his typical balance of charm and intimidation. I enjoyed the aesthetic of the first film more than anything and if nothing else it seems Nicolas-Troyan has been able to keep that visual style intact. While I'm not necessarily excited for the film, I'm intrigued as to where this could possibly take us. The Huntsman Winter's War also stars Nick Frost, Sam Claflin, Rob Brydon and opens on April 22, 2016.

Full Trailer for THE HUNGER GAMES: MOCKINGJAY – PART 2

It's hard to believe The Hunger Games franchise is coming to a close, though it seems Peeta confirmed there will be some type of spin-off or prequel in a few years time. What is strange about The Hunger Games series though is that I tend to care less about them in between installments despite having read all of the books and still being interested in the film adaptations. I was beginning to put together my most anticipated list for the fall movie season the other day and I completely forgot we had the finale to Suzanne Collins trilogy coming out. I don't know if this means I'm not really excited to see the movie or if in the three years since the first film premiered I've grown tired of these types of films. That said, I still get excited for a good super hero movie so who knows, maybe I'm really just not that pumped for it. Either way, you won't see it on my list despite this full trailer for the film looking nothing short of fantastic. I guess it could be due to the fact I wasn't able to catch Mockingjay - Part 1 in theaters and thus it felt like less of an event, but I will still be seeing Part 2 in IMAX opening night as director Francis Lawrence has seemingly put together a worthy final chapter to the three rather solid films that have come before it. While Catching Fire is easily my favorite so far, Mockingjay - Part 2  may well in fact top it given it's the conclusion and it looks packed to the brim with both action and drama. Jennifer Lawrence, Josh Hutcherson, Liam Hemsworth, Woody Harrelson, Elizabeth Banks, Philip Seymour Hoffman, Jeffrey Wright, Willow Shields, Sam Claflin, Jena Malone, Stanley Tucci, Julianne Moore, and Donald Sutherland all return when The Hunger Games: Mockingjay – Part 2 opens November 20, 2015.

First Trailer for THE HUNGER GAMES: MOCKINGJAY - PART 2

It's somewhat hard to believe The Hunger Games franchise is coming to a close, though I'm sure in three to four years time there will be some type of spin-off or prequel that will need to come to the big screen. Nonetheless, it seems as if the first film in the franchise opened just the other day. Granted, Harry Potter was a much longer journey and I didn't get caught up in the Twilight saga so this is really my first time dealing with a shorter series that I've actually become so invested in. What is strange about The Hunger Games series though is that I do tend to care less about them in between installments despite having read all of the books and still being interested in the film interpretations when they come around; which is more than I can say for the Veronica Roth series. With both parts of the series finale being filmed simultaneously last year, it has been a long time since even the actors have been close to the material and with Mockingjay - Part 1 feeling more like a blip on the radar than a worthy chapter in the story of Katniss I can only hope this final film really delivers on what its source material executed rather well. If this first trailer is any indication I'm feeling fairly optimistic we're still in good hands with director Francis Lawrence. Jennifer Lawrence, Josh Hutcherson, Liam Hemsworth, Woody Harrelson, Elizabeth Banks, Philip Seymour Hoffman, Jeffrey Wright, Willow Shields, Sam Claflin, Jena Malone, Stanley Tucci, Julianne Moore, and Donald Sutherland all return when The Hunger Games: Mockingjay – Part 2 opens November 20, 2015.

THE HUNGER GAMES: MOCKINGJAY - PART 1 Review

I've always been a fan of second chapters, but this new trend of first halves of last chapters is an unfortunate one that doesn't seem to be going anywhere soon given the extra dollars to be made from it. Not only does it completely contradict the reasons studios use to justify these splits, but they often times present glaring weaknesses in the story that otherwise wouldn't be present if the intention was the same as with the first two or however many predecessors there were. In the case of The Hunger Games, having read the books, I would have much more preferred they split Catching Fire into two parts than the rather lackluster and somewhat disappointing third book in the trilogy. Of course, as the finale, it is the one that gets the big to-do. There is a case to be made and an essay to be written for why studious should consider breaking the book that deserves it most into two parts rather than the concluding chapter (one that might ultimately agree with their story justifications in the press release that we all know are just covers for double the profit), but that is for another time and head space. While we may eventually get to a place where every book is broken into two movies right now we are here to discuss the beginning of the end for what has been the middle ground between the more credible Harry Potter series and the laughable, niche that was Twilight. The Hunger Games has served as a bridge between these series, uniting the tween and teen girls that flocked to the Bella Swan soap opera and the fans of varying degrees that grew up with J.K. Rowling's boy wizard in a way that melded the female heroine with the gritty realism of a fictional world. These films are, in a way, the ultimate composition of young adult literature combining every successful element that have come before and garnering the masses all the more for it while also sporting its own line of imitators. I wouldn't necessarily say I enjoyed The Hunger Games, either in the books or film series, but I am no doubt intrigued by them and fascinated not only by the role they play in pop culture and the brand they've etched out for themselves, but for the actual intentions of the story and how that has somehow been maintained in the feature adaptations. With that mindset I went into Mockingjay - Part 1 with a hopeful optimism that director Francis Lawrence and his unbelievably impressive cast might have crafted a game-changer.

Official Trailer for THE HUNGER GAMES: MOCKINGJAY - PART 1

At long last, the full-length trailer for the first installment of director Francis Lawrence’s conclusion to the Hunger Games franchise has been released. Lionsgate has been playing this entire series close to the chest after the first film became somewhat of a phenomenon simply because it knows what it has on its hands. At this point, people are going to show up to this no matter if they've seen a trailer or not and so we get glimpses of what is to come, but not a marketing onslaught that wears us out before the final product arrives (take note, Sony). Having read all three of Suzanne Collins' books on which these films are based I found "Mockingjay" to be the least satisfying which has always made me weary of the film adaptation yet Lawrence took "Catching Fire" (my favorite reading experience of the series) and made it a much better film that the initial installment giving me hope for what he might do with the conclusion of this story. It was inevitable that the studio would split the final book into two features (despite the book length being about the same as the first two) and with this first real look at footage from the first half of the finale it looks like Lawrence has taken the themes of what this world of districts represents and has turned the emotional repercussions up to eleven. The book did take some interesting avenues with the characters though and naturally I look forward to seeing those play out on the big screen. It also looks like Gale will finally get his due after being heavily sidelined in the first two films, only building to a more emotional ending than we might be ready to handle. here's hoping it actually gets to us that much, signaling some real depth in blockbuster filmmaking. The Hunger Games: Mockingjay – Part 1 stars Jennifer Lawrence, Josh Hutcherson,  Liam Hemsworth, Woody Harrelson, Julianne Moore, Philip Seymour Hoffman, Elizabeth Banks, Jena Malone, Sam Claflin, Jeffrey Wright, Stanley Tucci, Natalie Dormer, Donald Sutherland and opens in theaters on November 21st.

THE HUNGER GAMES: CATCHING FIRE Review

There are plenty of perks to being the middle installment of a giant trilogy. Whether you've read the books or not I think it goes without saying that Catching Fire, the film, is a much bigger and more impressive exercise than what the first film was able to deliver after it finished setting up the world all of this would be taking place in. This, coming from the benefit of being that middle child. It has always been the case though (Empire Strikes Back, The Dark Knight, X2: X-Men United, Spider-Man 2) that without having to deal in exposition and not having to worry itself with how to wrap everything up nicely, that the second chapter of a larger story is the one where we get to dig in, where we are able to see the meat of the conflict, and get to really know the characters and what drives them, what makes them different and why we remain interested in their plight past the unbelievable circumstances they were thrown into the first time around. All of this remains true in director Francis Lawrence's follow-up to Gary Ross's faithful and fervent opening chapter. Yes, it is important to note that I am a fan of the books, all three of them, but that Catching Fire was by far my favorite and for all the reasons I've listed above I desperately hoped the film turned out the same way. As we reach the final shot of this film it became all the more clear that we'd just witnessed something rather special. It may not have been a game-changer like The Dark Knight or as exceptional as X2, but it has some clear moments and techniques that are more than impressive and more than intriguing that lead us to becoming intensely wrapped up in the world of Panem and the brewing revolution. The scope and scale, the performances all-around, the more confident hand behind the execution; it all adds up to a film that knows what it is, what its message and main themes are, and where it is going because there is a driving force behind the narrative that makes the briskly paced film (not a bad thing with a run time of two and a half hours) feel like a consistently mounting piece of music that perfectly staggers its force and intensity until hitting that crescendo. This is only one passage though, and that perfectly timed climax of this specific progression only leaves us wanting more which can only mean part two has done its job and done it well.

First Trailer for THE HUNGER GAMES: CATCHING FIRE

MTV has premiered the first teaser trailer for the highly anticipated follow up to last years $691 million hit, The Hunger Games. Interest on my part has been relatively high as I enjoyed the book series and the second book, Catching Fire, was far and away my favorite in the series. I enjoyed Gary Ross' take on the first film and the world he set up and created for these characters to exist and rebel in as the titular challenge is simply a stage to personify the extremes the capitol goes to in order to keep their people in check. I was anxious also to see what new director Francis Lawrence (I Am Legend, Water for Elephants) would be contributing to the world and if the trailer is any indication it is only getting all the more dark and all the more epic. The whole thing looks a a bit sleeker and a bit more credible than the slightly laughable capitol outfits that made the first one look like it took place partly in Oz. As the trailer is structured around a conversation between President Snow (Donald Sutherland) and new Gamemaker Plutarch Heavensbee (Philip Seymour Hoffman) that details the downfall of Katniss we get a taste of the great cast hamming it up and delivering the goods. There are several cuts to Peeta (Josh Hutcherson) and Katniss (Jennifer Lawrence) on their victory tour, but as the trailers for the first film did there are no games in sight and only a slight hint towards them near the end here. I won't lie and say I haven't been eagerly awaiting this trailer though I thought I'd have to wait longer. Does this make it better or worse we still have to wait seven months for the actual film? Still, this trailer has given me faith in Lawrence and piqued my interest in these film adaptations again in that this second installment might actually exceed the first and match the intrigue the novel delivered. The film also stars Liam Hemsworth, Sam Claflin, Elizabeth Banks, Woody Harrelson, Jena Malone, Jeffrey Wright, and Amanda Plummer. The Hunger Games: Catching Fire opens on November 22nd in IMAX and traditional theaters. Hit the jump to watch the trailer.