Teaser Trailer for Martin Scorsese’s THE IRISHMAN

In what felt both like an uncertainty and an inevitability legendary director Martin Scorsese and one of his most notable collaborators, Robert De Niro, have once again re-teamed with one another to produce what is not only a mob/gangster drama, but to tell a decades-spanning story that follows Frank Sheeran (De Niro), a hitman whose actions changed the course of American history. Based on Charles Brandt's 2003 novel, I Heard You Paint Houses, the film chronicles the meeting of Sheeran and Jimmy Hoffa (played in the film by Al Pacino) and is based on interviews Brandt had with Sheeran over the course of five years detailing how he handled more than twenty-five hits for the mob, and for his friend Hoffa. Though I haven't read the book, I'll certainly be looking into it prior to seeing the film as Sheeran undoubtedly shared genuinely important and fascinating insights about both many a famous murders as well as this infamous chapter in US history and how intertwined it was with the mafia. And while it is nice to see Scorsese and De Niro reuniting with one another as well as including Pacino to boot the real draw here and who Netflix and Scorsese let drive this first, teaser trailer is that of the one and only Joe Pesci. Pesci hasn't had a substantial role in a film for nearly a decade with his last screen appearance being the little seen 2010 Taylor Hackford film, Love Ranch. Seeing and more impactful even, hearing, Pesci once again as he sets up the first lines of communication between Sheeran and Hoffa triggers immediate chills being experienced. Much has also been made of the rather hefty price tag on the film (a cool $160 million) much of which was attributed to the de-aging process applied to the three screen legends mentioned thus far given this is a story that, as was stated earlier, spans decades. It's difficult to even see where this technology comes in as far as the footage in the trailer save for the final, revealing shot that puts an emphasis on De Niro's face, but there is also this weird disconnect with De Niro's roles and his real life as it's difficult to sometimes remember that De Niro doesn't exactly look the way he did in Goodfellas anymore even if that's how he's been frozen in our memory as appearing. With the film premiering as the opening night film at this year's New York Film Festival on September 27th it's hard to imagine this won't be a major awards contender this year. Here's to oping! The Irishman also stars Harvey Keitel, Ray Romano, Bobby Cannavale, Anna Paquin, Stephen Graham, Stephanie Kurtzuba, Jack Huston, Kathrine Narducci, Jesse Plemons, Domenick Lombardozzi, Paul Herman, Gary Basaraba, Marin Ireland and will open in theaters and be available on Netflix sometime this fall.

ROCKETMAN Review

“I Guess That’s Why They Call it the Blues” is one of my favorite songs of all time. Like, I would rank it as being among one of the best song's ever written...that's how much I love it. My mother's side of the family being from England I can’t remember a time when I didn’t know who Elton John was. It’s not so much the lyrical content itself that moved me as a young man for I couldn’t have grasped what Bernie Taupin was expressing through his lyrics, but there was always something about the tone of the music and the clarity of the melody in an Elton John song that would inherently move myself and countless others, obviously. I don’t know what exactly was meant by, “And it won't be long before you and me run-to the place in our hearts where we hide,” but I know how it made me feel; I know that it made me stop and take more time to recognize what was happening in my life at that given moment and realize that no matter what stage of life I’m in that it won’t be that way for long and to cherish those moments as life isn’t measured by how long we have, but by what we do with the time we’re given. A little deep, right? To say that I was hoping for the same type of emotional reaction to director Dexter Fletcher’s Rocketman is accurate and while it would be largely impossible for a two-hour visual interpretation of Elton John’s life to measure up to such high hopes there was the optimism that Fletcher might be able to pull it off as the opening moments of the film suggested this wasn't your typical musical biopic. Sure, we begin with the Elton John of the early eighties entering rehab with it serving as a platform for John to reflect on the entirety of his life, but while the framing device may be familiar you've never quite seen it service the story as it does in Rocketman. Fletcher's film is a full-on fantasy in many regards meaning this isn't a movie about Elton John's life as it actually happened, but the story of Elton John's life as Elton John remembers it. This setting of expectations paired with the flashing through of John's childhood that culminates in "Saturday Night's Alright for Fighting" and a full-on, flat-out, undisputable musical number complete with dance interludes gives the impression that Fletcher mastered how not to just convey the events of his subject's life, but capture the essence of what it might have been like to live as Elton John. From this moment on though, Rocketman never gains the same momentum that it bubbles over with during "Saturday" and though it offers some technically inventive filmmaking and creative interpretations of several Elton John classics the film itself is never as emotionally moving or rousing as the songs themselves. 

New Trailer for ROCKETMAN Starring Taron Egerton

After releasing a slight featurette focused on the fact star Taron Egerton (Kingsman) would be doing all of his own vocal work as Elton John in director Dexter Fletcher's upcoming biopic, Rocketman, earlier this week Paramount has now followed it up with the second, official trailer for the film and it must be said that this thing looks a thousand times better than it initially did after the reveal of that first teaser. That first teaser was released around the same time Bohemian Rhapsody was gracing theaters last year and after Rhapsody more or less followed the traditional beats of a music biopic and given Fletcher was brought in to finish the film after the firing of Bryan Singer it was easy to see why that first look left a feeling this might be more of the same despite John obviously being a singular and unforgettable figure both in both music and pop culture. What is great about this new, full-length trailer though, is that while it does somewhat stick to the familiar beats of the "rise to stardom" arc we've seen countless times before in movies of the same ilk it also really lends a sense of getting to know the man behind the facade, behind the excess, and behind the extravagance. There is a particular shot in the trailer where Egerton, dawning the famously sequined Dodgers uniform John wore during his 1975 show at Dodger stadium, goes from backstage to out in front of the overwhelming audience and the change in his facial expression so perfectly captures not only the essence of what the character might have been feeling at the moment, but also speaks to how much of and how good of a showman John was and still is to this day. There are also hints of the more whimsical, weird movie Rocketman is no doubt destined to be as Fletcher is said to have tried to display John's larger-than-life stage presence through what is more of a fantasy-like approach that channels the music and personality of John more appropriately rather than keeping things completely straightforward a la Rhapsody. Rocketman also stars Bryce Dallas Howard, Richard Madden, Jamie Bell, Gemma Jones, and opens on May 31st, 2019.

PIRATES OF THE CARIBBEAN: DEAD MEN TELL NO TALES Review

The public consensus seemed to very clearly be that there was no need for yet another Pirates of the Caribbean movie especially when considering the bad taste left by the last installment, 2011's On Stranger Tides. There was no need to roll out Johnny Depp's most iconic character only for the purposes of likely tarnishing the legacy of Captain Jack Sparrow further. Of course, considering the fact On Stranger Tides still made over a billion dollars worldwide despite the lukewarm audience reaction and even worse critical reception it was almost guaranteed we'd be getting another pirate adventure at some point. Well, that day has finally come and the question this fifth installment in the franchise was going to need to answer first and foremost was that of, "Is this necessary?" It seems screenwriter Jeff Nathanson (Catch Me If You Can) understood as much and thus kicks off his attempt at a Pirates movie by re-introducing us to Henry Turner, son of William (Orlando Bloom) and Elizabeth Turner (Kiera Knightley), as he vows to his father to figure out a way to free him from the confines of The Flying Dutchmen; a ship that carries souls to the other side and only allows its captain and crew to set foot on land for one day every decade. It seemed the fates of William and Elizabeth were sealed given that post-credit stinger in At World's End, but with great power comes great responsibility and Nathanson clearly felt the importance of intertwining such fates as those of the Turner's with that of Captain Jack's. This certainly doesn't hurt and the script sets the main objective up clearly enough that we can get on board without much need for hesitation; this is especially true if you weren't a fan of the direction original screenwriters Terry Rossio and Ted Elliott took the first trilogy of films in as Dead Men Tell No Tales essentially undoes every complexity that original trilogy worked to accomplish. While that rubs me something like the wrong way given I have great admiration for what Gore Verbinski and his team accomplished the fact Dead Men Tell No Tales ends up being a rather enjoyable action romp makes me feel slightly better about Nathanson's change of course. And so, while Dead Men Tell No Tales certainly feels more significant to the overall legend of Captain Jack than the bland and generic previous film it is still unable to recapture the majesty of those first three adventures.