THE GOOD DINOSAUR Review

Like all Disney and Pixar films, The Good Dinosaur pulls at the heartstrings by chronicling the change of innocence into experience, of a child into an adult, and of those premature ideals into broader perceptions. Like most Disney and Pixar collaborations The Good Dinosaur also features a duo on a journey to both save/rescue someone or something while discovering things about themselves and the world they exist in along the way. Sure, there is more to each of these stories that have given the studio partnership a reputation of not just crafting animated movies for children, but for their parents and adults alike. These core ideas and themes are what Pixar tends to stick with, though. With their latest, the studio twists things around by essentially re-writing history and then pulling a role reversal meant to engage the mature minds while utilizing the popularity of dinosaurs to get the attention of young kids. This works for the most part as the premise is just as engaging as Pixar's previous release this year, Inside Out. While such a statement might make some wince given the personified emotions of that film allow it to go to some pretty heavy places for a "children's movie" the idea of mingling in what the world might be like today if a massive extinction hadn't taken place millions of years ago is just as tantalizing as being able to create some kind of organizational system within our own minds. Unfortunately, The Good Dinosaur doesn't do as much with it's promising premise as Inside Out did (though that one didn't do as much as I would have liked, either) it is does mix some interesting genre aspects and narratively creative ideas into it's proceedings often enough that it manages to be nothing short of an entertaining family film. While the film does indeed share many similarities to Pixar's previous offerings in terms of what makes them so effective what is more striking is the kinship it seems to share with the earlier, hand-drawn animated films of the Walt Disney company. Through this affinity for those that have come before it, The Good Dinosaur, while not being innovative or weighty on it's own terms, is a nice reminder of the power of a simple story told through beautiful imagery.

VICTOR FRANKENSTEIN Review

The first thing that took me by surprise concerning Victor Frankenstein was it's soundtrack. Of course, it could have been any number of things-the artificial environments of the early 1800's or the horribly arrogant narration dialogue Daniel Radcliffe was given that makes his Igor more irritating than endearing. But of course, as opposed to those last two things the soundtrack made me optimistic we might actually be in for something of a treat here. Chris Morgan's score, while traditionally orchestral, has a distinctive flavor to it at least in the early scenes. There is something almost wholly fantastical to it that suggests it may bring the darkness of this story a new layer of marvel and fun that has always been interpreted more along the lines of dark and grimly serious. Even the arrival of James McAvoy's titular character elicits something of a magical moment and whether or not this is due purely to the recognition factor or not, Morgan's score elevates this instant to something that instinctively elicits actual excitement. These optimistic thoughts could only prevail for so long though as Victor Frankenstein quickly devolves into a by the numbers retelling of the Frankenstein story that we've seen numerous times before. There are hints here and there of the script wanting to pull out more caveats of our core characters origin stories as it does in the beginning, but given we all know how things end up it seems screenwriter Max Landis (Chronicle, American Ultra) felt he had nowhere else to go and thus ultimately delivers exactly what we expect rather than subverting those expectations and giving us something new to chew on and ponder. We've heard it all before and despite a hugely credible cast as well as Landis spearheading the project there ultimately seems no need for it. With each incarnation of this story the question will always be what new or original aspect can be brought to the table and if there is nothing new to bring then why tell it again at all?

First Trailer for CAPTAIN AMERICA: CIVIL WAR

The first trailer for the highly anticipated first film in Marvel's phase three has debuted and for all those (and there are a lot, including me) fans of Winter Soldier it looks like we have something very much in line with that previous Cap film. The question of whether or not this was still going to be a Captain America film after the expansive cast was announced is answered in the form of the Captain clearly being at the forefront of this trailer and presumably the film. The likeness to Winter Soldier isn't necessarily a negative comment either as I loved the look of that film and it looks to suit the very military/Avengers world in as suitable a manner as it did when S.H.I.E.L.D. was the main focus. That directors Joe and Anthony Russo are returning certainly explains a lot of the same aesthetic choices, but it also makes me excited to see what they'll be able to do with Infinity War Parts I and II. While, in the grand scheme of things, this may just prove to be a trial run compared to what they'll do in those films it looks as if the brothers, working from a script by Winter Soldier scribes Christopher Markus and Stephen McFeely, have crafted something just as epic as fans of both the comics and the MCU could hope. The portions that give us our first glimpse at Chadwick Boseman's Black Panther are some of the most exciting among the nearly two and half minute clip while the capper of Chris Evans' Steve Rogers and Sebastian Stan's Bucky Barns wailing on Robert Downey Jr.'s Iron Man only serves to escalate the anticipation. Also, it looks like Disney will again be pulling a Luke Skywalker and (hopefully) hiding Spider-Man from any marketing materials. Captain America: Civil War also stars Scarlett Johansson, Anthony Mackie, Paul Bettany, Jeremy Renner, Don Cheadle, Elizabeth Olsen, Paul Rudd, Emily VanCamp, Frank Grillo, William Hurt, Daniel Brühl, Tom Holland and opens on May 6, 2016.

On DVD & Blu-Ray: November 24, 2015

New Trailer for Disney's ZOOTOPIA

As Pixar has been working to re-establish it's dominance on the world of computer animation Walt Disney's own animation house has been turning out both commercial and critical successes one after another since the 2010 resurgence of Tangled brought the Mouse House firmly into the twenty-first century. Followed up by the likes of Wreck-It Ralph, Frozen and last year's Big Hero 6 the studio looks to continue their streak by going back to a formula that has always seemed to be a reliable staple of children's entertainment: talking animals. With Zootopia we have a world that is being called a "modern mammal metropolis" and features the likes of a fast-talking fox, Nick Wilde (Jason Bateman), who's trying to make it big and goes on the run when he's framed for a crime he didn't commit. Zootopia's top cop, a rabbit named Judy Hopps (Ginnifer Goodwin), is quick to jump on the suspected criminal's tail trail, but when both become targets of a conspiracy they're forced to team up and eventually discover that even natural enemies can become friends. Like with Big Hero 6 Disney's marketing team have chosen to go the route of releasing what is more or less a clip from the film rather than a traditional trailer. The scene we are treated to has a hilarious spin on DMV's with the reassurance that no matter what world we're in it's always as terrible an experience as one can imagine. Zootopia also features the voice talents of Shakira, Idris Elba, J.K. Simmons, Nate Torrence, Jenny Slate, Tommy Chong, Octavia Spencer, Alan Tudyk, and opens on March 4, 2016.