New Trailer for CARS 3

In always looking forward to what Pixar might come out with year after year it was always going to be something of a disappointment when the inevitable Cars 3 came around and now...here we are. This summer we will not be graced by a new, inventive piece from Pixar nor will we see a sequel to one of their more beloved films (Ratatouille 2, anyone?), but rather we will have the only trilogy capper in Pixar history outside of Toy Story for what is easily the weakest two films on the studios slate. I'm trying really hard here to be positive about what the film might offer as this new, official trailer is marginally intriguing, but there simply seems to be no balance of audience awareness and content maturity. The Cars franchise, like Planes, should strictly be for children, but this trailer looks to hint at a story with complexities that we know Pixar is capable of conveying convincingly, but that we know the world of Cars can't exactly deliver like, say, Woody and Buzz might be able to. Directed by Brian Fee (a storyboard artist on the first Cars) this looks like to be a darker film than what its predecessors might have indicated. The worst thing about the previous two Cars films were that they left no lasting impression, especially when compared to their peers. It may be that Fee is attempting to break that stigma around the franchise with this third film by going in an unexpected direction and if any of the marketing so far is any indication-things are definitely not looking the way I imagined a Cars 3 would look. That said, we still have a story dealing with Owen Wilson's Lightning McQueen as he attempts to prove to a new generation of racers that he's still the best race car in the world. With this new trailer we get a better idea of what Cars 3 will look and sound like and while I'm intrigued by the implications of what the movie could actually be about there is still a lack of any genuine excitement. Cars 3 also features the voice talents of Armie Hammer, Bonnie Hunt, Tony Shalhoub, Larry the Cable Guy, Katherine Helmond, Cheech Marin, Paul Dooley, and opens on June 16, 2017.

On DVD & Blu-Ray: May 9, 2017

Initial Reaction: Video Review - GUARDIANS OF THE GALAXY VOL. 2

Well, there it went! The first official weekend of the summer movie season has come and gone and things have certainly kicked off with a bang. While we all knew the sequel to the much beloved 2014 Guardians of the Galaxy wasn't going to post Avengers-sized numbers ($207 million and $191 million, respectively) or even Civil War-style returns ($179 million) it was curious as to how high this Marvel sequel might fly given the release slot and the fact the original (which genuinely felt like the first true gamble from Marvel) debuted to a surprising $94.3 million. And so, given Vol. 2 just delivered a $146.5 million opening, 53.78% more than the original's opening weekend number, I can't imagine anyone over at Disney or Marvel is too upset with this outcome. This film to film jump comes in second to only The Winter Soldier to Civil War jump that saw an 88.5% increase. And this is just domestic numbers we're talking about. If we take into account the worldwide numbers Guardians Vol. 2 is pulling in it's already surpassed $425 million in just over thirteen days. The film opened in some international markets a week prior to opening in the U.S. while the U.S. shared this past weekend with a number of other countries, including China, where Marvel films always do fairly big business with this latest release yielding the fourth largest opening of any MCU film. Having already made another $20+ million so far this week it seems Guardians of the Galaxy Vol. 2 is on track to continue the average multiplier for MCU films at 2.73, which would give the film a $395 million domestic run. With the first film's 3.53 multiplier though, combined with the fact it doesn't really have any competition until Disney releases the fifth Pirates of the Caribbean film on Memorial Day weekend it feels safe to say Guardians could very well do over $400 million in the U.S. alone. It should be a fun and interesting summer ahead so be sure to keep up with us and all the reviews we'll be bringing you this season as you can follow us on Facebook, Instagram, Twitter, as well as subscribe to our YouTube channel!

Official Trailer for BLADE RUNNER 2049

Time for another round of quick confessions: I've never actually finished Ridley Scott's 1982 sci-fi epic that is Blade Runner. I will, of course, see it before seeing the sequel later this year, but the original is one of those I've always been told I need to watch and have started countless times, but never actually sat all the way through until the end. And so, with little knowledge of exactly what to expect from this trailer other than a visually stunning clip (cinematographer Roger Deakins is once again responsible for what we see here) this first, full look at director Denis Villeneuve's (Prisoners, Sicario, Arrival) thirty-year later sequel plays well enough that general audiences might at least be intrigued while I imagine fans of the original will undoubtedly be sold. If I'm to understand history correctly it would seem the original Blade Runner wasn't a runaway hit out of the gate either critically or commercially-that it has only been over time that audiences have grown to appreciate the film and its layers and complexities after seeing several different versions of the film, the last of which was released a decade ago and was touted as "The Final Cut" AKA the only one where Scott had absolute artistic freedom. So, I guess that is the version I'll be checking out when I finally get around to in fact doing that. Still, despite my lack of any connection whatsoever to the previous film or even to Philip K. Dick's original source material, I'm a fan of all involved and have yet to dislike a film Villeneuve has made. Given the original was hailed for its production design and selected for preservation in the United States National Film Registry by the Library of Congress in 1993 this sequel has a lot to live up to. Such honors mean the original film is considered "culturally, historically, or aesthetically significant" and so I can't imagine Villeneuve took such a task lightly. With Deakins' eye, Villeneuve's direction, and a screenplay from original Blade Runner scribe Hampton Fancher and Logan co-writer Michael Green I'm hoping the film delivers in all the ways fans have been waiting for while also initiating a few newcomers along the way. Blade Runner 2049 stars Robin Wright, Barkhad Abdi, Dave Bautista, Ana de Armas, Sylvia Hoeks, Lennie James, Mackenzie Davis, Jared Leto, Ryan Gosling, Harrison Ford, and opens on October 6th, 2017.

GUARDIANS OF THE GALAXY VOL. 2 Review

With the first Guardians of the Galaxy I went (or at least wanted to go) into the film with little to no expectations. Of course, with Vol. 2 it would be next to impossible to do the same unless one had skipped the first which, of course, would then only mean it would be next to impossible to fully understand or better yet, appreciate, what this second film has to offer. And so, despite having some expectation for Guardians of the Galaxy Vol. 2 there wasn't much beyond suspecting that writer/director James Gunn might hand pick a new list of late seventies/early eighties hits to set something of a remixed version of the original's events to while pushing whatever story points the Marvel overlords needed pushed forward. If this sequel teaches us anything though (and it does try to teach if not at least say something significant) it's that sometimes expectations aren't detrimental to the overall effect a piece of art can have. That's right-I'm calling a Marvel movie, and Guardians of the Galaxy Vol. 2 specifically, a piece of art as well as stating that it surpasses all expectations. I'm saying this loud and clear because I feel like it would be easy to think otherwise about the rather unconventional super hero movie that Guardians of the Galaxy Vol. 2 actually is. It seems it might be easy to be disappointed in the sequel because it doesn't exactly fit into the conventions we've become conditioned to expect. How does Guardians numero dos buck this trend that Marvel has so perfectly perfected as of late? Well, the first thing it changes is that of setting up a convenient villain in the form of another Thanos crony looking for world domination (Gunn literally thought bigger this time, going for galactic domination) while also giving our heroes a real and emotional investment in the plight of the antagonist. Sure, the film opens with the guardians on a for hire mission that sees them doing battle with a large CGI monster for the purposes of getting paid handsomely by a race of snobby and rather pretentious Goldfinger/Goldmember lookalikes, but this is essentially only a framing device and reason to usher Michael Rooker's Yondu back into the fray. Guardians of the Galaxy Vol. 2 is instead mostly about the relationships between the members of the titular team and developing those dynamics in exchange for progressing the overall Marvel arc. Where Vol. 2 really exceeds though, is in balancing the exploration of these relationships with that of still telling an effective story, the guardians story, and there's just something special about a ginormous, big-budget, special-effects extravaganza that feels this personal. Also, Baby Groot.