SPIDER-MAN: BRAND NEW DAY Review

Destin Daniel Cretton takes over Tom Holland's Fourth Solo Spidey Film that Looks to Ground the Character while Allowing him to Fly Higher than Ever.

THE ODYSSEY Review

Christopher Nolan's Latest is an Ambitious Film Worthy of Homer's Epic Poem and One of the Most Exhilarating Theater Experiences Viewers Could Hope for.

MINIONS & MONSTERS Review

Dan Trachtenberg Continues to Expand on the Predator Franchise, this Time Making the Titular Antagonist a Protagonist we Root For and Want to See More Of.

MOANA Review

Director Luca Guadagnino's Latest May Not Have Been Made to Make Audiences Feel Comfortable, but it Might Have at Least Alluded to Something More Bold.

THE INVITE Review

Paul Thomas Anderson and Leonardo DiCaprio Team-Up for the First Time to Deliver a Thrilling, Timely and Ambitious Film that Delivers on Every Front One Might Hope.

852/

Teaser Trailer for ALLIED Starring Brad Pitt

After releasing the first still from the film earlier in the week Paramount Pictures has now released a first look at the new film from director Robert Zemeckis (Back to the Future, Forrest Gump, Cast Away) starring Brad Pitt and Marion Cotillard. While that list of credentials is more than impressive and enough to make me want to see this original World War II spy thriller what is really enticing is the fact Steven Knight (Locke, Eastern Promises) has penned the screenplay from a story that was told to him at the age of twenty-one and that he has carried around with him ever since. Per Collider, Knight said regarding the story, "This is a very odd story. I was in Texas working as a dishwasher and doing all sorts of weird things. I was going out with an English girl at the time and her auntie lived in Texas, and she got talking about her brother who had been in the S.O.E., the British Secret Service if you like, and she told me this story that just stayed with me. I’ve always known it would be a film, and now it’s gonna be the ultimate.” The idea of a wholly original story not based in any documented fact with a time period setting, starring one of this generations most iconic leading men and directed by one of our most diverse filmmakers is nothing to scoff at. In a time when movies are greenlit based on franchise potential and brand recognition to have a movie such as this come to us from a major studio with major stars no matter if it's in the midst of Oscar season or not, is beyond enticing. Personally, this just shot to the top of my most anticipated list as, even though Pitt has starred in a string of WWII films at this point, anything the guy does is inherently intriguing given he tends to work with both prominent and interesting directors that like to push the boundaries of where narrative filmmaking has been before starting with the most important element: the story. Allied also stars Lizzy Caplan, Matthew Goode, Jared Harris, Charlotte Hope, Raffey Cassidy, Raphael Acloque, and opens on November 23rd, 2016.

PETE'S DRAGON Review

I saw the 1977 version of Pete's Dragon numerous times throughout my childhood. I still own a DVD copy of it that sits alongside the likes of Mary Poppins and Bedknobs and Broomsticks on my shelf, but do I recall much of it? No, not really. I can't put my finger on why exactly nothing other than the character design of Elliot the hand-drawn dragon comes to mind, but it doesn't. Not so far as story goes anyway or what the underlying lessons of the picture might have been attempting to teach children of that generation. And so, while I have memories surrounding the original film on which this new, 2016 version directed and written by David Lowery (Ain't Them Bodies Saints) is based I don't recall the specifics of the actual movie-leaving me to wonder what about this story was worth retelling. What, if anything, might make it relevant now? On the surface it would seem that this new, updated version of Pete's Dragon is here for no other reason than for the studio to continue operating on brand recognition; remaking their older classics into new, live-action spectacles enhanced by today's digital effects. It could also be that every generation more or less needs its evil corporation cautionary tale and what better way to do that here then by positioning the adults as not necessarily bad guys, but people simply caught-up in their own agendas who happen to work for timber companies? Immediately this version of Pete's Dragon feels different than this though, there seems no hidden agenda, no sense of obligation to re-make this specific material because Disney deemed it necessary, but rather one can sense a desire to convey this story for reasons bigger than any financial gain or profit it might earn. Rather, Lowery has crafted a film that desires to get at the heart of what makes the innocence of childhood so hard to grasp, so difficult to define, and how depressing it can be that we don't understand the preciousness of that time as we're experiencing it or more harshly-when it is taken away from us and all we have to remember it by are those rose-tinted glasses that distort it in favor of the pleasantries. The 2016 Pete's Dragon is something of a love letter to those pleasant moments. To how strong the ability to believe in something greater is at an age when we don't fully understand the scope or nature of the world or the human race. The best part is that none of these ideas are overtly telegraphed in the film. The film is very much the story of what happens when a town discovers a boy living in the woods with his pet dragon, but through this it makes one feel all of the aforementioned emotions and it is in those elicited emotions the movie transcends whatever it might have originally been intended to be.

SAUSAGE PARTY Review

I feel like, by today's standards, there is very little that can truly offend me or anyone else for that matter. Whether it is our culture that has desensitized us to the point of indifference when it comes to matters once kept to the privacy of people's homes or the fact we'd like to think we're more progressive for not being ashamed of the natural things humans do-there is an argument for either side. The point is that whether you are blasé or still blush when it comes to talking about sex in public the consensus, at least at this point in my life which naturally dictates my group of friends and peers being of similar mindsets, is more or less that we need to get over ourselves and stop making such a big deal over what everyone has. We should be more like the Europeans. A penis is a penis and in Sausage Party a sausage may as well be a penis. If one falls into the camp of shying away from such conversations and believe that a certain amount of mystery should still exist between people then you'll likely want to shy away from this new Seth Rogen production as well. Taking the premise from any number of children's movies (The Brave Little Toaster, Toy Story, Secret Life of Pets) where when the humans ago away the inanimate objects come out to play Rogen and writing partner Evan Goldberg have ran with that idea, but this time with food, which of course comes to meet a terrifying end-yes, more terrifying even than Sid. It's a premise ripe for parody and a genuinely funny idea if what you're aiming for is a twisted, dark tale that not only tells the story of what it might be like if food were living, breathing beings, but per usual also includes some musings on life and what it all means. It's grocery shopping with shades of existential analysis. Of course, that all seems a little silly when talking about a movie that has a talking douche as the main baddie, but alas-that is where we are today. Some may scoff, some may simply laugh it off, but such minds and twisted ideas have always been present in society-they just likely haven't been able to reach as large a platform as Sausage Party has and thus the discussion around every new generation's looser morals and lack of respect for what was once holy only grows louder. Sausage Party isn't wholly indicative of society today though, it's simply indicative of one aspect of society and ends up essentially being a discussion about how that society can co-exist peacefully whether one believes in keeping certain aspects and ideologies private or not.

New Trailer for ROGUE ONE: A STAR WARS STORY

Since the teaser trailer dropped for Rogue One four months ago a lot has changed. That initial teaser gave us a glimpse of the Star Wars universe from a perspective we hadn't really seen before-through the lens of an actual war film. Director Gareth Edwards (Monsters, Godzilla) had clearly become accustomed to operating on a large scale while focusing in on the character intricacies that take place within that scale. Though there has been talk concerning production drama as producer/writer/director Tony Gilroy (Michael Clayton) was reported to have first been brought in for reshoots and has since been bumped up to supervising the final edit of the movie. While the studio is certainly downplaying the negatives of what this could imply it is hard to be overly confident in a product that gets the board room treatment rather than the original vision of a director that you supposedly hired for their unique vision. I rather loved the first teaser we received and hoped Edwards final film reflected the tone and space of mind that trailer conveyed, but with reports of such post-production troubles I doubt we'll see that original vision. Still, this is a Star Wars movie and I'm going to see it regardless-hopefully the changes won't be too drastic and this will ultimately still be Edwards film. If you're not up on what is going on, Rogue One will take place just prior to A New Hope as it tells the story of the rebels who set out on the mission to steal the plans for the Death Star. Chrs Weitz (About a Boy, Cinderella) penned the screenplay with Christopher McQuarrie (The Usual Suspects) credited as coming in and overseeing necessary changes. All of that said, this new trailer still looks fantastic and I can't wait to see this portion of the Star Wars universe on the big screen. Rogue One: A Star Wars Story stars Felicity Jones, Mads Mikkelsen, Ben Mendelsohn, Alan Tudyk, Donnie Yen, Forest Whitaker, Diego Luna, Riz Ahmed, and Jiang Wen, and opens in theaters on December 16th, 2016.

First Trailer for RESIDENT EVIL: THE FINAL CHAPTER

The Resident Evil film franchise has been around for fourteen years now and while it feels like an abundance of sequels have spawned from that 2002 original there have been only four, but as of early next year that will change when Milla Jovovich and her director husband Paul W. S. Anderson who has directed the actress in what will end up being four of the six-film series. At least, I assume this is the last one as it is subtitled The Final Chapter, but being as I haven't seen a single one of these movies I have no idea what this latest entry has in store. Given star Jovovich is turning forty-one this year I have to assume she's hoping to take her career in a fresher, maybe more interesting direction as, given the contained universe of the film, I have to wonder how much more story and territory there is for this character to explore. I know very little about the movies and even less about the games, but I understand they have something to do with an apocalyptic setting and the undead. I don't know that I'll be changing my tune with the Resident Evil movies come this January, but if I have the time it could be fun to play catch-up on the series of films and cap it off with the theatrical experience of the final film in the series-who knows, it all depends on what's going on at the time, but for now I'll stop my rambling and report to you that the story apparently picks up right after the events of the 2012 film, Retribution, as Jovovich's Alice continues her quest to stop the Red Queen from eliminating the few human survivors. To do this, Alice must return to where the nightmare began – Raccoon City, where the Umbrella Corporation is gathering its forces for a final strike against the only remaining survivors of the apocalypse. Yeah, I have no idea what any of that means, but Resident Evil: The Final Chapter also stars Ali Larter, Shawn Roberts, Ruby Rose, Eoin Macken, William Levy, Fraser James, Japanese model and personality Rola, and will open on January 27th, 2017.