WICKED: FOR GOOD Review

With a More Interesting Narrative Perspective and Higher Stakes, Jon M. Chu's Follow-Up is a Meaningful and Compelling Conclusion to the Saga of the Wicked Witch.

RUNNING MAN Review

Despite Glen Powell's Star Power this is Director Edgar Wright's Least Distinctive Effort to Date as it's Never as Biting or Specific as His Riffs on Other Genres.

PREDATOR: BADLANDS Review

Dan Trachtenberg Continues to Expand on the Predator Franchise, this Time Making the Titular Antagonist a Protagonist we Root For and Want to See More Of.

AFTER THE HUNT Review

Director Luca Guadagnino's Latest May Not Have Been Made to Make Audiences Feel Comfortable, but it Might Have at Least Alluded to Something More Bold.

ONE BATTLE AFTER ANOTHER Review

Paul Thomas Anderson and Leonardo DiCaprio Team-Up for the First Time to Deliver a Thrilling, Timely and Ambitious Film that Delivers on Every Front One Might Hope.

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Showing posts with label Vincent Latorre. Show all posts
Showing posts with label Vincent Latorre. Show all posts

ALLIED Review

There is much to be said for Allied-a film that desperately wants to pay proper respects to its influences of yesteryear, but there is an equal amount with this most prestige of all prestige pictures (at least based on its credentials and story, if not the awards attention it will never receive) that goes unsaid in ways that leave the viewer hoping for more, but receiving very little. The costume drama/wartime romance that is Allied is a film that should, by definition of those involved, be something of a rejuvenation of the genre rather than one that follows the rules of it for mediocre results. With the likes of Robert Zemeckis (Back to the Future, Cast Away, The Polar Express) directing one would expect the film to take the preconceptions of the time period and the genre and apply them to a unique or at least more interesting way of capturing this material, but if anything Zemeckis actually plays things as straight as possible delivering not necessarily a bad movie, but a safe if not masterfully made one. If there is one thing Allied excels at it is letting the viewer know how good looking its two stars are in multiple, era-appropriate fashions while also seeming to overly focus on just how young Brad Pitt is still capable of looking. Granted, there is clearly some type of digital touching up to Pitt's face, but why bother outside of keeping in step with the overall glossy aesthetic of the picture is unclear. Moreover, the dazzling aesthetic, impressive set designs, and elegant costumes would all still be just as appreciated and impressive if not more so if they weren't so much of what the film has going for it. Instead, they are the prime focus of positives as the narrative feels somewhat lacking despite being a genuinely intriguing premise from which certain, very specific tensions can be spurned. In essence, Allied is a missed opportunity to make an old school war drama through the lens of modern filmmaking, but as the key element that is the story doesn't remain consistent in the high stakes of the drama it seems to so thoughtlessly spin Allied never manages to feel substantial in any way, shape, or form thus leaving the viewer with a decent movie-going experience, but certainly not a memorable one.