ALICE THROUGH THE LOOKING GLASS Review

For a movie wholly concentrated on time, time travel, and the essence of time it sure feels like this sequel to the 2010 Alice in Wonderland is a huge waste of it. Time that is. Of course, given that 2010 Tim Burton film made north of a billion dollars at the box office it was an inevitability that we'd be getting a sequel sooner or later, but it's still somewhat surprising it has come this late. Six years have passed, a handful of other live action adaptations of classic Disney animated films have been made and yet here we are, back in Wonderland. Having not read the Lewis Carroll stories on which these adventures of Alice have been based one has to imagine that to have made as big a cultural impact as they have they were more inventive and innovative than the film adaptations we're now receiving. To say that is to say that Alice Through the Looking Glass is no more interesting or compelling than its predecessor. It wasn't without hope that this viewer walked into this six year later sequel with optimism that new director James Bobin (The Muppets) might bring something fresh and exciting to what otherwise felt like the jaded side of Tim Burton that was incarnated in his predecessor. Transforming the widely known Wonderland as perceived by the naiveté of a child Alice, Burton turned the fantasy world into Underland and gave us a darker film than expected. That was all well and good until the movie didn't really work, but Bobin has now come along to bring to life a brighter, more enticing time in the realm of Wonderland as our heroine must travel through space and time to try and save the dying of depression Mad Hatter (Johnny Depp). This brings to mind the biggest undoing of Through the Looking Glass in that its narrative drive simply isn't compelling enough to sustain its nearly two hour runtime. It becomes repetitive and as if it is searching for disparate plot strands to try and pull together a complete story. Linda Woolverton, who has made a career out of writing Disney films (including The Lion King and Beauty and the Beast), adapted Carroll's story here and while there are certainly moments of inspired humor, a few nice character moments, and grand majestic visuals by way of Bobin and the special effects team, there is no substance to the product as a whole. It is a wonder how forgettable the film turns out to be.

First Trailer for ALICE THROUGH THE LOOKING GLASS

Disney has been releasing short clips of Alice Through the Looking Glass footage all week via their Twitter account, but today we get the first full trailer for the sequel to Tim Burton's 2010 billion dollar earner. While Burton did not return to direct the sequel, his replacement is the only thing giving me hope this new film might even be the slightest bit better than the previous Alice film. Everything was in place for Burton's interpretation of the Lewis Carroll classic to be a rewarding experience at the movies, if not mainly for the involvement of Burton alone, given the director's visual style lined up well with what most imagine Wonderland might look like were it actually brought to life. Instead, that film turned out to be a mess of CGI and convoluted storytelling that to this day I'm still not sure makes complete sense. And yet, the film earned more than a billion dollars worldwide so here we are. With director James Bobin (The Muppets) taking over we find Mia Wasikowska's Alice being recruited back to Wonderland after Johnny Depp's The Mad Hatter mysteriously goes bad. In order to figure out what happened to him, Alice must step back in time through a literal clock. That said, the imagery of this first look is quite striking and there at least seems to be some driving force to the narrative which is more than I can say for it's predecessor. Alice Through the Looking Glass opens on May 27, 2016 and also stars Anne Hathaway and Helena Bonham Carter reprising their roles from Alice in Wonderland.

LEE DANIELS' THE BUTLER Review

Though not initially overcome with excitement for this project the good word of mouth and box office success increased my interest in the latest from director Lee Daniels. This lack of excitement doesn't come from anything more than the fact I didn't really enjoy Daniels' last effort, The Paperboy. I completely expected to be intrigued by that film as it seemed a modern film noir with plenty of genre elements at play with solid actors like John Cusack and Nicole Kidman doing interesting work, but instead it was a disjointed mess of a movie that not even the renaissance of Matthew McConaughey could bring out of the gutters. With The Butler Daniels has decided to take on a different beast entirely and tell a historical drama but from the point of view of a quiet perspective, someone who stood in the rafters and saw time pass, decisions be made and did little on his own accord to influence those decisions other than simply be who he was. That he continued to fill a subservient position for such a period of time did more to change the hearts of those he never imagined and seemingly much more than the countless sit-ins and protests that we hear about when schooled on the civil right movement. While Lee Daniels' The Butler is littered with stars, recognizable faces, names and historical events it is first and foremost the story of a man not many knew of before this film shined a light on and Forest Whitaker does a superb job of bringing that mans story to life. Add in the elements of his oldest son taking the opposite route and becoming entangled in those events we now recall with shame as played by up and comer David Oyelowo and an imperfect marriage that is only come to be appreciated in the correct way with the necessary passing of time and perspective as portrayed so effortlessly by Oprah Winfrey and you at the very least have a very engaging, very interesting film. Just because a movie is "based on a true story" (which if you do a little reading, you'll find much of this film has been manufactured) though and concerns an exceptional human being doesn't mean the film based on he or she will come out the same way. Lee Daniels' The Butler is not a great film necessarily, but it is a good one and yes, an important one.