THE HUNGER GAMES: CATCHING FIRE Review

There are plenty of perks to being the middle installment of a giant trilogy. Whether you've read the books or not I think it goes without saying that Catching Fire, the film, is a much bigger and more impressive exercise than what the first film was able to deliver after it finished setting up the world all of this would be taking place in. This, coming from the benefit of being that middle child. It has always been the case though (Empire Strikes Back, The Dark Knight, X2: X-Men United, Spider-Man 2) that without having to deal in exposition and not having to worry itself with how to wrap everything up nicely, that the second chapter of a larger story is the one where we get to dig in, where we are able to see the meat of the conflict, and get to really know the characters and what drives them, what makes them different and why we remain interested in their plight past the unbelievable circumstances they were thrown into the first time around. All of this remains true in director Francis Lawrence's follow-up to Gary Ross's faithful and fervent opening chapter. Yes, it is important to note that I am a fan of the books, all three of them, but that Catching Fire was by far my favorite and for all the reasons I've listed above I desperately hoped the film turned out the same way. As we reach the final shot of this film it became all the more clear that we'd just witnessed something rather special. It may not have been a game-changer like The Dark Knight or as exceptional as X2, but it has some clear moments and techniques that are more than impressive and more than intriguing that lead us to becoming intensely wrapped up in the world of Panem and the brewing revolution. The scope and scale, the performances all-around, the more confident hand behind the execution; it all adds up to a film that knows what it is, what its message and main themes are, and where it is going because there is a driving force behind the narrative that makes the briskly paced film (not a bad thing with a run time of two and a half hours) feel like a consistently mounting piece of music that perfectly staggers its force and intensity until hitting that crescendo. This is only one passage though, and that perfectly timed climax of this specific progression only leaves us wanting more which can only mean part two has done its job and done it well.

LEE DANIELS' THE BUTLER Review

Though not initially overcome with excitement for this project the good word of mouth and box office success increased my interest in the latest from director Lee Daniels. This lack of excitement doesn't come from anything more than the fact I didn't really enjoy Daniels' last effort, The Paperboy. I completely expected to be intrigued by that film as it seemed a modern film noir with plenty of genre elements at play with solid actors like John Cusack and Nicole Kidman doing interesting work, but instead it was a disjointed mess of a movie that not even the renaissance of Matthew McConaughey could bring out of the gutters. With The Butler Daniels has decided to take on a different beast entirely and tell a historical drama but from the point of view of a quiet perspective, someone who stood in the rafters and saw time pass, decisions be made and did little on his own accord to influence those decisions other than simply be who he was. That he continued to fill a subservient position for such a period of time did more to change the hearts of those he never imagined and seemingly much more than the countless sit-ins and protests that we hear about when schooled on the civil right movement. While Lee Daniels' The Butler is littered with stars, recognizable faces, names and historical events it is first and foremost the story of a man not many knew of before this film shined a light on and Forest Whitaker does a superb job of bringing that mans story to life. Add in the elements of his oldest son taking the opposite route and becoming entangled in those events we now recall with shame as played by up and comer David Oyelowo and an imperfect marriage that is only come to be appreciated in the correct way with the necessary passing of time and perspective as portrayed so effortlessly by Oprah Winfrey and you at the very least have a very engaging, very interesting film. Just because a movie is "based on a true story" (which if you do a little reading, you'll find much of this film has been manufactured) though and concerns an exceptional human being doesn't mean the film based on he or she will come out the same way. Lee Daniels' The Butler is not a great film necessarily, but it is a good one and yes, an important one.