Showing posts with label Zach Galifianakis. Show all posts
Showing posts with label Zach Galifianakis. Show all posts
A WRINKLE IN TIME Review
This one is a hard nut to crack. Both for this reviewer and the filmmakers as Madeline L'Engle's 1962 novel that serves as the source material for this latest Disney live-action adaptation has been said to be unfilmmable. A Wrinkle in Time was always going to be different though, in that this wasn't a Disney live-action re-make in the vein of one of their treasured animated films from their golden age or renaissance period, but rather the Mouse House had enlisted Selma and 13th director Ava DuVernay to bring this much beloved material to the screen. On the other end of this review is myself who somehow made it through grade school without finding L'Engle's novel despite being an avid reader and fan of all things science-fiction/fantasy. A Wrinkle in Time is one of those cases where my intent was to in fact read the book prior to seeing the film, but that intent never led to any kind of fruition and so I walked into DuVernay's adaptation of this seemingly complex yet still kid-friendly source material last night with little to no expectation as to where the story might take me. What I did know was that the trailers hinted at some pretty spectacular imagery as well as some intriguing ideas that would be interesting to see worked out through a narrative. First things first though, A Wrinkle in Time misses a huge opportunity to inject a rather epic title card (which, if you've read my reviews before, is kind of a thing for me), but more so by the third or fourth scene it's clear there is a stiffness to the events that have unfolded thus far and that there is a certain flow most movies settle into that A Wrinkle in Time isn't finding. It's a weird kind of phenomenon that either happens or doesn't and most of the time, especially with movies such as this AKA big-budget spectacles produced by Disney, there is such a reliability factor that we as viewers automatically settle into the groove and/or movement of the environment the movie invites us into, but this speaks to what is the biggest weakness of DuVernay's adaptation in that it's never sure enough of itself. Where this apprehensiveness comes from in terms of movie language doesn't necessarily seem to come from DuVernay's filmmaking skills as anyone who saw Selma can attest to her talent, but there is a more deep-seated issue at the heart of this big-budget spectacle and I don't know whether it comes from the seeming compression of the original text or the inability to materialize the countless words L'Engle put on the page, but 2018's A Wrinkle in Time is essentially a concept that possesses these larger than life ideas as reduced to their simplest form.
New Trailer for A WRINKLE IN TIME
Walt Disney Pictures has released a new, full-length trailer for Selma director Ava DuVernay's adaptation of the Madeleine L’Engle's much beloved 1962 novel "A Wrinkle in Time". The story follows Meg Murry (Storm Reid), her brilliant brother Charles Wallace (Deric McCabe), and their friend Calvin (Levi Miller) on an unexpected journey into alternate dimensions on a mission to bring their father (Chris Pine) home. The film has certainly assembled a strong cast as Oprah Winfrey (It feels so strange having to type her full name), Mindy Kailing, and Reese Witherspoon are highlighted both in the trailer and new poster (see below) as three chimerical celestial beings who help Meg “wrinkle” time and space. Though somewhat difficult to get a grasp on the meanings and impressive nature of what DuVernay has brought to life here given I have no frame of reference it is after seeing this new trailer that I look even more forward to establishing one. There is almost nothing I love more about the movies than walking into a film that is so boldly a science fiction/fantasy that builds its own world unabashedly as it seems DuVernay has done here. With A Wrinkle in Time it seems DuVernay was given the keys to a kingdom she's always desired to explore and so, to be able to witness this opportunity come to fruition will no doubt be something rather remarkable when the film is released next Spring. Selma was the best film I saw in 2014 (though it technically received a wide 2015 release) and so, without even knowing what type of film DuVernay would be tackling next there was anticipation to see where the filmmaker's career would go and to see it not only go in a direction that is rather unexpected, but also in such a potentially special direction is all the more assuring. Visually, this thing looks wonderful and the cast all look as if they're really tuned in to not only delivering a final product that is a fun experience and beautiful to look at, but meaningful as well. I'm in the bag and officially cannot wait. Definitely one of my most anticipated films for 2018. A Wrinkle in Time also stars Gugu Mbatha-Raw as Mrs. Murry, Zach Galifianakis as The Happy Medium, André Holland as Principal Jenkins, as well as Bellamy Young, Rowan Blanchard, Will McCormack, and will open on March 17th, 2018.
First Trailer for Ava DuVernay's A WRINKLE IN TIME
It looks as if I need to track down a copy and get to reading on Madeleine L’Engle's 1962 novel A Wrinkle in Time as Walt Disney Pictures has released the first trailer for Selma director Ava DuVernay's adaptation of the much beloved classic via their D23 Expo. The story, which follows Meg Murry (Storm Reid), her brilliant brother Charles Wallace (Deric McCabe), and their friend Calvin (Levi Miller) on an unexpected journey into alternate dimensions on a mission to bring home their father (Chris Pine). The film has certainly assembled a strong cast as Oprah Winfrey (It feels so strange having to type her last name), Mindy Kailing, and Reese Witherspoon as the three chimerical celestial beings who help Meg “wrinkle” time and space. Though somewhat difficult to get a grasp on the meanings and impressive nature of what DuVernay has brought to life here given I have no frame of reference it is after seeing this trailer that I look forward to establishing one. There is almost nothing I love more about the movies than walking into a film that is so boldly a science fiction/fantasy and builds its own world from the ground up. With A Wrinkle in Time it looks as if DuVernay has been given the keys to a kingdom she's always desired to build and to be able to witness this opportunity come to fruition will no doubt be something rather remarkable when the film is released next Spring. Selma was the best film I saw in 2014 (though it technically received a wide 2015 release) and so, without even knowing what type of film DuVernay would be tackling next there was anticipation to see where the filmmaker's career would go and to see it not only go in a direction that is rather unexpected, but also in such a potentially special direction is all the more assuring. Visually, this thing looks wonderful and the cast all look as if they're really tuned in to not only delivering a final product that is fun to experience and beautiful to look at, but meaningful as well. I'm in the bag and officially cannot wait. Definitely one of my most anticipated films for 2018. A Wrinkle in Time also stars Gugu Mbatha-Raw as Mrs. Murry, Zach Galifianakis as The Happy Medium, André Holland as Principal Jenkins, as well as Bellamy Young, Rowan Blanchard, Will McCormack, and will open on March 17th, 2018.
THE LEGO BATMAN MOVIE Review
The most unexpected of cinematic universe's to be born from this current trend is no doubt this massive LEGO franchise, but behind the trailblazer that is Marvel it is LEGO that seems to be having the most success in carving their own path out of a recognizable brand. Granted, we're now only two movies in with a third on the way this fall, but the point is there seems no sign that this train will be slowing down anytime soon. After absolutely blowing all expectations out of the water with The LEGO Movie directors Phil Lord and Chris Miller (Cloudy With a Chance of Meatballs, 21 & 22 Jump Street) set not only a precedent for any sequels and spin offs that might come in the wake of their success, but they also set a very specific tone that will seemingly serve as the signature trait of this movie universe as The LEGO Batman Movie is just as irreverent as could be expected when it comes to this toy brands take on the dark and brooding titular hero. With the self-aware and spoof-like nature of that initial LEGO outing being paired with a character as established in the pop culture mythos as Batman there is plenty of opportunity for lampooning and lampoon is exactly what director Chris McKay (Robot Chicken) does best. Beginning even before the studio logos hit the screen The LEGO Batman Movie is ready to ridicule and criticize everything about the previous phases in our hero's career while pulling off that oh so critical tone of it being all in good fun. Never does it feel as if The LEGO Batman Movie is taking pot shots at any of the other imaginings or interpretations of the Dark Knight character, but rather McKay is offering comically tinged observations on what makes a grown man running around in a Halloween costume feel so serious when, in layman's terms, the reasons as to why as much is laughable should be obvious. Reprising his role from The LEGO Movie Will Arnett is once again the very self-serious caped crusader who loves being Batman and who expects everyone else to love him because he's Batman. Arnett's take on the character is essentially this raving egomaniac who has to constantly keep up this facade he's built around himself. Pairing this type of Batman with a cavalcade of other characters and villains from the his universe as well as countless other Warner Bros. properties McKay exploits every avenue he can in order to display as much comedy and action on screen as he does merchandise.
KEEPING UP WITH THE JONESES Review
There is a point in the newest comedy from director Greg Mottola where it seems this broad comedy might rise above the grind it seems so destined to follow, but it only ends up being a brief moment of wackiness that Mottola and crew don’t care to dedicate themselves to carrying out. Rather, Keeping Up With the Joneses continues its stride toward the mediocre with very little to serve as surprising or inspired despite being made by the guy who put together Superbad and Adventureland. Yes, Mottola, the man who directed the likes of one of the great high school comedies of the last fifteen years as well as tapping into the struggles of that weird time post-college where you’re not sure where to go from that point has made a movie for the first time in five years that in fact couldn’t feel more uninspired. My hope, when I saw that Mottola was directing, was that the trailers and TV spots for the film might intentionally be setting our expectation bar low so that when we finally saw the finished product we might be taken with how much better it actually is than we expected. And while this does somewhat happen given the trailers and TV spots indeed made this look terrible in the vein of a run of the mill comedy that says let's put your average person in the midst of a ridiculous situation and see how funny they act in response to it kind of way. Still, with the talent Mottola and the studio garnered for this project my hope was that the film might bring something deeper or more acute to the scenario of superspies in suburbia, but there is no such sly observations or social commentary to be found in Keeping Up With the Joneses. Unfortunately, all we have here is a wacky situational comedy that too often relies on lead Zach Galifianakis’ one-liners too lift it from the doldrums of the generic jokes and obvious pratfalls Michael LeSieur’s screenplay is built on. LeSieur (You, Me & Dupree) seems the type of comedy writer who comes up with an interesting or funny enough scenario and then applies it to a familiar structure making the final product more predictable than laugh-inducing. That said, Keeping Up With the Joneses is about as good (and bad) as one would expect given the terrible trailers. It’s familiar and overly safe, but the fun performances from each of the four leads lend it a spring in its step that otherwise would have left this thing dead on arrival.
MASTERMINDS Review
New Trailer for THE LEGO BATMAN MOVIE
With Comic-Con going strong and Warner Bros. dropping no less than five big trailers today it was inevitable that we'd also get a look at the spin-off of 2014's massive hit The Lego Movie that stars one of Comic-Con's brightest: Batman. While we were lucky enough to get a glimpse of what Ben Affleck's Dark Knight might be up to in Zack Snyder's Justice League film with The Lego Batman Movie Will Arnett reprises his role as the caped crusader in the form of interlocking plastic blocks to give audiences a lighter side of the iconic character. Directed by Chris McKay who was an assistant director on The Lego Movie and has worked on several animated series in the past (including Robot Chicken) the guy clearly has a handle on the tone and style that Phil Lord and Chris Miller established in the original Lego film. In this extended look at the film McKay and writer Seth Grahame-Smith (Abraham Lincoln: Vampire Hunter, Pride and Prejudice and Zombies) offer their take on Batman as a parent and their version on how the young, what I'm assuming is still Dick Grayson, comes to be the Boy Wonder himself, Robin (voiced by Michael Cera). We also get a first look at Zach Galifianakis playing The Joker which I'm probably more excited about than I should be with the film also looking to beat Zack Snyder's team-up movie to the punch as we get a glimpse of a hero shot with Batman leading the charge surrounded by super friends Superman, Wonder Woman, The Flash, Cyborg, Green Lantern, Aquaman, and Green Arrow. All of that said the most important part of the trailer is that it is consistently funny and seems to be keeping up quite nicely with the irreverent tone The Lego Movie so effortlessly pulled off. The LEGO Batman Movie also stars Rosario Dawson as Batgirl/Barbara Gordon, Ralph Fiennes as Alfred, Mariah Carey as the Mayor of Gotham, and opens on February 10th, 2017.
First Trailer for KEEPING UP WITH THE JONESES
Just as with this past weekend's Central Intelligence 20th Century Fox has mined the spy genre and mixed it with comedy and a broad premise that should ultimately deliver something wholly agreeable to be enjoyed by the majority of those who venture out to see it. With a headlining cast of Jon Hamm, Wonder Woman herself Gal Gadot, Zach Galifianakis, and Isla Fisher Keeping Up With the Joneses is destined to be something of a smaller scale hit for the studio that will inevitably find a bigger fan base once it hits home video. The premise is simple: we initially meet a regular suburban couple (Fisher and Galifianakis) who are in something of a rut, but who find things immediately spiced up by the presence of two outrageously attractive and seemingly perfect neighbors in Hamm and Gadot. Of course, the more they get to know their new neighbors the more they learn about them thus revealing the "Joneses" to be exactly how they appear-covert super spies! While the concept is fairly broad and the execution doesn't look to be anything more than acceptable I have hope for the project due to the fact Greg Mottola (Superbad, Adventureland) is behind the camera. Mottola is typically able to bring a certain tone and unique charisma to his comedies that allow them to stand out in the sea of studio produced comedies that seem to come off conveyor belts, but while this trailer certainly makes his latest feel like just another product in a long line of similar projects I'm hoping that when we see the actual film we get more of that specific tone and charm we usually see in the director's work. Of course, as the screenplay comes from Michael LeSieur whose biggest credit to date is You, Me, & Dupree this could really go either way. Keeping Up With the Joneses also stars Patton Oswalt, Matt Walsh, Maribeth Monroe, Kevin Dunn, Ming Zhao, and opens on October 21st, 2016.
First Trailer for THE LEGO BATMAN MOVIE
With it being the eve of the release of Batman V Superman: Dawn of Justice it is only necessary we get a look at the next feature film that will star the caped crusader. No, not The Justice League film slated for November of next year, but rather the spin-off of the highly successful 2014 film, The Lego Movie. With The Lego Batman Movie Will Arnett reprises his role as the dark knight in interlocking plastic block form to give audiences the lighter side of what Ben Affleck seems to be delivering in his current big screen iteration. Directed by Chris McKay who was an assistant director on The Lego Movie and has worked on several animated series in the past (including Robot Chicken) the guy clearly has a handle on the tone and style that Phil Lord and Chris Miller established in the original Lego film. In this first look at the film McKay and writer Seth Grahame-Smith (Abraham Lincoln: Vampire Hunter, Pride and Prejudice and Zombies) offer their take on the more monotonous aspects of being Batman such as fighting crime Every. Day. despite the fact you're fighting crime Every. Day. with the only reward being coming home to heat up Lobster Thermidor in the microwave. The film looks to beat Zack Snyder's team-up movie to the punch as we get a glimpse of a hero shot with Batman leading the charge surrounded by super friends Superman, Wonder Woman, The Flash, Cyborg, Green Lantern, Aquaman, and Green Arrow, but we also know that the film will likely center on a very Batman-esque storyline given Michael Cera will voice Robin, Rosario Dawson is Batgirl/Barbara Gordon, with Zach Galifianakis playing The Joker, and Ralph Fiennes and Mariah Carey enlisted to voice Alfred and the Mayor of Gotham, respectively. The Lego Batman Movie opens on February 10th, 2017.
TIG Review
I like to listen to stand-up, but haven't in a long time. I went through the typical college phase of listening not only to what was popular and current at the time (Dane Cook, Mitch Hedberg), but digging into my dads collection and getting to know the stuff he was into (mainly Eddie Murphy, but there was plenty of Steven Wright and Steve Martin in there as well). Over the last few years I've dabbled in some of the more popular stuff like Aziz Ansari, Louis C.K. and Bo Burnham, but haven't explored the current scene as much as I would like to. That is, until I started listening to the top comedy tracks inside the Spotify app on my phone. This led me to not only appreciate the variety of personalities and insight I was missing out on, but also served as an introduction to Tig Notaro. I didn't know much about Notaro or what her story was other than that I'd seen her in Lake Bell's 2013 directorial effort, In a World..., but I liked her stand-up almost immediately given the first thing I heard was her story concerning Taylor Dayne. This immediate affection wasn't necessarily because I'm also a fan of Dayne (though "Tell it to My Heart" really is just the best), but because it allowed Notaro to put herself in her place. She understands where she stands in relation to Dayne as far as the pop culture pantheon is concerned and in relaying this story of unironic fandom she became one of us by divulging a piece of information most might consider at least somewhat embarrassing and going even further by consistently being shameless in her approach to how much Dayne's music meant to her in her formative years. As I continued listening to more of Notaro's material it became evident from her two album discography that some major things had occurred in her life between the release of her first and second albums. And so, when I came scrolling across this documentary simply titled Tig on Netflix the other day, I was more than thrilled to have access not only to what was going through Notaro's mind at the time multiple crises were taking place in her life, but how she's been since and what she's been up to.
Teaser Trailer for MASTERMINDS
BIRDMAN Review
THE HANGOVER PART III Review
If you know me personally then you know I have a big soft spot for comedy. I love it and I pretty well like everyone involved in the mainstream comedy game in Hollywood. I root for the underdogs the critics like to bash (I'm hoping The Internship is good, but feel the critical response will be worse than it is for this one) and I've felt I've especially had to stand up for The Hangover films since many, fans included, were disappointed in the carbon copy follow-up the second film turned out to be. I was, like most, a huge fan of the first film. I found it refreshingly funny and daring. It didn't care what anyone thought, it just wanted to be funny and that is what comedy is supposed to be. There should be no fear when putting what you think is funny on screen and that element I think is what saves the third and final part of this men behaving badly series. Director Todd Phillips and writing partner Craig Mazin (Identity Thief) listened to the audience reaction to Part II and appeased the crowds by saying, "okay, we'll do something different for the third one." Naturally, this was a smart move but as the first reactions have come in it seems people are upset that there is no trace of an actual hangover anywhere in the film and that instead of following the antics of these guys on a chase through a random city that has them putting together the pieces of the night before it has them exploring the truth about Alan's psyche and wanting to help him move on with his life. In some aspects it is a film completely devoted to character development and getting Zach Galifianakis' lovable goofball to a place where we as an audience feel content to leave him and the rest of the time it is almost a dramatic man hunt movie that has the wolfpack tracking down Mr. Chow (Ken Jeong). The Hangover Part III is certainly not what you would expect from the trilogy and compared to the others it is definitely the least funny, but that didn't make it a bad movie. In some ways it even made it more of a legitimate film.
First Trailer for THE HANGOVER PART III
It is hard to argue with those who didn't like The Hangover Part II. It was clearly a carbon copy of the first film with a change in location, but it is hard to deny that the film was funny. And the reason it maintained that same level of humor and endearment with the audience is due to the characters. For me, personally it makes little difference what these guys are doing or where they are as long as they are doing it together. That looks to be the main focus of this first glimpse of Part III as the format for someone getting married and a bachelor party have been ditched and the boys are on some kind of quest for something that has the film looking very action-filled. There isn't as much comedy here as I hoped to see, but it is only a teaser and it is likely they have to save some of the best bits for the audience admitted to an R-rated film; here's hoping! It has likely become the hip thing to hate on this series because "everyone" disliked the second film, but it was fun if not innovative like the first. Think about that first one though, it was an instant classic in the realm of comedy and I trust Todd Phillips well enough to know he understands what people disliked about the second film and has fixed it with the third while still maintaining everything that made the first one such a huge success. The core cast is all back with Bradley Cooper, Zach Galifianakis, Ed Helms, and Justin Bartha (though we don't see Doug once in the trailer) as well as returning members Ken Jeong, Heather Graham, Jamie Chung, Mike Epps, Mike Tyson, Jeffrey Tambor and some fresh blood in Melissa McCarthy and John Goodman. The Hangover Part III opens May 24th. Hit the jump to watch the trailer.
THE CAMPAIGN Review
It was a tad bit disappointing when I realized that this summer there wouldn't be a collaboration between star Will Ferrell and director Adam Mckay. Since 2004 they have made a film every other year beginning with the minor masterpiece and now cult classic Anchorman: The Legend Of Ron Burgundy. They have since followed up with hit after hit including Talladega Nights, Step Brothers, and The Other Guys. This was the year for their return if they were going by any former schedule but it looks like things have gone a little off course in trying to settle a deal to make a sequel to that grand introduction to Ferrell we received eight years ago. Still, any Ferrell fan should be thankful as we at least have a film at all to go see this summer featuring our favorite man-child. Turns out, its a pretty darn funny one as well. While the news that The Campaign wouldn't be a Ferrell/McKay team-up was disheartening enough I was even more skeptical about the project when it was stated that director Jay Roach would be at the helm. Roach has a resume full of successful comedies including the three Austin Powers films and Meet the Parents, but then again he also made Dinner for Schmucks a couple of years ago. A film that had so much potential to be a great comedy but instead fell flat on its face. Thus, the reason I was so worried for The Campaign. It doesn't seem all that hard to make a funny movie when you seemingly have a bunch of funny people around, but that isn't necessarily the case. While The Campaign could have certainly been slightly more focused and inventive with its comedy it is an effective political satire and an all out comedy that regardless of how, had me laughing from beginning to end. It is, in a word: hilarious.
If there was anything we knew we'd be able to count on going into this film it was that the team-up between Ferrell and Zach Galifianakis would promise well...something. It was clear from the previews that Galifianakis had worked up something special for his character of Marty Huggins while Ferrell was more or less playing his man-child schtick crossed with his impersonation of George Bush. Upon delving into the film it becomes more and more clear that these guys couldn't have done a better job of complimenting one another. It makes the whole thing work. Whether it be polishing their public personas, placing their seasoned knowledge or energized innocence into campaigning, or forgetting the whole point of what they're doing all of it for in the first place, it pretty much all works. They come at it from such different places and all of it gets to the point that it is so over the top we are basically seeing the behind the scenes antics of how ridiculous real-life campaign's of today have become. Granted, both Galifianakis's Huggins and Ferrell's Cam Brady are no doubt exaggerations of multiple real life inspirations the bottom line is the fact they will stoop to any low for the win, even if the job they will take on afterwards matters very little. It is about the image, the reputation. This is where the comedy clearly lies in the situation as Brady and Huggins try to one up each other while pointing out each others flaws to their voting audience. I liked that the film went over the top in almost every aspect, I like that they decided to set the film in the south, I even enjoyed the strong political commentary on how much money it takes to actually run one of these things. While I don't generally know much about the political game even I could take away the stabbing points that The Campaign is mocking.
Still, as I sat there and enjoyed the film for the ridiculously vulgar comedy it provided me I became more and more impressed with the tone of the whole thing. I walked in expecting the movie to feel slightly rushed if not a little cheap. It seemed for such a big comedy starring two seasoned comics that the exposure for the film had ramped up rather late in the game and that there wasn't a ton of support behind the movie. Turns out what I at first thought might come to be weaknesses were what the film had in its corners all along. In those early days when first hearing of the project I mentioned I was worried that Roach and co. would lose themselves and his brand of comedy with two such actors combined with subject matter that was both ripe for satire and extremely timely. Little did I know Roach had recently directed more heavy-handed dramas for HBO that included the Sarah Palin inspired Game Change and the Bush/Gore film Recount. This combination of experience with both the subject matter and off-the-wall comedy shines throughout the film. This is clear from the beginning as big money runs everything; here in the form of the Motch brothers (a slyly used John Lithgow and Dan Akroyd) who are no doubt a send up of some actual filthy rich businessmen who are running the government or a certain party with their "influence".
The Motch brothers have, for years, backed Brady who knows how to spout words that sound good to the crowd while not actually meaning anything. Too bad he has a knack for keeping one too many mistresses as well and just before the election, where he usually runs unopposed, he leaves a rather explicit message on the wrong answering machine. This misstep creates the need for the Motch bros to bring in a candidate to oppose Brady. The best they can do is Marty Huggins, the son of a veteran (Brian Cox) who has strong ties to the Motch's. Galifianakis makes Huggins a squirrely and slightly odd guy who is so naive and innocent it is almost hurtful to watch as his assigned campaign manager Tim Wattley (a hilariously subtle Dylan McDermott) transforms him from this humble family man to a politician willing to do or say anything for the win. While Galifianakis makes this transformation seamlessly it is by way of his performance one of the best things about the film. He delivers the laughs, he keeps up the persona without drastically changing the character, but we see him become a different person. It is alarming, while at the same time hard not to laugh at. Which in many ways is all the more unsettling.
While after a second or third viewing I might have a change of opinion on the film, for the time being I was pleasantly surprised not only by the amount of laughs I got from The Campaign, but also how sharp of a wit the overall film had. We know it is making fun of politics, heck the majority of us don't need comedians playing the politicians to laugh at the whole farce that has become the election process, but if anything this movie makes the pill easier to swallow. It would like to disguise itself as a rather standard Will Ferrell comedy but in reality, if we want to, there is more to look for here. I didn't have high expectations going in. I expected more Bewitched Will Ferrell than I did SNL-era Ferrell, but what we got was a well thought out, funny movie that really had everyone invested in it. There is nothing worse than a comedy where it feels like the makers have simply thrown together a story around two funny guys that they know will bring in the box office returns. As comedies have not exactly been landing record numbers lately (with the exception of Ted) it is nice to see a film where the people behind and in front of the camera are getting the same amount of satisfaction out of their work as they hope the audience will. There are small complaints here and there that one could make about The Campaign, but they are far outweighed by the positive attributes this film carries. You laugh, you learn a little, and you begin to wonder how close this all really is to reality.
![]() |
Marty Huggins (Zach Galifianakis) and his family endure some tough times in The Campaign. |
![]() |
Marty, Mitch (Jason Sudeikis), Tim (Dylan McDermott), and Cam (Will Ferrell) face off against one another. |
The Motch brothers have, for years, backed Brady who knows how to spout words that sound good to the crowd while not actually meaning anything. Too bad he has a knack for keeping one too many mistresses as well and just before the election, where he usually runs unopposed, he leaves a rather explicit message on the wrong answering machine. This misstep creates the need for the Motch bros to bring in a candidate to oppose Brady. The best they can do is Marty Huggins, the son of a veteran (Brian Cox) who has strong ties to the Motch's. Galifianakis makes Huggins a squirrely and slightly odd guy who is so naive and innocent it is almost hurtful to watch as his assigned campaign manager Tim Wattley (a hilariously subtle Dylan McDermott) transforms him from this humble family man to a politician willing to do or say anything for the win. While Galifianakis makes this transformation seamlessly it is by way of his performance one of the best things about the film. He delivers the laughs, he keeps up the persona without drastically changing the character, but we see him become a different person. It is alarming, while at the same time hard not to laugh at. Which in many ways is all the more unsettling.
![]() |
Cam Brady will stoop to any level to try and win. |
THE CAMPAIGN Review
It was a tad bit disappointing when I realized that this summer there wouldn't be a collaboration between star Will Ferrell and director Adam Mckay. Since 2004 they have made a film every other year beginning with the minor masterpiece and now cult classic Anchorman: The Legend Of Ron Burgundy. They have since followed up with hit after hit including Talladega Nights, Step Brothers, and The Other Guys. This was the year for their return if they were going by any former schedule but it looks like things have gone a little off course in trying to settle a deal to make a sequel to that grand introduction to Ferrell we received eight years ago. Still, any Ferrell fan should be thankful as we at least have a film at all to go see this summer featuring our favorite man-child. Turns out, its a pretty darn funny one as well. While the news that The Campaign wouldn't be a Ferrell/McKay team-up was disheartening enough I was even more skeptical about the project when it was stated that director Jay Roach would be at the helm. Roach has a resume full of successful comedies including the three Austin Powers films and Meet the Parents, but then again he also made Dinner for Schmucks a couple of years ago. A film that had so much potential to be a great comedy but instead fell flat on its face. Thus, the reason I was so worried for The Campaign. It doesn't seem all that hard to make a funny movie when you seemingly have a bunch of funny people around, but that isn't necessarily the case. While The Campaign could have certainly been slightly more focused and inventive with its comedy it is an effective political satire and an all out comedy that regardless of how, had me laughing from beginning to end. It is, in a word: hilarious.
PUSS IN BOOTS Review
By
Vandy Price
Labels:
Antonio Banderas,
Puss in Boots,
Salma Hayek,
Zach Galifianakis
It has been apparent since he made his first appearance in "Shrek 2" that Mr. Puss in Boots was a stand out character and it was almost inevitable he would not claim his own feature. Well, that time has come and Puss has arrived in fine feline form as his usual suave, adventure savvy-self. Antonio Banderas still infuses the role with his Zorro-like attitude and all-around characterization of a kitten too cute for its own good. The real triumph of "Puss in Boots" though is that this great, but small aspect of the larger "Shrek" films did not stretch itself thin or become a one note gag that fell short in carrying the weight of his own movie on his shoulders. That this isn't much like the aforementioned series doesn't hurt either. While the great animation looks the same, "Puss in Boots" has a completely different tone going for it. This isn't the satirical, pop-culture referencing adventure that the green ogre populates, no, this is in fact a more straightforward adventure film that often has us chuckling, but not laughing out loud. In short, Puss in Boots can still be called the cat's meow.
In telling this kind of action/adventure film the plot sticks to the standards of that genre pretty closely. Puss, a cat on the run from the law is trying to set right his name in his hometown after being set up and accused of robbing the local bank. We learn all of this through a deeply detailed reflection in which Puss tells of his younger years and how he was adopted and taken in by a lovely lady who also had taken in a lonesome egg named Humpty. Yes, that Humpty the Dumpty who here is voiced by the wonderfully charismatic Zach Galifianakis. Humpty and Puss used to be the best of friends, considering each other brothers even, until the day Puss became a hero and Humpty became jealous. This all results in some backstabbing where we learn Humpty is indeed the one who set Puss on the outlaw path (sorry if you consider that spoiler worthy). Since their early beginnings though, Humpty has masterminded ways of getting the magical beans and with Puss as his partner, they could scale the beanstalk and capture the goose who lays the golden eggs. These story lines, using that same incorporation of famous fairy tale characters for effect as the "Shrek" series works the same here as an older, scruffy looking Jack and Jill (Amy Sedaris and Billy Bob Thornton) are enlisted as our films back up baddies. It is the troubled friendship between Puss and Humpty though that is the real centerpiece of the film and provides the most complex story for it to explore.
The other main addition to Puss's origin tale is Kitty Softpaws, a female feline who will steal you clean before you even realize she is there. Salma Hayek, re-teaming with Banderas yet again, brings as much as she can to the most underdeveloped character on the screen as she and Puss begin the spark of a romance, but while we always question her allegiance we never feel as if we really know Kitty Softpaws as much as we do Puss. We like her okay, but we aren't sure if she's the one for Puss. At least, that's how I felt and it also kind of sums up my feelings about the entire film. Puss is a coveted character we all love and feel a certain kind of claim over. In a way we feel we know this character better than any of those on the screen do, that is what a good job the makers of the second "Shrek" did in developing this sidekick that could rival even Eddie Murphy's donkey. If Puss is going to get his own movie, it better be a dang good movie and if they are going to give him a gal to fall for, she better be just as impressive a character as he. She needs to leave as great an impression as he has. This just doesn't ring true as we watch Puss ride off into the sunset just before the credits roll. Instead, we feel content and satisfied, but not overjoyed with the results that ultimately didn't do more than pass the time.
The flawed Humpty moves the story along while much of everything else that is going on feels unnecessary and underdeveloped. But the bond, the back story, and the genuine interaction between Puss and Humpty raises the quality level to that of what Dreamworks has been producing recently with "How to Train Your Dragon" and the "Kung fu Panda" series. As odd as it may sound, we as an audience become genuinely invested in a friendship between a cat and an egg and that is the films saving grace. It is not a film that justifies the greatness the character of Puss in Boots deserves but overall it is an enjoyable, family friendly film (still, the opening scene and not so subtle sex and drug jokes throughout had me rolling) that is more than worthy of your attention if you fell in love with Puss when he first flashed those cute green eyes at you years ago. The makers were smart enough not to take away from the character at the heart and title of this project, but next time let's keep Puss the star while providing him a worthy adventure we can really get excited about.
![]() |
Puss (Antonio Banderas) meets Kitty Softpaws (Salma Hayek) for the first time. |
![]() |
"Pray for mercy from..." |
![]() |
Puss and childhood friend Humpty Dumpty (Zach Galifianakis) search for the magic beans. |
PUSS IN BOOTS Review
By
Vandy Price
Labels:
Antonio Banderas,
Puss in Boots,
Salma Hayek,
Zach Galifianakis
It has been apparent since he made his first appearance in "Shrek 2" that Mr. Puss in Boots was a stand out character and it was almost inevitable he would not claim his own feature. Well, that time has come and Puss has arrived in fine feline form as his usual suave, adventure savvy-self. Antonio Banderas still infuses the role with his Zorro-like attitude and all-around characterization of a kitten too cute for its own good. The real triumph of "Puss in Boots" though is that this great, but small aspect of the larger "Shrek" films did not stretch itself thin or become a one note gag that fell short in carrying the weight of his own movie on his shoulders. That this isn't much like the aforementioned series doesn't hurt either. While the great animation looks the same, "Puss in Boots" has a completely different tone going for it. This isn't the satirical, pop-culture referencing adventure that the green ogre populates, no, this is in fact a more straightforward adventure film that often has us chuckling, but not laughing out loud. In short, Puss in Boots can still be called the cat's meow.
Subscribe to:
Posts (Atom)